Pipe Dream

Kreigh with his pipe, northern Michigan, c. 1930.

A very busy week with my day job has led to having nothing ready to post today. Instead, here is a quick update.

As previously mentioned, the reason I started this blog was to raise awareness of my grandfather’s career as a cartoonist. One of the reasons I wanted to raise his profile was my plan to publish a collection of his comic strips and I hoped to sell books to folks outside my immediate family!

My first idea was to do a book featuring KEVIN THE BOLD, but this seemed intimidating because the strip ran for so long. While searching for KEVIN episodes to fill the holes in my collection, I acquired the complete run of MITZI McCOY, and the idea of putting together a book with only about 100 episodes seemed much more manageable for a first-timer like myself.

Once the book came out in 2018, this blog continued, and I circled back to my original idea—doing a book on KEVIN. By this point, I had become more familiar with the 78 story arcs of Kreigh Collins’ better-known comic feature and my publishing plans evolved into the pipe dream of publishing all of KEVIN’s adventures in five volumes—each with about 200 episodes. This dream included a sixth volume with UP ANCHOR!’s run of 174 episodes.

Knowing how much work went into the MITZI book, I realized I’d be lucky to do a single volume on KEVIN, but unlike producing six more collections, this was a viable plan. KEVIN THE BOLD, Volume 1 would feature the strip’s first 205 episodes—the 15 chapters that appeared from October 1, 1950 through August 29, 1954. I was confident that I could find a new publisher; however, this step proved to be harder than I expected, and I paused on my color-correcting efforts.

If anyone has any leads or suggestions for a publishing partner, please let me know by commenting below or by sending an email to brianedwardcollins1[at]gmail.com. (Even if you don’t have any leads, I love hearing from fan’s of my grandfather’s work!) Besides the wonderful episodes that Volume 1 would feature (about 95% of which are beautiful half page examples from the Chicago Sunday Tribune), I have plenty of other material to include, and I think it would be a fantastic book.

Thank you! Schedule permitting, a chapter from 1958 will start next week.

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A Golden Age Classic

The Lost Art of Kreigh Collins, the Complete Mitzi McCoy, features all of MITZI’s eleven chapters, plus the transitional sequence where the comic strips morphs into KEVIN THE BOLD.

Mitzi McCoy Cover 150

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an afterword by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

The book’s price is $30. For domestic shipping, add $4; for international orders, add $25 for first class shipping. To place an order, leave a comment below or email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information.

_______________________________________________________________

For more information on the career of Kreigh Collins, visit his page on Facebook.

Off the Chain!

The posse comes across Stub’s disabled hotrod—but where are Peggy and Tiny?

Breaking free, and with no time to waste, Tiny reaches Peggy before the wolfpack.

In the dramatic conclusion to MITZI McCOY’s eighth chapter, Tiny saves Peggy and Stub saves Tiny, with Peggy attesting to Tiny’s heroism.

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Mitzi, Tim, Stub, and Tiny

Besides this chapter with Tiny and little Peggy Smith, “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy,” features ten other story arcs, plus the transitional sequence where the comic strips morphs into KEVIN THE BOLD.

Mitzi McCoy Cover 150

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an afterword by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

The book’s price is $30. For domestic shipping, add $4; for international orders, add $25 for first class shipping. To place an order, leave a comment below or email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information.

_______________________________________________________________

For more information on the career of Kreigh Collins, visit his page on Facebook.

Little Girl Lost

It’s back to school as usual for Peggy.

Before his days as a cartoonist, Kreigh Collins did a lot of painting, and the wintery outdoor setting shown in the first frame of the January 15 episode certainly evokes one of those rural landscapes.

Meanwhile, back in Scott County, Stub, Mitzi, and Tiny set off on an investigation. (To learn why Stub drives an old hotrod, I recommend purchasing the book listed below!)

The January 22 episode is quite delightful, with the second tier handsomely featuring Peggy, feeding the remnants of her lunch to the birds and clambering through the snow.

The suspense builds as the four groups converge: the posse, the wolves, Peggy, and Tiny.

To be continued!

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Mitzi, Tim, Stub, and Tiny

Besides this chapter with Tiny and little Peggy Smith, “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy,” features ten other story arcs, plus the transitional sequence where the comic strips morphs into KEVIN THE BOLD.

Mitzi McCoy Cover 150

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an afterword by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

The book’s price is $30. For domestic shipping, add $4; for international orders, add $25 for first class shipping. To place an order, leave a comment below or email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information.

_______________________________________________________________

For more information on the career of Kreigh Collins, visit his page on Facebook.

Dog Days

As we enter the dog days of August, running a sequence featuring a pup seems appropriate. Kreigh Collins included a number of pooches during his 25-year run as a cartoonist for the NEA syndicate; here is the first—Tiny, an Irish Wolfhound.

