Boom RIde

Due to their short supply of water and food, Kevin Marlin sets off, without even a fully-formed plan.

The pirates trust Kevin—some more than others!

Those filthy hippies probably needed a bath, anyway!

The story arc ends, but unfortunately, Kevin Marlin and his family haven’t seen the last of the pirate trio.

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For more information on the career of Kreigh Collins, visit his page on Facebook.

Marooned!

While Kreigh Collins never managed to sail Heather to the Bahamas, his Sunday comics counterpart Kevin Marlin did. While heading back to Florida, an unusual boat was spotted.

Many pieces of original artwork for UP ANCHOR! are found in a collection at the Grand Rapids Public Library, including those for two of the episodes in this installment.

In a case of “no good deed goes unpunished,” the Marlin family are ambushed.

The ersatz Manson Family members decide to maroon Heather‘s crew on a desert island, but not before the Marlins lay eyes on the hippies’ prisoner, Pedro.

While the reunion is nice, a plan to save themselves would be nicer!

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For more information on the career of Kreigh Collins, visit his page on Facebook.

It Was Murder!

Among some recently-acquired UP ANCHOR! half pages were most of the episodes of a story arc with an unusual plot element—murder. The choice of portraying hippies as villains was likely inspired by the tragic and ugly Manson family murders, which had occurred in the summer of 1969. In fact, the Tate-LaBIanca trial was under way when these episodes were published in late 1970.

The Marlin family, whose journey aboard Heather had led to a temporarily relocation in Florida, had just returned from Maine. Kevin Marlin had been hired to sail a cutter from Connecticut Down East. To return “home” and hear such terrible news would be very unsettling.

A couple things from the October 11, 1970 episode that caught me eye were the Manson Family lookalikes in the center panel and the second panel of WATER LORE. Occasionally, Kreigh Collins would directly reference his personal life, but I had never seen him mention his father. He was much closer to his mother.

As Heather is being provisioned, some Easter Eggs are revealed on the labels of the packages being brought aboard. In the first panel, Kevin caries a case of “Jesiek’s Oil.” Back home in Michigan on Lake Macatawa, Heather spent her winters “on the hard” at Jesiek Brothers Shipyard. Based on the box carried by his friend, I’d wager that “Schottenburg’s” was a nearby grocer the Collins family patronized. The second tier’s second panel shows Dave and Erik pestering their mother about dinner—here a box is simply labelled “Boy Food.”

The provisions were needed for an upcoming trip to the Bahamas. While many of the adventured that take place in UP ANCHOR! were based on real events, alas, a trip to the Bahamas was a dream that was never realized for Kreigh’s family. The Marlin family’s adventures in Florida were inspired by the journey the Collinses took in 1959–1960, but the Chicago Tribune’s sudden cancellation of KEVIN THE BOLD in December, 1959 necessitated a reappraisal of the family’s financial situation and resulted in the cancellation of the Bahamas leg of the trip.

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For more information on the career of Kreigh Collins, visit his page on Facebook.

Fan Mail

Over the course of his 24-year career illustrating comics for NEA, Kreigh Collins received quite a bit of fan mail. No doubt it was flattering for Collins to read, but the real benefit was more tangible. Fan mail indicated engaged readers, and led to better treatment from the newspapers running the comics—more desirable placement in the comics section, and less chance of running in the unflattering one-third page version. When letters arrived at the NEA offices, staffers wrote back, thanking them, but suggesting they send praise directly to their local paper.

During the “Mitzi McCoy” era, Stub Goodman’s dog Tiny was the inspiration for much of the positive reader response. Tiny was an enormous Irish Wolfhound, and became the favorite of many, especially members of the Irish Wolfhound Club of America. Initially, these letters were encouraged—Lynn thought he could mobilize an enthusiastic base in a letter-writing campaign to help boost “Mitzi” ’s profile. Soon, however, it was decided the amount of energy spent catering to the wolfhound aficionados outweighed any benefit they provided.

