The Lost Colony

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The following “Kevin the Bold” sequence received quite a promotional push from Kreigh Collins’ syndicate. In addition to several paragraphs of descriptive text, four separate spots were prepared—three with illustrations and one with a photo of Collins at his drawing table.

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The promotional push generated other articles, such as this one from the Atlantic City Press. Placing it alongside an update on pole sitter Dixie Blandy is interesting perhaps only to me (but get a load of this!)

Although the comics came out in the summer of 1965, the required research was started five years earlier. Collins and his family had taken their schooner Heather south in 1959, wintering in Coconut Grove, Florida. This was the first step in their endeavor of sailing the Great Loop, an approximately 6,000-mile journey (quite a feat considering the 45′ sailboat’s crew consisted of Kreigh, wife Theresa, and 9-year-old twins Kevin and Glen.

It is worth mentioning that Collins continued working on his comic strip during this year-long adventure, he arose early in the morning and did his illustrations in the main salon of his sailboat’s cabin. Visits to post offices along the way were required for mailing off his scripts and illustrations, and for receiving feedback from the suits at the syndicate.

In April, the family headed north via the Intracoastal Waterway, eventually sailing through New York Harbor, the Hudson River, and across the Erie Canal. From there, they entered the Great Lakes, sailing through Lake Erie, Lake Huron, and Lake Michigan, making it back to their home port on Lake Macatawa in late August.

Somewhere in North Carolina, a photographer joined the crew (although these photos must have been taken by someone else, since the photographer appears in a couple of the shots).

Among their many stops was Hatteras Island on North Carolina’s Outer Banks—the location of the lost colony of Roanoke, and the mystery and disappearance of its settlers, including Virginia Dare. No one knows what happened, but as Collins said in the newspaper article about the sequence, he had his theory.

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A souvenir from an annual stage show about “America’s greatest mystery” (now in its 82nd season)

The action begins with Kevin about to sail for the New World, and with his amigo Pedro determined to join the crew.

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As usual, the comics’ tone is lighthearted at the beginning of the story arc, but soon the real action begins.

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For more information on the career of Kreigh Collins, visit his page on Facebook.

Tit-Bits No. 2232

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Tit-Bits was a British weekly with origins in the late 19th century. An Argentinian version was created in 1909, and among its pages, Spanish translations of American comics were featured.

Measuring 10.5″ x 13.5″, the 24-page, tabloid-sized magazine had full-color covers, and the interior was a mixture of black and white and color pages.

“Kevin the Bold” made its Tit-Bits debut in issue No. 2232, published on April 1, 1952. Retitled Kevin el Denodado, its adventure theme fit in nicely with the other comics the magazine featured. In addition to appearing on the cover, “Kevin” also ran on the inside spread. The other comics in this issue were Spanish versions of “Big Ben Bolt,” by John Cullen Murphy (Ben Bolt Campeón), “Rusty Riley” by Frank Godwin (Rusty Riley, Aprendiz de Jockey), “Terry and the Pirates” by Milt Caniff (Terry, el Piloto), and Dr. Nicholas P. Dallis’ “Rex Morgan, MD” (Rex Morgan, Médico). Sometimes the comics ran on full pages, and in other cases there was editorial content wrapping around them.

In all the copies I have seen of Tit-Bits, comics were featured on both the second page and facing the table of contents (page 3). The other comics appeared at random intervals throughout and generally ran in black and white.

On the other hand, the new comic found on the magazine’s center spread ran in color. Not only that, but this massive 21″ x 13.5″ image was made by combining three separate episodes into one.

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It actually begins with the final episode of “Mitzi McCoy,” and continues with the first two episodes of “Kevin the Bold.” This composite comic was constructed from tabloid versions of the original—each of the three throwaway panels are missing—and the visuals of the third and fourth panels are reversed, with the dialog remaining in its original position (I guess the NEA’s Ernest “East” Lynn wasn’t the only fussy comics editor in the western hemisphere!)

As a comparison, here are the original versions of the spread’s three comics (September 24, October 1, and October 8, 1950).