MITZI McCOY was featured in many small-town, rural newspapers, so the story Collins cooked up likely resonated with many of its readers. These episodes started appearing in January, 1950.

The action is a real throwback, set on a small family farm where the entire family, including young Peggy, pitched in to do the chores.

Peggy’s father is skeptical, and others less so, but as editor for the Freedom Clarion, Stub is always on the prowl for news.

_______________________________________________________________

Mitzi, Tim, Stub, and Tiny

Besides this chapter with Tiny and little Peggy Smith, “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy,” features ten other story arcs, plus the transitional sequence where the comic strips morphs into KEVIN THE BOLD.

Mitzi McCoy Cover 150

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an afterword by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

The book’s price is $30. For domestic shipping, add $4; for international orders, add $25 for first class shipping. To place an order, leave a comment below or email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information.

_______________________________________________________________

For more information on the career of Kreigh Collins, visit his page on Facebook.

She Said Yes!

Once again, beautiful Marie dominates the July 7 episode, which includes a very charming, barrier-breaking throwaway panel where she addresses the reader directly—visible only in the half-page format such as this. Meanwhile, the final panel introduces a character who has proven to be a scene-stealer in the past.

Where have I seen that snout before? Craigwood Molloc Druich bears a resemblance to a certain pup Collins had featured in MITZI McCOY nearly 20 years earlier—Stub Goodman’s dog, Tiny.

Tiny played a significant part in the metamorphosis of MITZI McCOY into KEVIN THE BOLD—but that’s another story.

To be continued…

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More Tiny?

The Lost Art of Kreigh Collins, the Complete Mitzi McCoy,” back in stock, features the entire run of Kreigh Collins’ first NEA feature, MITZI McCOY, and includes Tiny the Irish Wolfhound in one third of its episodes.

Mitzi McCoy Cover 150

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an afterword by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

The book’s price is $30. For domestic shipping, add $4; for international orders, add $25 for first class shipping. To place an order, leave a comment below or email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal information.

_______________________________________________________________

For more information on the career of Kreigh Collins, visit his page on Facebook.

The Deadfall

Mitzi continues to wander, realizes the great mistake she’s made, and starts to seek shelter.

Inches from certain demise, Mitzi is saved by Tim’s quick thinking.

Tim’s shouted warning has also put Mitzi in an eye-catching position! Seeing a familiar face seems to have brought her back to her senses, and Tim has landed a major scoop for the Freedom Clarion.

Mitzi was fortunate not to have gotten caught in the deadfall trap. Several years before turning up in MITZI McCOY, Collins illustrated one of the devices for the book “The Lone Woodsman,” by Warren H. Miller (1943). Though unfortunately printed on cheap wartime paper, the book contains numerous lovely illustrations and comes highly recommended.

MITZI’s introductory chapter ends with a humorous denouement. The dialogue brings a smile to my face due to a phrase my father often used in lieu of cursing—“Blankety Blank!” (sixth panel). Although Erik and Kreigh weren’t close, the two shared plenty of idioms. I think their estrangement is one of the main reasons I am so interested in my grandfather’s career. Growing up, iIt’s not like I was unaware of my grandfather’s work, I just wish there was more dialog about it when Kreigh and Erik were still alive. Of the few comments my father made on the subject was a bemused remark when I switched my college major from engineering to graphic design—“a commercial artist, that’s what my dad was.” Although Kreigh died young (shortly after his 66th birthday), my grandmother lived into her eleventh decade, and I’m proud that she lived long enough to see I had started collecting Kreigh’s comics, and had taken the first steps to start raising his profile. As his wife, muse, frequent model, and champion, I know she took pride in that.

To read more about the return of Mitzi’s ex-fiancé, and the other goings-on in the little town of Freedom, order a copy of “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy.”

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An Overlooked Classic

The Lost Art of Kreigh Collins, the Complete Mitzi McCoy” features the entire run of Kreigh Collins’ first NEA feature, and is available for a limited time at a reduced price.

Mitzi McCoy Cover 150

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

The book is available for $30 ONLY $20! For domestic shipping, add $4; for international orders, please add $25 to cover first class shipping. To place an order, leave a comment below or email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information.

______________________________________________________________________

For more information on the career of Kreigh Collins, visit his page on Facebook.

Mitzi, You’re Lost

Meeting Pemican, Tim has lucked out. Mitzi too, but she is blind to her good fortunate.

Perhaps you could chalk it up due to stress, but Mitzi’s reaction to her benefactors certainly hasn’t aged well. Then again, bolting does seem second nature for Miss McCoy.

Appearing for the first time in MITZI’s seventh episode was a new title logo. It’s possible that this graphic was executed by an NEA staff artist, following Collins’ original. At this point, Collins still handled the lettering of all the balloons and captions. (Art Sansom would take over in episode number 25, on April 24, 1949).