After the successful debut of “Kevin the Bold,” one letter writer wondered (correctly) if the the comic strip was created by the same Kreigh Collins he had known who did illustration work for Chicago ad agencies in the early 1930s. (After all, my grandfather wasn’t the only one with that unusual name).

What other letters often had in common, besides praise, was a request. Would Mr. Collins please sent an autographed photo? Could he please send a drawing of Tiny/Mitzi/Kevin? Or would he be able to send a piece of original artwork?

Collins was happy to oblige. In his era, original comic art didn’t hold the cachet it does today. By the time his original illustrations were returned to him, those episodes were ancient history, and Collins would be busy refining layouts for upcoming comics and developing scripts for future ones. Besides mailing art to far flung fans, Kreigh also gave them to friends closer to home. Though it isn’t in fantastic condition, my favorite “Kevin the Bold” original is the one my Grandpa Collins gave to my Grandpa Palmer (my mother grew up in Grand Rapids, about ten miles from my father, who hailed from Ada, Michigan).

KTB 012162 OA 72

Personalized by the artist, top left.

Many letters complimenting Collins’ fine illustrations came due to his dogged research efforts, whether of 16th-century Austrian armorer Konrad Seusenhofer (“my family were armorers for generations going back as far as 1250… would you be so kind to give me the source of the information…”), 16th century sailing ships (“Above all I have enjoyed the lavish details that you put into your caravels…”), or period-appropriate clothing (“the thing I am so very fond of are the gorgeous clothes”).

Features Director Ernest Lynn used the fan mail as a sales tool. A letter sent to Miami Herald brass collected several glowing quotes and a referenced the Chicago Tribune’s use of “Kevin the Bold” in an attempt to persuade them to feature the comic.

1952 0109 Fan IMG_4823

Letters from hobbyists and art students are one thing, but recognition from peers is something else. Another 1952 letter came from comic book artist Edmond Good. I was unfamiliar with his name, but after seeing his telltale signature, I looked him up.

1952 0612 Fan IMG_4828


For more information on the career of Kreigh Collins, visit his page on Facebook.

Murphy’s Law

Since rescuing two kids and their monkey from a drifting rubber raft, everything that could go wrong did go wrong. However, Heather’s crew is pretty good at problem solving.

A leeboard was improvised, and worked pretty well until the monkey dropped anchor.

Luckily, tying up the loose ends wasn’t too challenging.

Unfortunately, the chapter concludes with an episode I don’t have. And Murphy’s Law dictates that the original artwork isn’t among the 75 examples found in Collection 56 at the Grand Rapids Public Library, either. (All told, there are 174 episodes of UP ANCHOR!).

Nonetheless, it shows the family sailing into Boothbay Harbor, Maine, aboard the cutter they were delivering.

This ending was inspired by Collins and his family reaching Boothbay Harbor, Maine, aboard their schooner Heather in the summer of 1965. After a year of sailing, Boothbay Harbor was the furthest point east that they reached—over 1,000 miles from Lake Macatawa.

After wintering in Maine, Heather would start her return trip to west Michigan in the spring. By August she would be home.

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For more information on the career of Kreigh Collins, visit his page on Facebook.

Monkey Business

Heather and her crew spend a short time in Mystic, then continue their journey eastward. An interesting parallel is found to a three-week sailing trip I took with my Brother aboard his Gulfstar 43.

In the spring of 1989, we sailed from South Amboy, New Jersey and made some of the same stops as UP ANCHOR’s Marlin family. After sailing through Long Island Sound, we visited Block Island (and hit Mystic on the return trip). We also spent a night at Cuttyhunk Island, but from there our courses diverged. Where Heather headed northeast toward the Cape Cod Canal (and Down East), Brett and I sailed east to Martha’s Vineyard and Nantucket. Also, we didn’t hit any whales. The only bit of trouble we ran into was getting pulled over by a Coat Guard Cutter in Buzzard’s Bay… but that’s another story.

The damage is assessed and while it could have been worse—losing the engine and centerboard is not good!

Introducing a monkey might seem like a bit of a stretch, but it is a nice call back to a KEVIN THE BOLD episode from a couple decades back.

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For more information on the career of Kreigh Collins, visit his page on Facebook.

