The Catch

As Brett and Kevin get settled on the New World Island, Maria thinks she has landed a trophy fish in her net (in this case, a hammock). The next episode originally ran just before Valentine’s Day in 1962, yet Kevin seems to have missed the memo—he rejects Maria’s playful and romantic overtures.

KTB 021162 BWT 150 bw.jpg

Although this adventure of Kevin’s was written by Jay Heavilin, Jay seems to have cribbed some of Kreigh’s plot devices. Norse mooring pegs were shown in a sequence from four years earlier (although it ran just last month on Kreigh’s Comics).

KTB 080358 HF 150

KTB 021862 BWT 150 bw.jpg

As Kevin labors away in an attempt to raise the long-sunken boat, Maria continues to work on finding a husband. Soon, an even more series dilemma appears on Kevin’s horizon.

KTB 022562 BWT 150 bw.jpg

In Kevin’s situation, few men would be able to resist Maria’s overtures. However, Kevin’s prime directive is to travel the world, undoing injustices, and helping those in need, and he is determined to stay true to those ideals.


Now being shipped!

Mitzi cover final

I’m not sure how long delivery takes, but pre-sale orders of the book The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy have started to be shipped. Apologies for the delay. Presently, I am trying to find out what arrangements can be made for the publisher to fulfill overseas orders. The book is available at the publisher’s website.


For more information on the career of Kreigh Collins, visit his page on Facebook.

Jay Heavilin

For nearly all of “Kevin the Bold” ’s 18-year run, Kreigh Collins handled the comic strip’s continuation. The lone exception (credited, anyway) was the period from April 30, 1961 through May 27, 1962, when the comic strip carried the additional byline, “Story by Jay Heavilin.”

Jay Heavilin small bw

Jay was a young NEA staffer of whom I know little, but I did manage to track down an NEA headshot. What is even more interesting than an old photograph is the dirt I discovered in a couple of letters (c. 1961) that NEA Vice President/Features Director Ernest Lynn sent my grandfather.

Lynn was responding to Collins’ query, was Jay dependable? Kreigh was looking for a writer for an unnamed book project, and Lynn didn’t mince words. “He’s a mixed-up kid without much, if any, conscience.” Lynn’s low opinion was apparently due in part to Heavilin having recently quit, leaving Cleveland for New York. And there was obviously a personality clash, “For one thing, he kept me tense. His utter contempt for office rules and the rights of others bothered me more than I care to admit. He has an ungovernable temper. The rules are for the other fellow, not Jay.” Because I don’t know the entire context, I won’t repeat anything else. At any rate, the letter sheds some light on the type of person Lynn was. too.

The next episode in the sequence currently being featured is one with which I am especially familiar. It has some lovely illustrations and action, and a particular detail that I find quite charming. In its last panel, Kevin and Brett have decided to swim for shore, and are shown jumping off the ship. When your sobriquet is “The Bold,” you don’t jump, you dive. As the faithful young ward of such a man, Brett also dives, but with only one hand outstretched — the other is holding his nose.

KTB 012162 BWT 150 bw.jpg

The reason I’m so familiar with this particular episode is that for years, the original artwork hung on my older brother’s bedroom wall. My brother’s name was also Brett, and despite being Kreigh Collins’ oldest grandchild, this was a coincidence. Originally, Brett and I assumed the character had been named for him, and only later did we realize that the character in fact preceded Brett by nearly a decade.

The artwork was originally given by my grandfather to my Grandpa Palmer, and it’s inscribed in the upper left corner. Only later did the piece end up in my collection, though that’s an interesting story too. Brett kept the illustration all through college, and for several years afterward it hung prominently in his apartment. Eventually, he gave it to our father, because he would no longer have anywhere to hang it. Following the family tradition, he was moving aboard his sailboat, a 43′ ketch. Later, after I’d begun researching my grandfather in earnest, my father gave the artwork to me.

KTB 012162 OA 72

Once ashore, Kevin and Brett make a shocking discovery.

KTB 012862 BWT 150 bw.jpg

They warn Maria of Captain Moniz’s intentions, and help them escape enslavement. However, Maria has plans of her own for Kevin.

