Kevin den Tapre 1955-1960

The most recent addition to my comics compilation library is the massive, second volume of “Kevin den Tapre,” from publisher Anders Hjorth-Jørgensen and his company, Forlaget desAHJn. Like its companion volume, the comics were sourced from the Danish weekly magazine Hjemmet. From 1955-1960, Hjemmet ran the episodes in an interesting three-color scheme; the collection is available here.

The book has an impressive front matter section highlighting various aspects of Kreigh Collins’ heroic protagonist.

In many instances, the original, full-color episodes precede their corresponding three-color Danish versions for easy comparison. When King Henry VIII enters Kevin’s world, a full-page sidebar offers some background of the English monarch. Considering the book’s 218 Danish episodes, plus all the extras, it results in a rather hefty volume—364 pages in all.

The spread on pages 156-157 shows a prime example of one of the lovely ladies my grandfather featured—Gertie reproduces nicely in any number of colors! And speaking of lovely ladies, if your preference runs toward more wholesome lasses, pages 300-301 and beyond feature Becky Makepeace, whose story just ran on this blog. (Speaking of which, this is post No. 300! Woo-hoo!).

Following the complete run of three-color Hjemmet episodes, there is a lengthy section of back matter. It touches on some of Kevin’s later adventures, including the transition to “Up Anchor!” and how “Kevin” was repackaged into comic books for numerous foreign markets.

Further spreads highlight Collins’ pre-comics work as an illustrator, the start of his NEA comics career, and the Bible Stories Pictures he created in the mid-1940s for the Methodist Publishing House (among other subjects). The book is very thorough.

While reviewing the book gave my translation app quite a workout, certain words required no explanation, such as “Research,” a bibliography. I will vouch for the source material!


Danish Originals

While researching Kevin’s Danish incarnation, I came across an auction site with 30+ episodes of “Kevin den Tapre” listed, check it out! (Though I’m not sure if they do international shipping). These are the same episodes appearing in the Danish collections. All but one of the listings are for the full-color examples that appeared in Volume 1.


Attention Bibliophiles

The Lost Art of Kreigh Collins, the Complete Mitzi McCoy,” is available for immediate delivery at a reduced price; it features the entire run of Kreigh Collins’ first NEA feature.

Mitzi McCoy Cover 150

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

The book costs $30 ONLY $20! For domestic shipping, add $4; for international orders, add $25 for first class shipping. To place an order, leave a comment below or email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal information.

For more information on the career of Kreigh Collins, visit his page on Facebook.

Le Casseur

“Mitzi McCoy” was featured in several of Pierre Mouchot‘s French comic book titles—first in Fantax, then in Robin des Bois, Le Casseur, and P’tit Gars. In all, about ⅔ of Mitzi’’s episodes appeared in Mouchot’s titles. Le Caseur, featuring Big Bill, had the longest run of the four, with Mitzi appearing in 20 issues (Nos. 32–51). As with the case of most (all?) of the others, an episode (or more) started inside and concluded on the back cover. I haven’t seen interiors of Le Casseur, but I was able to track down a bunch of the covers (with guidance from my friend Gérard).

The examples above show episodes that came from the third and fourth chapters of “Mitzi McCoy.”

If you’re curious how these look in English (and in full color!), see below for information on how to order “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy.” 

___________________________________________________________________________________

Happy Easter!

In 1956, NEA offered an illustration for subscribing newspapers to run on Easter Sunday (or in the case of the reproduction shown here, for the Grand junction, Colorado Daily Sentinel, on Saturday, March 31). Kreigh Collins’ illustration ran in full color, which was a rare occasion (outside of the papers’ Sunday comics). My apologies that I don’t have a color example to show.

___________________________________________________________________________________

Extra! Extra! Read all about it!

The Lost Art of Kreigh Collins, the Complete Mitzi McCoy,” is available for immediate delivery at a reduced price; it features the entire run of Kreigh Collins’ first NEA feature.