OK, clearly I’m a Mitzi McCoy apologist. That’s a pretty vile thought running through her head, but remember—this is 1948. Sadly, many others besides Mitzi harbored such feelings. I’ve got my fingers crossed that Mitzi redeems herself before this chapter ends!

The final MITZI McCOY episode from 1948 was used as a promotion, sent to newspapers as an enticement to carry Collins’ strip. I’m lucky to have a copy of this slick reproduction, one of two in my collection. If I was the comics editor of a newspaper, the first panel would have sold me. And maybe that sweet visage would’ve distracted me from Tim mansplaining in the following two panels.

It’s s visually arresting episode—it even reintroduces Phil Rathbone. In a bit of foreshadowing, Mitzi’s ex-fiancé is razzed by some young ladies—Phil won’t appear again until MITZI’s second chapter, when he’ll play a more memorable part.

_________________________________________________________________________

An Overlooked Classic

The Lost Art of Kreigh Collins, the Complete Mitzi McCoy” features the entire run of Kreigh Collins’ first NEA feature, and is available for a limited time at a reduced price.

Mitzi McCoy Cover 150

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

The book is available for $30 ONLY $20! For domestic shipping, add $4; for international orders, please add $25 to cover first class shipping. To place an order, leave a comment below or email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information.

______________________________________________________________________

For more information on the career of Kreigh Collins, visit his page on Facebook.

Wild Goose Chase

A news item from Stub Goodman’s Freedom Clarion has reached the big city papers, and the little guys move quickly, trying to stay on top of the story of Mitzi’s disappearance.

MITZI’s third episode is again densely packed with figures and action as the narrative picks up speed. My knowledge of comics history is somewhat limited, but MITZI reminds me of CONNIE, an earlier strip by Frank Godwin. Like Collins, Godwin’s background was in illustration, and both strips’ protagonists were female aviators. A connection between the two artists first happened in the early 1940s, when the two produced illustrations for Hermann Hagedorn’s “The Book of Courage,” published by The John C. Winston Company in 1943.

Near the onset of his professional career (late 1920s), while summering in a rural northern Michigan cottage with his new wife Theresa, Kreigh Collins came across a discarded old birch bark canoe. He set about restoring it, and it became a frequently-used prop in his artwork. It first appeared in paintings, then as a magazine cover, and later as a part of the “Do You Know—” series (a 16-month, daily newspaper feature Collins illustrated from 1935–1937).

Eventually, the canoe made its way into the fourth episode of MITZI McCOY, reproducing beautifully in the nascent comic strip’s first splash panel.

The episode is packed with more arresting content—a racing canoe, a suggestively posed and unconscious Mitzi, her burning aircraft, and some stereotypically-depicted Indigenous people (whose conversation quickly brings Mitzi back to consciousness). Collins availed himself to his “Do You Know—” canoe reference material a second time for this episode. Having launched his career as the Great Depression began, Kreigh had learned the virtues of thriftiness.

Meanwhile, back in the jungle, er, Canada’s Great North Woods, Tim has made tracks in his pursuit of Mitzi. His 1,000-mile trip from Freedom, Michigan would likely situate him near the northern boundary of Manitoba, on the western shores of Hudson Bay. While the Great North Woods might be sparsely populated, folks tend to be friendly—lucky for Tim.

The chase continues (as do the plugs for my book).

An Overlooked Classic

The Lost Art of Kreigh Collins, the Complete Mitzi McCoy” features the entire run of Kreigh Collins’ first NEA feature, and is available for a limited time at a reduced price.

Mitzi McCoy Cover 150

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

The book is available for $30 ONLY $20! For domestic shipping, add $4; for international orders, please add $25 to cover first class shipping. To place an order, leave a comment below or email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information.

______________________________________________________________________

For more information on the career of Kreigh Collins, visit his page on Facebook.

The Runaway Bride

Seventy-three years ago today, Kreigh Collins’ first NEA-syndicated Sunday comic was published. After a short courtship by the Cleveland-based syndicate, and a one-off feature proposal by Collins (the unpublished TOM MATCH AND STUB), the two sides settled on a weekly serial named for a headstrong daughter of wealth, and featuring a cast of characters that took turns in the spotlight.

Elements of Collins’ proposed comic strip remained, but were reshuffled significantly. Much of the action revolved around the employees of a small-town weekly newspaper, but unlike TOM MATCH AND STUB, where a younger man was the boss of his older employee, in MITZI McCOY the employees operate under a more traditional arrangement, with the young reporter (Tim Graham) working for the grizzled publisher (Stub Goodman). These changes were no doubt strong-armed by NEA Features director Ernest “East” Lynn—and in hindsight, it seems to be a case of Lynn trying to remind the freethinking Collins of who was in charge.

