Mad Dash from the Palace

This week’s installment features three third-pages and a throwback half-page.

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In order to help increase Elizabeth’s chances of escaping, Kevin selflessly stays behind to distract the Pasha’s men, who are in pursuit. But he’s not the only one with noble intentions.

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Th episode below marks the 17th anniversary of the debut of “Kevin the Bold”.

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October 1, 1967

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October 1, 1950

To be continued…


For more information on the career of Kreigh Collins, visit his page on Facebook.

Great Shakes

Kevin and Smith set to meet the Pasha; they are wise to be leery.

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For the September 3, 1967 episode, I found an image of the original artwork from an online auction; a third-page version follows (minus a hookah and the Pasha’s nefarious thoughts).

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Regrettably, I only have a third-page version of the next episode. (What was illustrated in the bottom tier?!)

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The fact is, this episode has the most cold-blooded killing I can remember from “Kevin,” (but remember, it was Smith who wielded the dagger).

At the time these episodes were running, Kreigh Collins’ comics had been appearing in Sunday sections for 20 years. Adventure strips like “Kevin the Bold” were dying out, victims of the changing times. A vivid sign of the times appeared on the opposite side of the tabloid at the top of this post… groooovy!

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“Gasoline Alley” appeared alongside the advertisement; at the time, it was being handled by Bill Perry. At any rate, the very traditional-looking strip is quite a contrast to the Great Shakes ad.

A couple copies of the record are currently listed on ebay, and it looks pretty sweet. (Judy Hoots at least thought so!)


Need a great holiday gift idea?

(No, not “Shake-Out 2!”) You’d be hard pressed to find a more charming collection of Golden Age comics than The Lost Art of Kreigh Collins: The Complete Mitzi McCoy. 

Drawn and scripted by Kreigh Collins, Mitzi McCoy showcased the artist’s skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected here is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

Edited and restored by the artist’s grandson, Brian E. Collins, with an introduction by Eisner Award-winning author Frank M. Young, an Afterword by comics columnist Ed Catto, and a new tribute illustration of Mitzi by Butch Guice

Available HERE from Lost Art Books.

Mitzi cover final


For more information on the career of Kreigh Collins, visit his page on Facebook.

Vanishing Harbor Gates

Expecting a fight, Kevin is in for a surprise.

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While half-page examples of “Kevin the Bold” are obviously preferable to any other format, it is interesting to see how the strip appeared in other configurations. As in earlier examples, tabloid versions excised a single panel, but in these latter-day episodes, the throwaway wasn’t a small panel in the second tier but a larger one from the bottom.

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Because so many newspapers were running third-page examples of the comic strip, Collins began producing his layouts so that the entire third tier could be deleted. The benefit was that his artwork wouldn’t suffer from having all of its panels cropped, but the drawback was obvious. For this post’s first episode, this would be quite unfortunate. For the following pair of episodes, the results wouldn’t be quite as tragic—but a key plot element’s concise description would be lost.

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Lightly showing through the third-page above is another NEA feature, Jim Berry’s “Berry’s World.” Berry and Collins were friends; Kreigh was gifted a signed original. Its date is unknown, but its subject (president Lyndon B. Johnson) makes it about the same vintage as these episodes of “Kevin.”

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The August 20, 1967 episode revisits the workings of the harbor’s pontoon gates.

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A year later, when “Kevin” morphed into “Up Anchor!”, this problem would be solved more diplomatically. Instead of an expandable third tier, a topper strip (“Water Lore”) would appear. While this solution had less effect on the presentation of the feature comic, it resulted in very few papers running “Up Anchor!” as a half page.

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Need a great holiday gift idea?

I think you’d be hard pressed to find a more charming collection of Golden Age comics than The Lost Art of Kreigh Collins: The Complete Mitzi McCoy. 

Drawn and scripted by Kreigh Collins, Mitzi McCoy showcased the artist’s skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected here is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

Edited and restored by the artist’s grandson, Brian E. Collins, with an introduction by Eisner Award-winning author Frank M. Young, an Afterword by comics columnist Ed Catto, and a new tribute illustration of Mitzi by Butch Guice

Available HERE from Lost Art Books.

Mitzi cover final


For more information on the career of Kreigh Collins, visit his page on Facebook.