Mitzi McCoy Cover 150

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

The book costs $30 only $20! For domestic shipping, add $4; for international orders, add $25 for first class shipping. To place an order, leave a comment below or email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal information.

___________________________________________________________________________________

For more information on the career of Kreigh Collins, visit his page on Facebook.

Tip-Top Comics Special No. 3

When I started collecting my grandfather’s Sunday comics, I had no idea they had been repackaged as comic books. I soon learned differently, seeing occasional listings of “Australian edition” comics on eBay, usually featuring KEVIN THE BOLD. Atlas Publications seemed to have the longest run, and other titles were published by both Tip-Top Comics and Thriller Comics.

Because I was working on my Mitzi McCoy collection, the comic book that really caught my eye was Tip-Top’s “Special No. 3,” published by Southdown Press of Melbourne, Australia. Until recently, I never saw it listed for sale, only in google image search results.

The copy I snagged isn’t in very good condition, but I couldn’t resist. I wonder what these comics looked like when they were new, because after laying around for 70 years or so, the ones I have managed to collect are a bit beat up. My copy of “Special No. 3” has some other minor problems—the cover has a crease running horizontally near the bottom, and the pages are torn slightly where they were stapled—but otherwise, it’s intact. It runs 24 pages plus cover, and seems to be printed on both pink and white paper stock (the middle eight pages being white).

Inside, it features three of MITZI’s 12 story arcs; they come near the end of the strip’s run, and include a couple of my favorites. They inside front cover has a brief description of Kreigh Collins’ creation; it includes an error which I find amusing. Introducing the comic strip’s characters, it mentions that the dog is “part wolf.” Tiny is, in fact, an Irish wolfhound—a breed specializing in protection against and for the hunting of wolves. “Special No. 3” kicks off with a story where Tiny, a readers’ favorite, plays a major part. It starts with the sequence’s third episode, and while some of the preamble is lost, the story is still coherent. It begins with the episode that originally appeared on January 15, 1950. (This sequence was also featured in the French comic book P’tit Gars No. 1).

Next up is “Living Pinups,” packed with action. Interestingly, one of the original episodes is omitted (for those keeping score at home, its date is March 19, 1950), and another episode appears minus an entire page-wide panel—most unfortunately. In place of this wonderful example of good girl art is a small fractional ad for RED RYDER (another Tip-Top title). To see both the missing episode and the excised panel, please consider purchasing a copy of my book “The Complete Mitzi McCoy,” details at bottom.

The third and final story arc appearing in “Special No. 3” is “The Counterfeiters,” another great sequence that has more of a noir-ish feel to it than any other found in MITZI McCOY. The comic book’s cover art features redrawn art from the story’s penultimate episode (and the final episode contains the panel I used for the cover of my MITZI book). On the inside back cover are four dailies of a comic called VIRGIL, by Len Kleis.

Strangely, the first episode runs without several panels (and crops and scrunches those that remain) in order to squeeze in the same RED RYDER that appeared a few pages back.

The back cover has an ad for three of the titles on Tip-Top’s roster, RED RYDER, BUCK ROGERS, and HURRICANE HAWK. It makes me wonder if MITZI was a part of the gang on the ads that ran on those comic’s back covers—I can dream!

___________________________________________________________________________________

Don’t Miss an Episode!

The Lost Art of Kreigh Collins, the Complete Mitzi McCoy,” features the entire run of Kreigh Collins’ first NEA feature, and is available for immediate delivery.

Mitzi McCoy Cover 150

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

The book costs $30. For domestic shipping, add $4; for international orders, add $25 for first class shipping. To place an order, email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information.

___________________________________________________________________________________

For more information on the career of Kreigh Collins, visit his page on Facebook.

P’tit Gars No. 1

“Mitzi McCoy” was featured in several of Pierre Mouchot‘s French comic book titles, and P’tit Gars No. 1 was her swan song. This issue featured the eighth chapter in Mitzi’s saga, titled “L’exploit de Tiny” (or “Tiny’s feat”).