Despite their differences, the pair worked well together, and the result was a long and fruitful relationship for Collins and the NEA. MITZI McCOY takes off immediately, with our heroine abruptly cancelling her own wedding. Before long, Mitzi is airborne too.

While the strip would continue to evolve over its short lifespan (23 months), it started strongly, featuring many elements typical of Collins’ style. There was action, scenes rendered from multiple viewpoints, beautiful illustrations, and lovely women. Collins modeled the strip’s titular character after Rita Hayworth, a lovely choice, but it is unclear if this was his decision or Lynn’s—TOM MATCH AND STUB had introduced a sultry brunette in its lone episode.

Rita Hayworth, circa 1940

Regardless, basing Mitzi on the woman who was arguably the most popular pin-up girl of the WWII era was a fine idea.

Collins worked hard on his new project, as MITZI’s expertly-composed and detailed panels make clear. Each one was packed with visual information; Collins initially handled the lettering as well. The Grand Rapids Public Library has a large collection of original MITZI McCOY artwork in its local history collection, and these oversized pieces of original artwork are a marvel to behold.

In the strip’s second episode, regulars Stub and Tim make several appearances, but so do Mitzi, her father, and a smattering of the small town’s residents. Also included are Stub’s jalopy, Mitzi’s convertible, Mr. McCoy’s Packard, a couple of the McCoy family’s boats, Mitzi’s seaplane, and different setting or viewpoint for each of the episode’s ten panels.

November 14, 1948. From the collection of the Grand Rapids Public Library

Nice details from this episode include the third panel, with Mitzi running down the dock to her seaplane (shown in the foreground, with her convertible parked up high in the background), the realistically-rendered printshop interior shown in the panel directly below, the body language shown by Stub as he takes an earful from Mr. McCoy bottom left, and the gossipy townsfolk shown in the final panel, all hunched over and peaking at the scene playing out on the street corner, as they learn the scandalous news of the McCoy family.

When in Grand Rapids, Michigan, I highly recommend paying a visit to the city’s main library in order to view the MITZI originals up close. If a visit to Beer City is not in your travel plans, a nice fallback option is to acquire a copy of the book, “The Lost Art of Kreigh Collins: The Complete Mitzi McCoy,” with details (you guessed it!) provided below.

An Overlooked Classic

The Lost Art of Kreigh Collins, the Complete Mitzi McCoy,” is available for a limited time at a reduced price; it features the entire run of Kreigh Collins’ first NEA feature.

Mitzi McCoy Cover 150

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

The book costs $30 ONLY $20! For domestic shipping, add $4; for international orders, please add $25 for first class shipping. To place an order, leave a comment below or email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information.

______________________________________________________________________

For more information on the career of Kreigh Collins, visit his page on Facebook.

Flash News

The outline ends. As before, it accurately describes the final episode of the chapter—another graphically-appealing example of Collins’ work. The example I have, like many of the MITZIs in my collection, is a half-page from The Pittsburgh Press. For nearly its entire run, MITZI McCOY was the Press‘ lead comic feature (though as you may have noticed, my examples from this sequence also included tabloids, half-tabloids, a third-page, an NEA promotional slick, and a photo of one of the original pieces of artwork).

This final episode includes several interesting panels. One is an interior of the Freedom Clarion’s work space (note the metal type being composed on the make-ready table, and the first and last panels of the second row both show exterior scenes of the little town of Freedom that very closely resemble those shown in the proto-episode Collins created for NEA that became MITZI. These exterior scenes were modeled after Fishtown, the commercial lakefront district of Leland, Michigan, where Collins spent much time in his career, both at leisure and painting.

As the outline came together in March-April, 1949, Collins was able to sneak in a teaser reference to the upcoming chapter in the one he was currently inking. In the June 12, 1949 episode, from the prior sequence that introduced Dick Dixon, the boy notices a poster for the Notty Pine show that was central to the chapter just featured. (Incidentally, this one is one of my favorite MITZI episodes—along with the Notty Pine reference, DIck stuns Tim Graham with his knowledge of various sailboats’ histories, and there are several beautiful examples of good-girl art—typical hallmarks of Collins’ work.


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Speaking of Mitzi…

The Lost Art of Kreigh Collins, the Complete Mitzi McCoy,” is available for a limited time at a reduced price; it features the entire run of Kreigh Collins’ first NEA feature.

Mitzi McCoy Cover 150

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

The book costs $30 ONLY $20! For domestic shipping, add $4; for international orders, add $25 for first class shipping. To place an order, leave a comment below or email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal information.

___________________________________________________________________________________

For more information on the career of Kreigh Collins, visit his page on Facebook.