A Young Man’s Fancy

Her interest piqued, Tom Chiswick has made a fine impression on Miss Makepeace, and she’s shocked to see what unfolds.

Tom is bewildered. Jumped by thugs, one of whom was Pedro, and set upon by a master swordsman, revealed to be Kevin. Then, following an explanation, the tables turn as someone makes a strong impression on him.

Things are moving quickly, yet they are about to speed up. And with Spring in the air…

Without a nice half-page for the June 28 episode, a third-page example combined with a black-and-white velox proof will have to suffice—not bad! And it shows how much of the original illustration was lost when it was edited.

With an abrupt answer to his question, Tom is dispatched. Only later does Becky confront the feelings she has for her suitor.

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For more information on the career of Kreigh Collins, visit his page on Facebook.

Kevin vs. the Spanish Armada Redux

At this blog’s onset, I didn’t have a clear plan, other than the general idea of trying to raise my grandfather’s profile. The first several posts introduced Kreigh Collins’ three NEA Service features, and the next few entries covered some generalities. I was fortunate to stumble upon the (rather obvious) idea of posting on Sundays, and I soon learned that one weekly post would be plenty. Eventually it dawned on me to post complete story arcs over the span of several weeks. With an ample inventory from which to pick, I decided on a lengthy chapter near the midpoint of Kevin the Bold‘s run. 

At the time, the only examples I had of this particular chapter were one-third page versions, but I proceeded anyway—it seemed like a solid example of one of Kevin’s adventures. Five-plus years later, I’ve run about half the episodes my grandfather created, and there’s still plenty to choose from. Nonetheless, I thought revisiting this particular sequence might be a good idea, since I recently acquired half page examples of 16 of the 19 episodes.

As the prior episode transitions to a new story, two new characters are introduced—wealthy shipbuilder Thatcher Makepeace and his Becky, his lovely daughter.

The chapter shows hallmarks of not being written by Collins, but there is plenty of fantastic artwork to come.

Alas, Mr. Makepeace doesn’t realize the spunkiness of his gently-raised little girl. They grow up so fast!

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For more information on the career of Kreigh Collins, visit his page on Facebook.

Sunday, August 14, 1949

Here is another Sunday Times Mirror section I acquired while putting together The Complete Mitzi McCoy. There are fewer ads than usual—if the Mirror’s ad sales department was slacking off, that just meant more full-page episodes and fewer half-tabloids. As usual, Ham Fisher’s “Joe Palooka” leads off, followed by Milt Caniff’s “Steve Canyon” and “Mickey Finn,” by Lank Leonard. Next up is “Kerry Drake,” by Alfred Andriola/Allen Saunders and Frank Miller’s “Barney Baxter in the Air,” with each page filled out with a few $2 bills of play money. Harry Hanand’s silent comic “Louie,” and “Superman” by Wayne Boring (and likely Stan Kaye) follow.

Next, Merrill Blossar’s “Freckles and His Friends” shares a page with an ad for Camel filtered cigarettes—the ad features the then-famous aerialist Antoinette Concello. Ms. Concello offers a testimonial to the mild, good-tasting cancer sticks, but I think she likes them because they soothe her nerves. (I don’t care if she performed over a net, I’d need something at least as strong to calm down after running through that routine!). The facing page features the comic strip that inspired me to plunk down my money for this section—a full page “Mitzi McCoy” episode (a nice change from the usual half-tabloids that ran in the Mirror). This August 14 episode is the penultimate installment of the fifth chapter of “Mitzi” and features the NEA’s typical footer—mugshots of the syndicate’s lead characters.

Next up, “Rex Morgan, MD” by Bradley and Edgington (with a nice, custom footer), and “Boots” by Martin, sharing the page with an ad for Colgate Dental Cream. Sometimes the ads in these old sections are charming, but this one is pretty obnoxious (and typical of the era). Roy Crane’s “Captain Easy” (drawn here by Walt Scott?) and V.T. Hamlin’s “Alley Oop” share the next page, followed by “Henry” by Carl Anderson. While “Captain Easy” and “Alley Oop” get the NEA footer, “Henry” features more play money, this time it’s big money—sawbucks! (I wonder if any kids ever cut these out? If so, then “Mickey Finn,” “Louie,” and “Bobby Sox” paid the price by being on the flip side). Two more split pages follow, “The Flop Family” by Swan with “Bobby Sox” by Marty Links, and “Out Our Way featuring the Willets,” by J.R. Williams, and “Our Boarding House.”