The Delivery

A recently-acquired batch of UP ANCHOR! half pages included most of the episodes of a story arc which ran 53 years ago, in the summer of 1970. The action begins in Florida, but the Marlin family soon land in New England, in order to handle the delivery of a sailboat.

UP ANCHOR! was based on the Collins’s experiences cruising and living aboard their boat. In May, 1964, Kreigh, Theresa, and 13-year-old twins Kevin and Glen left West Michigan and journeyed to New York City to take part in the first Operation Sail, which was a tie-in to the 1964 New York World’s Fair.

Coinciding with this trip was the imminent birth Of Kreigh and Teddy’s second grandchild (Ahoy! That’s me!). In order to simplify things for my parents (Judy and Erik), the decision was made for my older brother Brett (not quite three years old), to accompany his grandparents and the “Uncle Boys” on the first leg of Heather’s trip. My family was living in Ann Arbor, Michigan at the time, so my dad drove Brett to Ada, dropped him off, with plans to pick him up in the Detroit area, after Heather had made the trip up and around Michigan’s “mitten.” (It must have made an impression on Brett, who has owned numerous sailboats during his adult life). In a letter, Kreigh described his youngest crew member as “not too much trouble,” which I always thought was pretty funny.

After dropping Brett off, the journey continued down the Detroit River, through Lake Erie and the Erie Barge Canal, and down the Hudson River. From there they sailed through Long Island Sound and made port at Mystic, Connecticut.

Theresa kept as diary during the voyage, and much of the material was eventually used as raw material for UP ANCHOR! Before turning into the comic strip’s storylines, it was edited, illustrated by Kreigh, and published as “In the Wake of the Heather.”

To be continued…

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For more information on the career of Kreigh Collins, visit his page on Facebook.

Sunday, May 29, 1949

NYSM 052949 01 72 cc

When I was putting together The Lost Art of Kreigh Collins, Vol. 1, The Complete Mitzi McCoy, a late stumbling block was finding replacement comics for the episodes I only had third-page examples of. Ironically, after searching far and wide for several years, I located them in a comic book shop about a dozen miles from my home. The catch was that I had to purchase them as part of complete comic sections. I left the shop with six 16-page New York Sunday Mirror Sunday comic sections and while I spent far more than I hoped, my quest was over. The Mirror carried MITZI for the duration of its run—usually in a half-tabloid format, but occasionally as a full tabloid page. Flipping through it reveals both big name features and comics now forgotten.

As usual, Ham Fisher’s JOE PALOOKA ran on the front page, followed by Milton Caniff’s STEVE CANYON and MICKEY FINN by Lank Leonard. Next up are HENRY by Carl Anderson, KERRY DRAKE, and SUPERMAN (neither credited, but by Alfred Andriola/Allen Saunders and Stan Kaye/Wayne Boring respectively). Then it was THE FLOP FAMILY by Swan, an advertisement for Philip Morris tobacco, and Frank Miller’s BARNEY BAXTER IN THE AIR.

The Philip Morris ad is interesting, it promotes both cigarettes and pipe tobacco. In the cigarette portion of the ad, Dick is behaving like a dick—due to a sore throat (caused by some other brand of smokes). He is given advice by a character dressed in a bizarre uniform who seems to be a golf course clubhouse attendant (was the illustrator’s reference an organ grinder monkey?), and appears to be about nine years old. Astonishingly, the dapper dandy offers Dick a Philip Morris cigarette, and ultimately, Dick’s love life is back on track. (Perhaps the attendant is an adult but his cigarette habit stunted his growth?)

monkeyfez

The pipe tobacco portion of the ad, masquerading as a topper strip, has a character mentioning that he was from the class of ’89. With this newspaper edition dating to 1949, that means the gent was class of 1889 (!). Another character claims she loves the clean, fresh smell of her husband’s pipe. (Could it be that tobacco companies lied to consumers? Egad).

