Her interest piqued, Tom Chiswick has made a fine impression on Miss Makepeace, and she’s shocked to see what unfolds.
Tom is bewildered. Jumped by thugs, one of whom was Pedro, and set upon by a master swordsman, revealed to be Kevin. Then, following an explanation, the tables turn as someone makes a strong impression on him.
Things are moving quickly, yet they are about to speed up. And with Spring in the air…
Without a nice half-page for the June 28 episode, a third-page example combined with a black-and-white velox proof will have to suffice—not bad! And it shows how much of the original illustration was lost when it was edited.
With an abrupt answer to his question, Tom is dispatched. Only later does Becky confront the feelings she has for her suitor.
At this blog’s onset, I didn’t have a clear plan, other than the general idea of trying to raise my grandfather’s profile. The firstseveralposts introduced Kreigh Collins’ three NEA Service features, and the nextfewentries covered some generalities. I was fortunate to stumble upon the (rather obvious) idea of posting on Sundays, and I soon learned that one weekly post would be plenty. Eventually it dawned on me to post complete story arcs over the span of several weeks. With an ample inventory from which to pick, I decided on a lengthy chapter near the midpoint of Kevin the Bold‘s run.
At the time, the only examples I had of this particular chapter were one-third page versions, but I proceeded anyway—it seemed like a solid example of one of Kevin’s adventures. Five-plus years later, I’ve run about half the episodes my grandfather created, and there’s still plenty to choose from. Nonetheless, I thought revisiting this particular sequence might be a good idea, since I recently acquired half page examples of 16 of the 19 episodes.
As the prior episode transitions to a new story, two new characters are introduced—wealthy shipbuilder Thatcher Makepeace and his Becky, his lovely daughter.
The chapter shows hallmarks of not being written by Collins, but there is plenty of fantastic artwork to come.
Alas, Mr. Makepeace doesn’t realize the spunkiness of his gently-raised little girl. They grow up so fast!
“Mitzi McCoy” was featured in several of Pierre Mouchot‘s French comic book titles—first in Fantax, then in Robin des Bois, Le Casseur, and P’tit Gars. In all, about ⅔ of Mitzi’’s episodes appeared in Mouchot’s titles. Le Caseur, featuring Big Bill, had the longest run of the four, with Mitzi appearing in 20 issues (Nos. 32–51). As with the case of most (all?) of the others, an episode (or more) started inside and concluded on the back cover. I haven’t seen interiors of Le Casseur, but I was able to track down a bunch of the covers (with guidance from my friend Gérard).
The examples above show episodes that came from the third and fourth chapters of “Mitzi McCoy.”
If you’re curious how these look in English (and in full color!), see below for information on how to order “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy.”
In 1956, NEA offered an illustration for subscribing newspapers to run on Easter Sunday (or in the case of the reproduction shown here, for the Grand junction, Colorado Daily Sentinel, on Saturday, March 31). Kreigh Collins’ illustration ran in full color, which was a rare occasion (outside of the papers’ Sunday comics). My apologies that I don’t have a color example to show.
“The Lost Art of Kreigh Collins, the Complete Mitzi McCoy,” is available for immediate delivery at a reduced price; it features the entire run of Kreigh Collins’ first NEA feature.
MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.
The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.
The book costs $30only $20! For domestic shipping, add $4; for international orders, add $25 for first class shipping. To place an order, leave a comment below or email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal information.