Taking its usual spot on the back cover is “Lil’ Abner” by Al Capp.


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About that Strip on Page 9…

The Lost Art of Kreigh Collins, the Complete Mitzi McCoy,” is available for immediate delivery at a reduced price; it features the entire run of Kreigh Collins’ first NEA feature .

Mitzi McCoy Cover 150

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

The book costs $30 only $20! For domestic shipping, add $4; for international orders, add $25 for first class shipping. To place an order, email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information.

___________________________________________________________________________________

For more information on the career of Kreigh Collins, visit his page on Facebook.

Kevin den Tapre 1951-1955

Cover v1

I recently received a copy of “Kevin den Tapre 1951–1955” from its publisher, Anders Hjorth-Jørgensen. His company, Forlaget desAHJn, has just released a beautiful volume of “Kevin the Bold” sourced from comics translated into Danish for the weekly magazine Hjemmet

This volume represents the first half of the comic strip’s nearly decade-long run in the magazine (and word has it that a second volume is planned that will feature the remaining comics). Initially, I thought the book’s title contained a typo. While the comics inside originally appeared in Sunday papers from 1950–1954, the book’s title refers to the dates when they appeared in Hjemmet

It has a great piece of promotional art to accompany its Forord (Preface), and yours truly is even thanked on its copyright page. (Aside to Mr. Hjorth-Jørgensen, Det er min fornøjelse! Please excuse my broken Danish).

While translating Danish is painstakingly slow for me, I can see that the layout is very nice; the Preface includes original art from Collins’ three NEA features, “Mitzi McCoy,” “Up Anchor!,” and “Kevin the Bold,” and the spread featuring “Up Anchor!” has some nautically-themed art accompanying it, a nice touch.

The book, over 200 pages long, is about the size of a half-tabloid comic. Its comics have great quality color, and it is obvious that much care was taken as the book was readied for print. By my count, there are 175 complete, original episodes—over three and a half years’ worth.

Many of the book’s images are familiar to me, and I am happy to have been a source for some of them. When I started this blog its aim was to raise my grandfather’s profile, and I am thrilled to see that it has done that. Leafing through the book, I am reminded of the expression, “it’s like looking at pictures of my children”—when in fact, many of the pictures are of my grandparents.

The book includes a long epilogue focusing on my grandfather’s early career as a painter, when he produced many landscapes, portraits and murals. I’m not sure what the price of the book is, but the ordering instructions suggest sending an email to desahjn@mail.dk to find out how to get a copy.

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Also available!

Kevin the Bold: Sunday Adventures, September 5, 1954 to June 2, 1957” contains over 140 episodes of this rollicking, witty and dramatic lost Sunday comics classic! This volume startes up about a dozen episodes after “Kevin den Tapre” ends.

With elegant artwork and smart storytelling by creator Kreigh Collins, KEVIN THE BOLD blends swordplay, suspense, humor and history in a rugged, highly appealing blend! Sourced from rare syndicate proofs and are reproduced in crisp black and white, the volume contains 14 complete story arcs. (Please note: three of the book’s 145 episodes were scanned from Sunday comics).

Kevin the Bold: Sunday Adventures, September 5, 1954 to June 2, 1957” is available on Amazon.


For more information on the career of Kreigh Collins, visit his page on Facebook.

Serendipity

In addition to the unusual tone of the story, the episodes themselves have a slightly different appearance—most have only six panels. And while the story is a bit silly, it does have a nice graphic impression.

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Kevin is fortunate to be able to persuade his antagonist to help display the “jewels” more discreetly, and as he reaches the king’s palace, he is relieved that his job is over.

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King Henry’s abrupt dismissal and useless advice, to merely dispose of the Shah’s gift leaves Kevin at a loss.

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After a serendipitous meeting, Kevin seizes an opportunity to find a taker for the Shah’s gift.

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Thanks again to Arnaud for the tabloid scans.

Here is a half-page version of this episode, which serves as a finale to both the story arc and Jay Heavilin‘s stint as writer for “Kevin the Bold.”

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To follow the action as it returns to Kreigh Collins’ stewardship, click here for “The Field of the Cloth of Gold” sequence.


For more information on the career of Kreigh Collins, visit his page on Facebook.

The Shah of Rani

Kevin certainly knows how to keep his cool, and his new acquaintance is impressed.

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What’s less impressive is the laziness of the name given to the Shah, an anagram of Iran. But a quick look online shows that the time period of the action does correspond to the beginning of the Safavid Empire, when rulers referred to as Shah first arose. Beyond that historical note, this sequence is as near to fantasy as Kevin ever strayed. It’s a good thing, because it all seems a bit cliched to me.