Because the artwork came from eight original “Mitzi McCoy” episodes, the editors had to take some liberties in presenting the story, which was spread across seven pages in the comic book. Some panels were resequenced and others were eliminated to allow the story to be told more concisely in the smaller format. A nice bonus is that several of the pages were printed in color. These French comic book scans were sent to me by mon ami, Gérard. Merci!

Savez-vous lire le français? I can read French un petit peu, but have learned to rely on online translators, for better or worse.

The first page of the story came from the January 1, 1950 episode, except for the opening panel (January 15, 1950).
The artwork for the second page came from three episodes: January 1, 1950 (panels 1, 3), January 8, 1950 (panels 2, 4–7, 9–10), January 29, 1950 )panel 8).
The third page also sourced artwork from three episodes: January 8, 1950 (panels 1–3), January 1, 1950 (panel 4), and January 15, 1950 (panels5–9).
Only two episodes provided the artwork for the fourth page: January 15, 1950 (panels 1–4) and January 22, 1950 (panels 5–8).
The fifth page again used three different episodes: January 22, 1950 (panels 1–6), February 19, 1950 (panels 7–8), and January 29, 1950 (panel 9).
I cannot figure out where the artwork of Tiny in the first panel originated, but the remaining panels all come from the February 12, 1950 episode).
The artwork for the final page of the story comes from at least two episodes: February 12, 1950 (panels 1–2) and February 19, 1950 (panels 4–6). The third panel is another that I could not find in the original artwork).

In trying to figure out which panels came from what original episodes, I noticed that two of the episodes in this sequence were essentially omitted. The January 29 was used for two panels (out of nine), and the February 5, 1950 episode was omitted entirely in the French retelling of the story. This action would have fallen near the end of the story—just after Stub puts his car in the ditch. For the completists out there, I will append those two original episodes (in English).

Only the first and fourth panels were taken from this episode.

Now if you’re a truly a completist, no doubt you have a hankering to read the entire collection of “Mitzi McCoy” episodes, so…

___________________________________________________________________________________

Order NOW for delivery in time for the holidays…

The Lost Art of Kreigh Collins, the Complete Mitzi McCoy,” features the entire run of Kreigh Collins’ first NEA feature, and is available for immediate delivery. Order today to ensure that the collection arrives in time for the holidays.

Mitzi McCoy Cover 150

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

The book costs $30. For domestic shipping, add $4; for international orders, add $25 for first class shipping. To place an order, email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information.

___________________________________________________________________________________

For more information on the career of Kreigh Collins, visit his page on Facebook.

Treachery’s Reward

Struken’s perfidy comes with a steep price.

Knowing no other attack route, Moab’s men charge at the mountain pass.

Kismet took Struken; it also brought together a pair of old friends.

Pedro’s project, mentioned by Colonel Santiago, leads to Kevin’s very final adventure.

___________________________________________________________________________________

All I Want for Christmas

The Lost Art of Kreigh Collins, the Complete Mitzi McCoy,” features the entire run of Kreigh Collins’ first NEA feature, and is available for immediate delivery. Order today to ensure that the collection arrives in time for the holidays.

Mitzi McCoy Cover 150

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

The book costs $30. For domestic shipping, add $4; for international orders, add $25 for first class shipping. To place an order, email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information.

___________________________________________________________________________________

For more information on the career of Kreigh Collins, visit his page on Facebook.

The Horsethief

As Kevin and Giza chat, Struken becomes enraged.

Missing from the one-third page version is a strong element of menace toward poor Giza. Meanwhile, Kevin finds himself in a more comfortable situation.

Kevin’s act of kindness toward Eugene has landed him in hot water. Traditionally, punishment for horse theft was severe, even if the animal didn’t have a royal pedigree.

To be continued…

___________________________________________________________________________________

Extra! Extra!

The Lost Art of Kreigh Collins, the Complete Mitzi McCoy,” features the entire run of Kreigh Collins’ first NEA feature, and is available for immediate delivery.

