Kevin den Tapre 1951-1955

Cover v1

I recently received a copy of “Kevin den Tapre 1951–1955” from its publisher, Anders Hjorth-Jørgensen. His company, Forlaget desAHJn, has just released a beautiful volume of “Kevin the Bold” sourced from comics translated into Danish for the weekly magazine Hjemmet

This volume represents the first half of the comic strip’s nearly decade-long run in the magazine (and word has it that a second volume is planned that will feature the remaining comics). Initially, I thought the book’s title contained a typo. While the comics inside originally appeared in Sunday papers from 1950–1954, the book’s title refers to the dates when they appeared in Hjemmet

It has a great piece of promotional art to accompany its Forord (Preface), and yours truly is even thanked on its copyright page. (Aside to Mr. Hjorth-Jørgensen, Det er min fornøjelse! Please excuse my broken Danish).

While translating Danish is painstakingly slow for me, I can see that the layout is very nice; the Preface includes original art from Collins’ three NEA features, “Mitzi McCoy,” “Up Anchor!,” and “Kevin the Bold,” and the spread featuring “Up Anchor!” has some nautically-themed art accompanying it, a nice touch.

The book, over 200 pages long, is about the size of a half-tabloid comic. Its comics have great quality color, and it is obvious that much care was taken as the book was readied for print. By my count, there are 175 complete, original episodes—over three and a half years’ worth.

Many of the book’s images are familiar to me, and I am happy to have been a source for some of them. When I started this blog its aim was to raise my grandfather’s profile, and I am thrilled to see that it has done that. Leafing through the book, I am reminded of the expression, “it’s like looking at pictures of my children”—when in fact, many of the pictures are of my grandparents.

The book includes a long epilogue focusing on my grandfather’s early career as a painter, when he produced many landscapes, portraits and murals. I’m not sure what the price of the book is, but the ordering instructions suggest sending an email to desahjn@mail.dk to find out how to get a copy.

__________________________________________________________________________________________________________

Also available!

Kevin the Bold: Sunday Adventures, September 5, 1954 to June 2, 1957” contains over 140 episodes of this rollicking, witty and dramatic lost Sunday comics classic! This volume startes up about a dozen episodes after “Kevin den Tapre” ends.

With elegant artwork and smart storytelling by creator Kreigh Collins, KEVIN THE BOLD blends swordplay, suspense, humor and history in a rugged, highly appealing blend! Sourced from rare syndicate proofs and are reproduced in crisp black and white, the volume contains 14 complete story arcs. (Please note: three of the book’s 145 episodes were scanned from Sunday comics).

Kevin the Bold: Sunday Adventures, September 5, 1954 to June 2, 1957” is available on Amazon.


For more information on the career of Kreigh Collins, visit his page on Facebook.

Happy Fifth!

Kreigh circa 1970 72

Today I am celebrating the fifth anniversary of this blog. I started it in order to raise my grandfather’s profile, and to try to help create a bit of a market for the book I was putting together, “The Lost Art of Kreigh Collins: The Complete Mitzi McCoy.” At its onset, I had no idea how long I would keep the blog going, but at this point—about two years after the Mitzi book was published—I have no plans to stop (and I’m not even half-way through the comics my grandfather produced). 

Silver is the contemporary fifth anniversary gift; this seems appropriate for a blog celebrating a cartoonist whose work primarily appeared in comics’ Silver Age. The traditional fifth anniversary gift is wood, meant to symbolize the strength and durability of the bond. So, to all the loyal readers of this blog, thank you very much for your continued interest in Kreigh Collins’ oeuvre.


When I began researching my grandfather’s career, I had no idea his work appeared outside the United States. (I’m not sure he was fully aware, either). I enjoy looking at the statistics WordPress collects—tallies of view and visitors, and the countries people are from—and from the beginning I was surprised at how many readers were from outside the United States. Soon enough I began to discover all kinds of foreign publications that published his work.

KTC MM 1949 Contract

Regarding international rights, I’ll have to peruse this contract more closely next time I’m at the Public Library in Grand Rapids, Mich. And check out the signature—no longhand for Kreigh!

Early on I learned that in addition to their domestic newspapers, NEA also had papers in Canada. And because some of these were based in Québec, the episodes were translated into French.

MM 091750 TA 150 qcc

From the Free Press Weekly Prairie Farmer (Winnipeg, Manitoba)

KTB 101864 TH Fr 72 qcc

I’m not sure which Montreal newspaper carried this episode of “Kevin l”Audacieux.”

