The voiceless speak

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Kevin’s tournament skills paid off in the first round of the joust, but by taking the high moral ground he is setting himself up for possible failure.

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Kevin’s virtue is matched by Basa’s treachery, but while Kevin is saved by Hugo’s unexpected confession, Basa meets his end at the hands of the angry mob. 

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As the story of the Field of the Cloth of Gold ends, another adventure begins.


The Complete Mitzi McCoy

Mitzi cover final

To read the complete run of “Mitzi McCoy” comics, The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy can be found here; it’s still available at its pre-order price of $24.95.  


For more information on the career of Kreigh Collins, visit his page on Facebook.

Foul Play

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Sir Basa sets his nefarious plan in motion, and De Cagnes smells a rat. As usual, Kevin remains calm.

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Evil to the bone, Sir Basa reneges on his promise to pay Hugo—and he confuses the stableboy’s inability to speak with stupidity. Perhaps Hugo isn’t the only one Basa has underestimated.  

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In the August 26 episode, the “Ancient Code” is spelled out once again. From the beginning of his time with NEA, Collins had been instructed to repeat information critical to a story’s plot so that newspapers could pick up the strip at any time and start running it—and the same was true for readers. If they’d missed a sequence’s earlier episodes, they could be brought up to speed. The repetition might help newcomers, but to those following the action each week, the practice was no doubt a bit tedious.


The Complete Mitzi McCoy

Mitzi cover final

To read the complete run of “Mitzi McCoy” comics, The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy can be found here; it’s still available at its pre-order price of $24.95.  


For more information on the career of Kreigh Collins, visit his page on Facebook.

The Predator

The past six weeks’ Sunday comics set the scene in a historical context, taking place during the Field of the Cloth of Gold, and now the action settles into a more local, intimate setting. 

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Surely there could be no harm in offering to stage a joust for an enthusiastic, convalescent child.

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Having demonstrated his brute strength, Basa also shows he is a louse, and worse.

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The Complete Mitzi McCoy

Mitzi cover final

To read the complete run of “Mitzi McCoy” comics, The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy can be found here; it’s still available at its pre-order price of $24.95.  


For more information on the career of Kreigh Collins, visit his page on Facebook.

A good line worth repeating

At the summit arranged by Cardinal Thomas Wolsey, King Francis I of France and King Henry VIII of England tried to outshine the other, with dazzling tents and clothes, huge feasts, music, jousting and games. The days were taken up with tournaments, in which both kings took part. 

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After the joust, Kevin was gracious in victory over his friend De Cagnes — but not everyone was so pleased, as the sourpuss Sir Basa is introduced.

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“The Field of the Cloth of Gold” was the first sequence written by Kreigh Collins after a 13-month stretch of episodes written by Jay Heavilin. In fact, the episode above contains a line (paraphrased) that originally appeared in “Kevin the Bold” a decade earlier. 

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Returning to our current sequence, Kevin has the misfortune of staying at the same inn as his detractor, and he also meets a mute stableboy. 

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For more information on the career of Kreigh Collins, visit his page on Facebook.

The Field of the Cloth of Gold

Last week I asked readers if their collections included any “Kevin the Bold” episodes that were missing in mine. This week a sequence starts using comic scans sent to me by my man in Rotterdam, Arnaud, with whom I traded a bunch of other “Kevin” scans (Nogmaals bedankt!). These tabloid comics were originally published starting in June, 1962, and were based on a historical event from 442 years earlier—the June, 1520 summit between England’s King Henry VIII and France’s King Francis I. 

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These first few episodes serve as a preamble to the main event, but the June 17 comic shown above is a favorite of mine because I have the original artwork in my collection. 

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In 2010, when I first found an image of the artwork online, it appeared as shown above. Sadly, by the time I saw it listed for sale four years later, the illustration had been cropped so it would fit in an 18″ x 24″ picture frame (below). It might have been damaged goods, but I bought it anyway (frame not included). One interesting detail is found in the panel in the lower left-hand corner, where Brett is holding Kevin’s sword. The sword is a photostat, pasted onto the original art—apparently as a time saver for the artist. 

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Another shameless plug!

Mitzi cover final

Featuring the complete run of Kreigh Collins’ first NEA comic, “Mitzi McCoy,” The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy can be found here; it’s still available at its pre-order price of $24.95.  


For more information on the career of Kreigh Collins, visit his page on Facebook.

Jinni in a Bottle

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Cowardly Grudja is only willing to battle noble Kevin with the unfair advantage of his new “shooting shield.” At the same time, battle lines are being drawn between the manipulative blonde Gigi, who brashly proclaims that Kevin is hers for the taking. Gigi may be correct in calling Moya a lady, but perhaps she underestimates the fight and determination of her raven-haired counterpart.

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Tension rises in the run-up to the upcoming battle(s). While Kevin trains for his fight with Grudja, Moya is sharpening up, too. Grudja himself shows signs of unease, taking out his wrath on the poor beggar Toto, who has suddenly appeared in Ireland.

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Loyal to the knight who had previously showed him kindness, Toto plays a trick on Grudja’s soldiers. This gives Toto an opportunity to play mind games with the malleable brutes, in an attempt at unsettling them. It also gives Kreigh Collins a chance to use another alternative spelling (Jinni vs. Genie) and to illustrate Toto’s magic trick. Prior to settling on “artist” as a career choice, Collins had been keenly interested in magic. In 1937, he had written and illustrated a book on the subject, “Tricks Toys and Tim, A Book on Model-Making and Magic.” Flap copy for the unique book, published by D. Appleton-Century, reads:

Here is an unusual and fascinating how-to-do-it book, containing original and unhackneyed material. The unique presentation, the clear and understandable directions for making things, and the delightful bits of humor which run through its pages make this a most practical and readable book.

To some extent, these same words can be applied to the comics of Kreigh Collins.

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The July 4, 1954 comic makes clear the differences between Grudja and Kevin (and between Gigi and Moya). The battle begins, but its outcome is clouded. Will good triumph over evil?


For more information on the career of Kreigh Collins, visit his page on Facebook.