For me, the funny pages’ highlight probably falls into a category I mentioned earlier, “comics now forgotten.” This episode, MITZI McCOY’s 30th, is from the middle of the strip’s fourth story arc, and appears in the half-tabloid format. Half-tabs have small dimensions, but they include the throwaway panel, which full-page tabloid versions do not. It’s a sweet episode where a runaway child is discovered, and is notable for not showing the strip’s titular character. Of personal interest to me is the appearance of the child, Dick. Like many artists, Kreigh Collins used his family as models; for Dick, the model was my father, Erik—Kreigh’s oldest son. Dad was 10 years old when this episode was drawn. Sharing a page with MITZI is an advertisement for Pepsi, a rather saccharine affair with another kid saving the protagonist’s love life.

Next up were Harry Hanan’s silent comic LOUIE and an ad for Kellogg’s Corn Flakes (completely devoid of relationship advice from youngsters—how refreshing!). A page with Roy Crane’s CAPTAIN EASY, drawn here by Walt Scott, and V.T. Hamlin’s ALLEY OOP FOLLOWS; opposite these two strips is an ad for Fab detergent. The ad features a cartoonish family looking suspiciously similar to the family from the Corn Flakes ad, and hypes a pretty cool giveaway—a free house!—valued at $18,000 (things have certainly changed in the last 74 years!). then it’s Frank Godwin’s RUSTY RILEY, REX MORGAN, MD by Bradley and Edgington, BOOTS by Martin, and Merrill Blossar’s FRECKLES AND HIS FRIENDS (plus the topper strip HECTOR).

The last full spread in the section features OUT OUR WAY by J.R. Williams, PLUS OUR BOARDING HOUSE.

Taking its usual spot on the back cover is LIL’ ABNER by Al Capp.

NYSM 052949 16 72 cc


Want to See More of Mitzi?

The Lost Art of Kreigh Collins, the Complete Mitzi McCoy” features the entire run of Kreigh Collins’ first NEA feature.

Mitzi McCoy Cover 150

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

The book is available for $30. For domestic shipping, add $4; for international orders, please add $25 to cover first class shipping. To place an order, leave a comment below or email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information. Thank you!


For more information on the career of Kreigh Collins, visit his page on Facebook.

Happy Anniversary!

Whenever this blog’s anniversary rolls around, I try to come up with something interesting and comprehensive. This year, I decided to create an outline of all the chapters of my grandfather’s Sunday comics.

Kreigh Colins’ career as an NEA-syndicated cartoonist lasted for over 23 years. MITZI McCOY debuted in 1948 and ran for a couple years before it morphed into KEVIN THE BOLD in 1950. In 1968 it morphed again into UP ANCHOR! In all, they added up to 1,221 Sunday episodes spread across 105 chapters.

Here is the list, with links to the corresponding blog posts where applicable. (Apologies in advance for any linking errors! If you find one, please let me know). The chapter titles listed below aren’t official, they’re just things I came up with, often based on the villain or where the action takes place.

MITZI McCOY

1948
1. The Runaway Bride 

1949
2. The Shakedown
3. The Con Artist 
4. The Freedom Clarion
5. The History of the Irish Wolfhound
6. The Bow and Arrow Bear Hunt
7. The Christmas Story  (KEVIN THE BOLD version)
8. Tiny to the Rescue (from French comic book) (from Australian comic book)
9. The Living Pinups (from Australian comic book)
10. The Counterfeiters 

1950
11. Yolo 

KEVIN THE BOLD

12. The McCoy Legend (from Swedish comic book)
13. Count De Falcon (in Italian) (from Australian Comic Book)

1951
14. The Search for Sadea (from Italian comic book)
15. The Witch Hunt (from French comic book)
16. Baron Von Blunt

1952
17. The Deathtrap
18. The Treasure Hunt
19. Zyclos (Partial – in Serbian)
20. The Dragon (in Serbian)
21. Prince Rupert and the Legend of the Sword of Courage (Australian comic book)

1953
22. The Cave Bear 
23. The Ruthless Zameel
24. The Count del Morte
25. The Island of Death (in Danish)

1954
26. Toto and Grudja 
27. Sarrov
28. The Mountebank’s Lions
29. Gouda and Hunn