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They seem to have made quick work of rebuilding the stone bridge, but danger lies ahead. Religious fanatics  are introduced, and they’re not the visiting Muslims!KTB 050662 TA 150 qcc

To be continued…


For more information on the career of Kreigh Collins, visit his page on Facebook.

The Gift

The scans for the following story arc were a gift from my friend Arnaud.


This sequence marks the end of Jay Heavilin’s run as the writer for “Kevin the Bold.” Like much of the action he scripted, it is comes across as more cartoonish than Collins’ work. An argument could be made that this isn’t a bad thing, that Collins’ stories were too traditional, and were more like illustration than cartooning. I’m biased, obviously, but what do you think? (There is a little-used comments feature at the very tail end of this post—hint, hint).

The characters are largely stereotypes, but they do have some redeeming visual qualities. Both Ahmed and his female friends have visible navels, so maybe that ban was no longer in effect.

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Pedro enters, and as was. in the case of the story “The Powder Expert” (which I haven’t yet run), there is some confusion about the meaning of a certain phrase. 

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To be continued…


For more information on the career of Kreigh Collins, visit his page on Facebook.

Happy Fifth!

Kreigh circa 1970 72

Today I am celebrating the fifth anniversary of this blog. I started it in order to raise my grandfather’s profile, and to try to help create a bit of a market for the book I was putting together, “The Lost Art of Kreigh Collins: The Complete Mitzi McCoy.” At its onset, I had no idea how long I would keep the blog going, but at this point—about two years after the Mitzi book was published—I have no plans to stop (and I’m not even half-way through the comics my grandfather produced). 

Silver is the contemporary fifth anniversary gift; this seems appropriate for a blog celebrating a cartoonist whose work primarily appeared in comics’ Silver Age. The traditional fifth anniversary gift is wood, meant to symbolize the strength and durability of the bond. So, to all the loyal readers of this blog, thank you very much for your continued interest in Kreigh Collins’ oeuvre.


When I began researching my grandfather’s career, I had no idea his work appeared outside the United States. (I’m not sure he was fully aware, either). I enjoy looking at the statistics WordPress collects—tallies of view and visitors, and the countries people are from—and from the beginning I was surprised at how many readers were from outside the United States. Soon enough I began to discover all kinds of foreign publications that published his work.

KTC MM 1949 Contract

Regarding international rights, I’ll have to peruse this contract more closely next time I’m at the Public Library in Grand Rapids, Mich. And check out the signature—no longhand for Kreigh!

Early on I learned that in addition to their domestic newspapers, NEA also had papers in Canada. And because some of these were based in Québec, the episodes were translated into French.

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From the Free Press Weekly Prairie Farmer (Winnipeg, Manitoba)

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I’m not sure which Montreal newspaper carried this episode of “Kevin l”Audacieux.”

As for actual Sunday comics, with one exception, I have only seen them printed for newspapers in the US and Canada. In most cases, for foreign markets, Collins’ artwork was repurposed into comic books or weekly general interest magazines. I found an interesting two-color reproduction taken from Die Jongspan, a South African weekly magazine for children, which was translated into Afrikaans. This episode of “Kevin Die Dappere” appeared on Valentine’s Day, 1966, about seven moths after its original publication.

KTB 1965 09.12 afrikaans

The next foreign market I discovered for Kreigh’s comics was down under. Several different publishers produced these “Australian Edition” comic books, again featuring both Mitzi and Kevin.

While going through Special Collection #56 at the Grand Rapids Public Library, I found tear sheets of both Mitzi and Kevin comics from Havana, Cuba’s El Mundo newspaper. These tabloid comics are pretty cool, and coming from Cuba, they seemed rather exotic, as political differences had prevented travel between the US and Cuba between 1963 and 2000.

Another hit that came up in my search results was for “Kevin el Denodado,” which I learned was how it was branded in Argentina. The comics ran for several years in the weekly magazine Tit-Bits, which was a tabloid.

Sometimes Kevin was featured on the cover, and at its onset, several episodes were combined into one giant spread. In at least one case, a promotional poster was included. Later, only single episodes appeared inside.

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Scandinavia was another fertile market for Collins’ work. “Kevin den Tapre” ran in Denmark, either in the magazine Hjemmet or possibly in a newspaper.