As for actual Sunday comics, with one exception, I have only seen them printed for newspapers in the US and Canada. In most cases, for foreign markets, Collins’ artwork was repurposed into comic books or weekly general interest magazines. I found an interesting two-color reproduction taken from Die Jongspan, a South African weekly magazine for children, which was translated into Afrikaans. This episode of “Kevin Die Dappere” appeared on Valentine’s Day, 1966, about seven moths after its original publication.

KTB 1965 09.12 afrikaans

The next foreign market I discovered for Kreigh’s comics was down under. Several different publishers produced these “Australian Edition” comic books, again featuring both Mitzi and Kevin.

While going through Special Collection #56 at the Grand Rapids Public Library, I found tear sheets of both Mitzi and Kevin comics from Havana, Cuba’s El Mundo newspaper. These tabloid comics are pretty cool, and coming from Cuba, they seemed rather exotic, as political differences had prevented travel between the US and Cuba between 1963 and 2000.

Another hit that came up in my search results was for “Kevin el Denodado,” which I learned was how it was branded in Argentina. The comics ran for several years in the weekly magazine Tit-Bits, which was a tabloid.

Sometimes Kevin was featured on the cover, and at its onset, several episodes were combined into one giant spread. In at least one case, a promotional poster was included. Later, only single episodes appeared inside.

Tit-Bits 2238 12-13 150 qcc

KTC Moya McCoy bound 111950 qcc

Scandinavia was another fertile market for Collins’ work. “Kevin den Tapre” ran in Denmark, either in the magazine Hjemmet or possibly in a newspaper.

KTB 100151 Denmark Kevin_Hjemmet_1951

I also learned from my friend Anders Hjorth-Jørgensen that his company (Forlaget desAHJn) was in the process of publishing a three-volume “Kevin den Tapre” series.

After hearing about my efforts to publish the “Lost Art of Kreigh Collins, Volume 1: Mitzi McCoy,” Asger sent me a Danish comic book in the mail featuring the exploits of Kevin hin Frygtløse.” Asger and some associates have been working on a similar project—reprinting “Willy På Eventyr” (Vol. 5 has since been published, see www.willy-centret.dk).

SM Solo Nr. 23 01 150

Kevin also appeared in a Swedish comic book. In Sweden, he was called “Roland den Djärve.” This comic book was in my grandfather’s collection, so at least he was aware of this one distant fanbase (and possible source of additional income). In addition to running three spreads of Kevin, it featured other comics as well.

At some point I also came across a couple of examples “Haukka” from Finland, although I don’t know the name of the publication in which they ran.

Several other times I have been contacted by people from other countries who were fans of my grandfather’s work. Davide even sent me a couple copies of the Italian weekly Il Nerbiniano. (I paid him back with a copy of the Kevin the Bold collection available on Amazon that was put together by Frank M. Young).

Another friend, Marko, sent scans from a Serbian comic book called Kevin Neustrasivi, One of the issues had a very nice cover, featuring artwork by an unknown Balkan artist.

KTB NK VLALE_11

The most recent acquaintance I’ve made with a foreign Kreigh Collins fan is Gérard, who sent me scans of French comic books featuring both “Mitzi McCoy” and “Kevin le Hardi“. At this point, I’m not too surprised to hear about more Kevin comic books, but the revelation of a collection featuring my grandfather’s first feature astonished me.

 

The Fantax covers are especially great because the covers, inspired by Collins’ illustrations, were done by the French publisher and artist Pierre Mouchot (who signed his artwork, “Chott”). And While Big Horn didn’t use Kevin on its cover, he does get a mention there.

In commemoration of this blog’s fifth anniversary, I thank its readers for their continued interest in my grandfather’s comics career, and especially my far-flung comics friends who have shared parts of their collections with me..


The Perfect Anniversary Gift!

Nevermind wood or silver—now you can order “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy.” directly from me. In addition to the entire run of “Mitzi McCoy,” the book includes the opening sequence of the comic strip “Mitzi” evolved into, “Kevin the Bold.”

Mitzi McCoy Cover 150

The book’s price is $30. For domestic shipping, add $4; for international orders, first class shipping costs $25. (A recent order sent from New Jersey to France took 10 calendar days to be delivered). To place an order, email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information.

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

Mitzi McCoy Cover 150


For more information on the career of Kreigh Collins, visit his page on Facebook.