1955
30. Stormza
31. The Castle of the Sleeping Beauty 
32. Marriage by Proxy
33. Count Nargyle
34. Sari

1956
35. King Henry
36. Sir Guy Thornberry Seeks Revenge
38. The Isle of Sark
39. The Plot to Dethrone Henry VIII

1957
40. Shark Donnelly
41. Count Noir
42. David Drew the Shipwrecker
43. Spider the Stagecoach Robber

1958
44. The Dancing Bear
45. The Dragon Ship
46. Antonio’s Fencing Academy
47. The Powder Expert 

1959
48. Kidnaping a Princess (in Serbian) (from Swedish comic book)
49. Kevin vs. the Spanish Armada (redux)
50. Warden of the Smoke and Bells

1960
51. Leo’s Tale of Buried Treasure and Tyranny
52. The Allure of the Bad Boy 
53. Dover Pirates 
54. Two Sons
55. Hercules

1961
56. The Turkish Cannon
57. Elsa Van Loo Meets King Henr
58. King Henry Falls for Elsa Van Loo 
59. Kidnapping Queen Catherine
60. Bound for the New World 

1962
61. The Shah’s Gift
62. The Field of the Cloth of Gold
63. An Outing: Sir Duncan MacDonald and Louise
64. Kevin Plays Cupid
65. Governor Pedro

1963
66. Japan
67. Istanbul
68. The Parisian Underworld 
69. Queen Elizabeth

1964
70. The Musketeers
71. Hispaniola
72. Inky
73. Will Shakespeare

1965
74. The Hartz Family Fortune
75. Captain Duncan Bellows
76. Roanoke
77. A Story of Robin Hood

1966
78. Kevin the Warlock (from Dutch comic book)
79. The Search for the Northwest Passage
80. Sir Frances Drake
81. Stormy
82. The Story of the Norman Conquest (English and Serbian versions)

1967
83. Sir John Drayke Returns from Hispanola
84. Tankard the Bold
85. The True Story of Captain John Smith 
86. Leonardo DaVinci Redux 
87. Buried Treasure

1968
88. Saving the Lipizzans 
89. Mardoc

UP ANCHOR!

90. Introductory Sequence 

1969
91. Big Mac
92. The Singers
93. The Escaped Killer
94. Down the Mississippi 

1970
95. Shipjacked 
96. All-Girl Crew
97. Sir Robert and Mr. Chyppes
98. Boat Delivery
99. Who Murdered Don Olsen? 
100. The Seadog

1971
101. The Movie Star
102. The Intracoastal 
103. The Adventures of Pedro and Kevin
104. Returniung to Macatawa 

1972
105. Atlantic Crossing 

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More Mitzi McCoy

The Lost Art of Kreigh Collins, the Complete Mitzi McCoy” features the entire run of Kreigh Collins’ first NEA feature.

Mitzi McCoy Cover 150

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

The book is available for $30. For domestic shipping, add $4; for international orders, please add $25 to cover first class shipping. To place an order, leave a comment below or email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information. Thank you!

_______________________________________________________________

For more information on the career of Kreigh Collins, visit his page on Facebook.

Man Overboard!

With summer here, it seems appropriate to feature a sequence from Kreigh Collins’ sailing-themed comic strip UP ANCHOR!. In this chapter, Kevin Marlin and his family are making plans for an extended journey south aboard Heather. Of the 19 episodes, only half are in color, but they will be supplemented in the coming weeks with some interesting articles on the real-life events that inspired the action in UP ANCHOR!.

The voyage was begin in the fall, and the story picks up on a late summer shakedown cruise.

As Jane learned to sail, so did the readers, with help from the topper strip WATER LORE.

Written with help from his wife, Theresa, no doubt some license was taken, but I’d be inclined to believe that this incident actually happened.

A point of pride for me are the capable actions of Erik. My father, eldest of my grandparents four sons, was actually the only one who was not aboard Heather during this period. Ironically, relations between him and my grandfather were somewhat strained, so this is something of an idealized version of events.

To be continued…

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For more information on the career of Kreigh Collins, visit his page on Facebook.