KTB 100151 Denmark Kevin_Hjemmet_1951

I also learned from my friend Anders Hjorth-Jørgensen that his company (Forlaget desAHJn) was in the process of publishing a three-volume “Kevin den Tapre” series.

After hearing about my efforts to publish the “Lost Art of Kreigh Collins, Volume 1: Mitzi McCoy,” Asger sent me a Danish comic book in the mail featuring the exploits of Kevin hin Frygtløse.” Asger and some associates have been working on a similar project—reprinting “Willy På Eventyr” (Vol. 5 has since been published, see www.willy-centret.dk).

SM Solo Nr. 23 01 150

Kevin also appeared in a Swedish comic book. In Sweden, he was called “Roland den Djärve.” This comic book was in my grandfather’s collection, so at least he was aware of this one distant fanbase (and possible source of additional income). In addition to running three spreads of Kevin, it featured other comics as well.

At some point I also came across a couple of examples “Haukka” from Finland, although I don’t know the name of the publication in which they ran.

Several other times I have been contacted by people from other countries who were fans of my grandfather’s work. Davide even sent me a couple copies of the Italian weekly Il Nerbiniano. (I paid him back with a copy of the Kevin the Bold collection available on Amazon that was put together by Frank M. Young).

Another friend, Marko, sent scans from a Serbian comic book called Kevin Neustrasivi, One of the issues had a very nice cover, featuring artwork by an unknown Balkan artist.

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The most recent acquaintance I’ve made with a foreign Kreigh Collins fan is Gérard, who sent me scans of French comic books featuring both “Mitzi McCoy” and “Kevin le Hardi“. At this point, I’m not too surprised to hear about more Kevin comic books, but the revelation of a collection featuring my grandfather’s first feature astonished me.

 

The Fantax covers are especially great because the covers, inspired by Collins’ illustrations, were done by the French publisher and artist Pierre Mouchot (who signed his artwork, “Chott”). And While Big Horn didn’t use Kevin on its cover, he does get a mention there.

In commemoration of this blog’s fifth anniversary, I thank its readers for their continued interest in my grandfather’s comics career, and especially my far-flung comics friends who have shared parts of their collections with me..


The Perfect Anniversary Gift!

Nevermind wood or silver—now you can order “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy.” directly from me. In addition to the entire run of “Mitzi McCoy,” the book includes the opening sequence of the comic strip “Mitzi” evolved into, “Kevin the Bold.”

Mitzi McCoy Cover 150

The book’s price is $30. For domestic shipping, add $4; for international orders, first class shipping costs $25. (A recent order sent from New Jersey to France took 10 calendar days to be delivered). To place an order, email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information.

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

Mitzi McCoy Cover 150


For more information on the career of Kreigh Collins, visit his page on Facebook.

 

A Man Condemned

A brawl begins—and ends badly for Kevin and Brett. However, Grossmaul soon gets a taste of his own medicine.

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The story arc wraps up with poetic justice, and transitions to the next adventure.

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Sadly, for Chicago Tribune readers, the December 20, 1959 episode (above) is the last one to appear in the paper.

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Here are the sequence’s last three episodes in color, as third-pages.


Available Now

Initially available only from the publisher’s website, I now am happy to offer copies for sale of “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy.”

Mitzi McCoy Cover 150

The book’s price is $30. For domestic shipping, add $4; for international orders, first class shipping costs $25. (A recent order sent from New Jersey to France took 10 calendar days to be delivered). To place an order, email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information.

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.


For more information on the career of Kreigh Collins, visit his page on Facebook.

 

The Plot’s Afoot

As a welcome change of pace, the following episode is a half page from the Sunday Independant. With its descriptive, educational labels, it is characteristic of Collins’ illustrative comics work.

Now let’s settle into our seats and watch as the action unfolds.

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Although Kevin has finally made his appearance in this story arc, Brett continues to dominate the action.

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I don’t have a third-page version of the November 22, 1959 episode scanned but I do have a black and white proof—which has been embellished with some yellow paint. Kind of a drag, but it could’ve been worse—our young artist seemed to spend more time creating their own artwork, as shown on its reverse (“Mixed media with architectural details,” unknown artist).

Here are the other two episodes in color, as third-pages.


Available Now

Initially available only from the publisher’s website, I now am happy to offer copies for sale of “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy.”

Mitzi McCoy Cover 150

The book’s price is $30. For domestic shipping, add $4; for international orders, first class shipping costs $25. (A recent order sent from New Jersey to France took 10 calendar days to be delivered). To place an order, email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information.

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.


For more information on the career of Kreigh Collins, visit his page on Facebook.