 

A Man Condemned

A brawl begins—and ends badly for Kevin and Brett. However, Grossmaul soon gets a taste of his own medicine.

KTB 121359 BWP 150 QCC

The story arc wraps up with poetic justice, and transitions to the next adventure.

KTB 122059 BWP 150 qcc

Sadly, for Chicago Tribune readers, the December 20, 1959 episode (above) is the last one to appear in the paper.

KTB 122759 BWP 150 qcc

Here are the sequence’s last three episodes in color, as third-pages.


Available Now

Initially available only from the publisher’s website, I now am happy to offer copies for sale of “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy.”

Mitzi McCoy Cover 150

The book’s price is $30. For domestic shipping, add $4; for international orders, first class shipping costs $25. (A recent order sent from New Jersey to France took 10 calendar days to be delivered). To place an order, email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information.

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.


For more information on the career of Kreigh Collins, visit his page on Facebook.

 

The Plot’s Afoot

As a welcome change of pace, the following episode is a half page from the Sunday Independant. With its descriptive, educational labels, it is characteristic of Collins’ illustrative comics work.

Now let’s settle into our seats and watch as the action unfolds.

KTB 112259 HF 150 QCC

Although Kevin has finally made his appearance in this story arc, Brett continues to dominate the action.

KTB 112959 BWP 150 qcc

KTB 120659 HB 150 AMC

I don’t have a third-page version of the November 22, 1959 episode scanned but I do have a black and white proof—which has been embellished with some yellow paint. Kind of a drag, but it could’ve been worse—our young artist seemed to spend more time creating their own artwork, as shown on its reverse (“Mixed media with architectural details,” unknown artist).

Here are the other two episodes in color, as third-pages.


Available Now

Initially available only from the publisher’s website, I now am happy to offer copies for sale of “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy.”

Mitzi McCoy Cover 150

The book’s price is $30. For domestic shipping, add $4; for international orders, first class shipping costs $25. (A recent order sent from New Jersey to France took 10 calendar days to be delivered). To place an order, email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information.

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.


For more information on the career of Kreigh Collins, visit his page on Facebook.

 

Send in the Cavalry, er, Clowns!

Brett’s nightmare keeps taking turns for the worse.

KTB 110159 BWP 150 qcc

Brett is in dire straits. Where is his benefactor, Kevin?

KTB 110859 TH 150 QCC

Wait—what? Was Brett just saved by a mime? I did not see (or hear) that coming! With any luck, Kevin will be ready for any sudden plot twists.

KTB 111559 HB 150 CSI

Here are the three episodes in color, as third-pages.


Available Now

Initially available only from the publisher’s website, I now am happy to offer copies for sale of “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy.”

Mitzi McCoy Cover 150

The book’s price is $30. For domestic shipping, add $4; for international orders, shipping costs $25. To place an order, email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information.

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.


For more information on the career of Kreigh Collins, visit his page on Facebook.

 

The Proudest Boy in Europe

As was occsionally the case with these nice BW proofs, someone got handy with the scissors—though it seems kind of like an odd panel to remove. This one can’t be patched as nicely as some others I’ve run across.

KTB 101159 BWP 150 qcc

Gretchen instinctively avoids Hans, but the Grossmauls’ evil plan is set into motion. Poisoning someone with a sleeping potion is one thing…

KTB 101859 BWP 150 qcc

…but arson is another. Interestingly, the panel showing Hans running from the fire he had set was the throwaway panel, so this detail would be lost on tabloid or third-page readers. The panel that follows, where Hans’ father asks if the deed is done, leaves the fire’s origin as somewhat ambiguous.

KTB 102559 BWP 150 qcc

Poisoning, arson, murder… and a scapegoat. The aptly named Grossmauls are about as evil as any villains featured in “Kevin the Bold.”

Here are the three episodes in color, as third-pages.


Available Now

Initially available only from the publisher’s website, I now am happy to offer copies for sale of “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy.”

Mitzi McCoy Cover 150

The book’s price is $30. For domestic shipping, add $4; for international orders, shipping costs $25. To place an order, email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information.

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.


For more information on the career of Kreigh Collins, visit his page on Facebook.

 

The Warden of the Smoke and Bells

When Kreigh Collins’ first NEA comic strip (“Mitzi McCoy”) debuted, it was designed to be carried by an ensemble cast, where any of the regulars could take the lead in a given story arc. This was certainly less the case with “Kevin the Bold,” with Kevin dominating the action, but there could be stretches of two or three weeks where he was completely absent.