Mitzi McCoy Cover 150

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

The book costs $30. For domestic shipping, add $4; for international orders, add $25 for first class shipping. To place an order, email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information.

___________________________________________________________________________________

For more information on the career of Kreigh Collins, visit his page on Facebook.

The Lipizzaners

The following story arc ran in mid-1968 and was “Kevin the Bold” ’s penultimate sequence, appearing just before the strip morphed into “Up Anchor!” It ran over the course of 18 weeks and seems to have been deliberately included as sort of a grand finale—its subject matter was something very close to Collins’ heart. I don’t have original examples of five of the episodes, including the first four, but I do have color half pages of most of them, so stick around.

This is the story of the breed of horses known as Lipizzaners.

Being a student of history, Kreigh Collins may have previously heard of Lipizzaners, but his familiarity with the breed grew in the late 1950s. Kreigh’s wife was Theresa (Teddy), and her sister Esther had married a man named Tempel Smith. My great uncle Temp started a steel company in 1945 that prospered mightily in the post-war era, such that after witnessing a performance of the Spanish Riding School in Vienna, he and his wife purchased and imported 20 Lipizzan horses, and started a riding school on their property in northern Illinois. Given their royal heritage and striking appearance, Collins knew Lipizzaners would be a perfect feature for “Kevin the Bold.”

Tempel Smith’s daughter, Martha Smith Simpson (RIP) at the 1958 Arrival of Lipizzans to the United States, the start of the Tempel Lipizzans.

In Kevin’s adventures, coincidences abound, and in a stroke of kismet, I found myself in Lipica, Yugolslavia, in the summer of 1988. Now part of Slovenia, it is home to the Lipica Stud Farm, the origin of the Lipizzan horse. I was visiting with my mother and step-father, and taken there by some Italian friends who were acting as guides, so the fact that I had a sort of family connection to the place was indeed a coincidence. Of course, our tour guide at the stud farm knew all about Tempel Smith. (In another bit of serendipity, last night I was going through some of my mother’s old photo albums, and came across these pictures and souvenirs, just in time to include here).

My friend Fabrizia and I making acquaintance with one of the horses.

Kevin has set about a very long journey on foot—he’d likely offer his kingdom for a horse, but alas, he doesn’t even own any land. (Long ago, he set off from Moya McCoy in search of wealth in order that he might return to Ireland and marry her—but those plans seem long dashed).

Because the Austrians have fallen under attack from the Turks, horses are being conscripted into military service. Fritz, the top trainer at the Lipizzaners’ training facility, has decided he can’t bear to send his prized stallion to war unaccompanied.

To be continued…

___________________________________________________________________________________

Before Kevin, there was Mitzi

The Lost Art of Kreigh Collins, the Complete Mitzi McCoy,” now available directly from its editor (moi!), features the entire run of Kreigh Collins’ first NEA feature.

Mitzi McCoy Cover 150

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

The book’s price is $30. For domestic shipping, add $4; for international orders, first class shipping costs $25. (A recent order sent from New Jersey to France took 10 calendar days to be delivered). To place an order, email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information.

___________________________________________________________________________________

For more information on the career of Kreigh Collins, visit his page on Facebook.

Kevin den Tapre 1951-1955

Cover v1

I recently received a copy of “Kevin den Tapre 1951–1955” from its publisher, Anders Hjorth-Jørgensen. His company, Forlaget desAHJn, has just released a beautiful volume of “Kevin the Bold” sourced from comics translated into Danish for the weekly magazine Hjemmet

This volume represents the first half of the comic strip’s nearly decade-long run in the magazine (and word has it that a second volume is planned that will feature the remaining comics). Initially, I thought the book’s title contained a typo. While the comics inside originally appeared in Sunday papers from 1950–1954, the book’s title refers to the dates when they appeared in Hjemmet

It has a great piece of promotional art to accompany its Forord (Preface), and yours truly is even thanked on its copyright page. (Aside to Mr. Hjorth-Jørgensen, Det er min fornøjelse! Please excuse my broken Danish).