KTB 020462 BWT 150 bw.jpg


Now being shipped!

Mitzi cover final

I’m not sure how long delivery takes, but pre-sale orders of the book The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy have started to be shipped. Apologies for the delay. Presently, I am trying to find out what arrangements can be made for the publisher to fulfill overseas orders. The book is available at the publisher’s website.


For more information on the career of Kreigh Collins, visit his page on Facebook.

 

Brett the Bold

After thirteen plus years of writing the continuity for “Mitzi McCoy” and “Kevin the Bold,” Kreigh Collins was either a bit burned out or looking to free up time to pursue other projects. In any event, starting in mid-1961 and lasting for slightly over a year, Kevin’s adventures were dreamed up by NEA staff writer Jay Heavilin.

When I started collecting my grandfathers’ comics, I paid less attention to Jay Heavilin’s sequences because they weren’t Collins’ own brainchild (to use Kreigh’s phrasing). On more recent reflection, I notice these comics contain some fine illustrations even if the action is slightly out of character—e.g., Kevin attempting to visit his sickly mother, as shown in the December 17, 1961 comic that ran last week. (My theory on that episode: an excuse to introduce a gypsy woman who resembled Moya McCoy, who hadn’t appeared in the strip for over six years. Moya’s absence can be explained by the fact that she was the only woman Kevin ever loved, and removing her from the story helped ensure that our hero would never settle down, and would keep on moving.)

KTB 081554 HA CST 100 QCC

August 15, 1954

Of note, Moya’s very last appearance (as far as I know) also involves a fortune teller.

KTB 082954 HA CST 100 QCC

August 29, 1954

Now, back to our current sequence… where Kevin’s situation takes take a sudden turn for the worse.

KTB 123161 BWT 150 bw

KTB 010762 BWT 150 bw

Brett’s well-aimed dagger saves the day, but as the ship’s provisions dwindle, so does their time.

KTB 011462 BWT 150 bw


Mitzi book update!

Mitzi cover final

After receiving a few inquiries as to where the book they’d ordered was, I heard today from someone who said they’d finally received their copy! My apologies for the delay, and I hope you think it was worth the wait. November 7 was the 70th anniversary of the comic strip’s debut.

For those who haven’t ordered it yet, The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy can be found at the Lost Art Books website. In addition to the entire run of “Mitzi McCoy,” the book includes the opening sequence of the comic strip “Mitzi” evolved into, “Kevin the Bold.” The book also features an extensive introduction by Eisner Award winner Frank M. Young and previously unpublished artwork and photographs.


For more information on the career of Kreigh Collins, visit his page on Facebook.

Bound for the New World

As a young lad, I recall sitting in my grandfather’s studio and poring over stacks of comics—bound copies of the “NEA Daily and Sunday Comics.” At some point after my grandfather died, the covers (conveniently featuring “Kevin the Bold”) were cut off and the rest discarded. It’s a shame so much was lost, but I’m lucky to possess what remains.

The prominent date at the top of the page was the Monday of that issue’s week, and the publication contained the six daily comics (plus a Sunday comic, in some cases) for a given NEA strip. Since “Kevin the Bold” was a Sunday, these publications only featured one comic, whose publication date would be six days after the date shown for each issue.

The year is 1520, and the following sequence starts with Brett trying to sign onto a Portuguese ship headed for the New World. The ship is being financed by King Henry, and because he has heard bad news about its crew, he calls on an old friend to keep an eye on things.

KTB 121061 BWT 150 bw

Shockingly, Kevin, an agent to the King, is about to refuse his request.

KTB 121761 BWT 150 bw

According to Kevin’s back story, he was an orphan and knew nothing of his parents, so the the action at the beginning of this sequence is quite unexpected (and is abandoned abruptly). Kevin and Brett soon are reunited and about to set off on another adventure.

KTB 122461 BWT 150 bw

As for those stacks of comics in my grandfather’s studio, it appears a young reader was inspired by the publication’s masthead to try his hand at cursive writing. The culprit was likely myself, my brother, or one of my cousins.