Tit-Bits continued running episodes of Kevin el Denodado for at least three years. A single episode ran in each of the five issues following No. 2232, and then another three-comic combination graced the center spread of issue No. 2238, dated May 13, 1952. As was the case with the Menomonee Falls Gazette, the Tit-Bits cover images rotated based on the comics featured inside. From what I can tell from my small collection, Tit-Bits kept publishing “Kevin” episodes sequentially, possibly skipping a story arc, or occasionally running them in a different order.

“Mitzi McCoy” does not seem to have been featured in Tit-Bits, and the only case I have seen of that comic strip having been translated into Spanish appeared in Havana, Cuba’s “El Mundo” Sunday edition.

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“El Mundo de Mitzi McCoy,” May 21, 1950.


Lost in Translation

The action featured in the epic “Kevin the Bold” comic above appears near the tail end of my book, “The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy.” The book features all 99 episodes of “Mitzi McCoy” as well as the ensuing 12 “Kevin the Bold” adventures that following the “Mitzi”‘s transition to “Kevin”. While there are no immediate plans to translate the book into Spanish, it’s pretty awesome in its original English, if I do say so myself.

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“The Complete Mitzi McCoy” can be ordered here.


For more information on the career of Kreigh Collins, visit his page on Facebook.

A Cripple Cured

Both Kevin and the Tyrantslayer receive a shock, but it’s all good news. Emboldened by the positive turn of events, the old man puts his body—or what’s left of it—on the line.

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[I stand corrected, the old man does have a name—Alexi. I still prefer “Tyrantslayer”].

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Two more surprises remain, the first being the guards’ reaction to the news of Sarrov’s death. The second involves Prince Ivan…

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The action transitions to a new story arc, which can be read in its entirety in “Kevin the Bold: Sunday Adventures,” along with a dozen other chapters of Kevin the Bold’s adventures.


Kevin the Bold: Sunday Adventures

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Here are over 140 episodes of this rollicking, witty and dramatic lost Sunday comics classic! With elegant artwork and smart storytelling by creator Kreigh Collins, KEVIN THE BOLD blends swordplay, suspense, humor and history in a rugged, highly appealing blend! 95% of the material is sourced from black and white syndicate proofs. Available here.


For more information on the career of Kreigh Collins, visit his page on Facebook.

The Guinea Pig

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For a moment, it seemed that Kevin had found a way out, but it was not to be. Months pass, and Kevin remains caged like an animal (in this case, a guinea pig). While Kevin may be out of fighting shape, his mind is still sharp, and he comes up with a plan…

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Meanwhile, Kevin’s elderly ally has set upon providing some relief for his beloved, caged prince.

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It might be a bit of a stretch, but in an another parallel to Game of Thrones, the old man slays Sarrov. Since he’s unnamed, I’m dubbing him the Tyrantslayer. Appropriately enough, this spooky episode appeared on Halloween.

Next week—the sequence’s climax!


The Lost Art of Kreigh Collins

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The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy. The first-ever collection of Kreigh Collins’ debut NEA Sunday comic strip can be ordered here.


For more information on the career of Kreigh Collins, visit his page on Facebook.

Catching a Snag

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Kevin learns the unlikely truth about the sword fighter he leapt to save, and of the horrible fate of the prince. This information is recounted by a newfound ally, and although the old man isn’t given a name, he has an unusual physical feature—a hook for a right hand (not so different than the Kingslayer, Jaime Lannister). Notably, the episode’s dramatic splash panel was used as back cover art for a highly-recommended 2017 collection of “Kevin the Bold” comics (details below).

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As a whole, these Chicago Tribune comics are not as vibrantly reproduced as examples from earlier in the decade, but the October 3 episode printed quite nicely.

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Kevin’s plan to get inside catches a snag—and another snag saves his hide.

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The October 10 episode is a marvel; it features perhaps my favorite panel in the comic strip’s entire 18-year run. It is even more dramatic as seen in a black-and-white syndicate proof, which showcases Collins’ mastery of composition and illustration.

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Kevin the Bold: Sunday Adventures

61NhkKcYitL

Here are over 140 episodes of this rollicking, witty and dramatic lost Sunday comics classic! With elegant artwork and smart storytelling by creator Kreigh Collins, KEVIN THE BOLD blends swordplay, suspense, humor and history in a rugged, highly appealing blend! 95% of the material is sourced from black and white syndicate proofs. Available here.

 


For more information on the career of Kreigh Collins, visit his page on Facebook.