While translating Danish is painstakingly slow for me, I can see that the layout is very nice; the Preface includes original art from Collins’ three NEA features, “Mitzi McCoy,” “Up Anchor!,” and “Kevin the Bold,” and the spread featuring “Up Anchor!” has some nautically-themed art accompanying it, a nice touch.

The book, over 200 pages long, is about the size of a half-tabloid comic. Its comics have great quality color, and it is obvious that much care was taken as the book was readied for print. By my count, there are 175 complete, original episodes—over three and a half years’ worth.

Many of the book’s images are familiar to me, and I am happy to have been a source for some of them. When I started this blog its aim was to raise my grandfather’s profile, and I am thrilled to see that it has done that. Leafing through the book, I am reminded of the expression, “it’s like looking at pictures of my children”—when in fact, many of the pictures are of my grandparents.

The book includes a long epilogue focusing on my grandfather’s early career as a painter, when he produced many landscapes, portraits and murals. I’m not sure what the price of the book is, but the ordering instructions suggest sending an email to desahjn@mail.dk to find out how to get a copy.

__________________________________________________________________________________________________________

Also available!

Kevin the Bold: Sunday Adventures, September 5, 1954 to June 2, 1957” contains over 140 episodes of this rollicking, witty and dramatic lost Sunday comics classic! This volume startes up about a dozen episodes after “Kevin den Tapre” ends.

With elegant artwork and smart storytelling by creator Kreigh Collins, KEVIN THE BOLD blends swordplay, suspense, humor and history in a rugged, highly appealing blend! Sourced from rare syndicate proofs and are reproduced in crisp black and white, the volume contains 14 complete story arcs. (Please note: three of the book’s 145 episodes were scanned from Sunday comics).

Kevin the Bold: Sunday Adventures, September 5, 1954 to June 2, 1957” is available on Amazon.


For more information on the career of Kreigh Collins, visit his page on Facebook.

Serendipity

In addition to the unusual tone of the story, the episodes themselves have a slightly different appearance—most have only six panels. And while the story is a bit silly, it does have a nice graphic impression.

KTB 051362 TA 150 qcc

Kevin is fortunate to be able to persuade his antagonist to help display the “jewels” more discreetly, and as he reaches the king’s palace, he is relieved that his job is over.

KTB 052062 TA 150 qcc

King Henry’s abrupt dismissal and useless advice, to merely dispose of the Shah’s gift leaves Kevin at a loss.

KTB 052762 TA 150 qcc

After a serendipitous meeting, Kevin seizes an opportunity to find a taker for the Shah’s gift.

KTB 060362 TA 150 qcc

Thanks again to Arnaud for the tabloid scans.

Here is a half-page version of this episode, which serves as a finale to both the story arc and Jay Heavilin‘s stint as writer for “Kevin the Bold.”

KTB 060362 HA 150 qcc

To follow the action as it returns to Kreigh Collins’ stewardship, click here for “The Field of the Cloth of Gold” sequence.


For more information on the career of Kreigh Collins, visit his page on Facebook.

The Shah of Rani

Kevin certainly knows how to keep his cool, and his new acquaintance is impressed.

KTB 042262 TA 150 qcc

What’s less impressive is the laziness of the name given to the Shah, an anagram of Iran. But a quick look online shows that the time period of the action does correspond to the beginning of the Safavid Empire, when rulers referred to as Shah first arose. Beyond that historical note, this sequence is as near to fantasy as Kevin ever strayed. It’s a good thing, because it all seems a bit cliched to me.

KTB 042962 TA 150 qcc

They seem to have made quick work of rebuilding the stone bridge, but danger lies ahead. Religious fanatics  are introduced, and they’re not the visiting Muslims!KTB 050662 TA 150 qcc

To be continued…


For more information on the career of Kreigh Collins, visit his page on Facebook.