A much longer sabbatical happened in late 1959. For seven consecutive episodes, Kevin’s ward Brett took the lead—it wasn’t until the final panel of the eighth episode that Kevin appeared. At the conclusion of the story arc, “Kevin” was dropped by the Chicago Sunday Tribune (it’s unclear if this was a coincidence). “Kevin the Bold” was the first NEA comic to grace the Trib‘s pages, and the paper had run the strip since its inception. No doubt this was a blow to its creator.

The first episode of this new story is a densely packed with exposition. While Brett is Kevin’s ward, he has yet to learn the importance of holding his tongue. However, the lad does manage some choice words.

KTB 092059 BWP 150 qcc

The next two episodes originally ran in the Carbondale Southern Illinoisian. Despite the pall cast over the last episode, the mood brightens considerably as we meet the kindly Professor Sachs…

KTB 092759 HB 150 CSI

…before taking another dark turn.`

KTB 100459 HB 150 CSI

Here are the three episodes in color, as third-pages.


Available Now

Initially available only from the publisher’s website, I now am happy to offer copies for sale of “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy.”

Mitzi McCoy Cover 150

The book’s price is $30. For domestic shipping, add $4; for international orders, shipping costs $25. To place an order, email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information.

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.


For more information on the career of Kreigh Collins, visit his page on Facebook.

 

Leaping Lizards, er, Lads!

Six episodes in, and so far two of Heather‘s crew have fallen into the drink. I wonder who’s next?

UA 121568 150 HA qcc

Somewhere in Kreigh Collins’ morgue file, he had an image of a boy playing leapfrog. It was never referenced in “Mitzi McCoy,” but it appeared in Collins’ pre-NEA “Bible Picture Story Comics,” twice in “Kevin the Bold.” and at least once in “Water Lore,” above. Now that’s thrifty!

Leapfrog x3

From left: December 15, 1963; October 30, 1955; and c. 1946.

With the eighth episode of “Up Anchor!”, another recurring character was introduced—Kevin’s friend, Pedro. Pedro had been a mainstay in “Kevin the Bold,” he first appeared in 1958 and continued on and off until the very last episode, a decade later. While Kevin definitely changed when he transitioned between the two strips, Pedro remained essentially the same.

UA 122268 150 HA qcc

Oho! It was Erik that somehow fell in—luckily Pedro was there to lend a hand. He also lets loose with what will become the big fella’s catchphrase.

UA 122968 HA 150 qcc C-BW

Waiting until late December to button up a boat for the winter would be ill-advised in Michigan, but if you factor in the three-month lead time that the production process of these episodes required, doing it in late September (when the artwork was inked) seems appropriate.

Collins also had the advantage of being able to photograph his sailboat in order to create reference images for use in his strip, and it looks like the photo below could have been used for the episode above. I’d guess the younger guy is my uncle Kevin.

Heather cradle Apr 67 r 150


For more information on the career of Kreigh Collins, visit his page on Facebook.

Book Report

I am happy to announce that “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy,” is now available directly from me. Upon its 2018 publication, the book was exclusively available on the publisher’s web site. However, some people experienced problems with order fulfillment (including me!)—this was heartbreaking! After all, this project was a labor of love, and after having invested so much time in it, hearing about this situation was particularly vexing—I couldn’t do anything about it.

Mitzi cover final

Because I now have a small inventory of the books, I am offering them for sale—with the promise that orders will be processed as quickly as possible. The cost per book is $30. For domestic shipping, I am charging $4; for international orders, shipping costs $25. To place an order, email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information.

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.


Also available!

Kevin the Bold: Sunday Adventures, September 5, 1954 to June 2, 1957” contains over 140 episodes of this rollicking, witty and dramatic lost Sunday comics classic! With elegant artwork and smart storytelling by creator Kreigh Collins, KEVIN THE BOLD blends swordplay, suspense, humor and history in a rugged, highly appealing blend! Sourced from rare syndicate proofs and are reproduced in crisp black and white, the volume contains 14 complete story arcs. (Please note: three of the book’s 145 episodes were scanned from Sunday comics).

Kevin the Bold: Sunday Adventures, September 5, 1954 to June 2, 1957” is available on Amazon.


Coming Soon!

Cover v1

I have recently learned that a collection of “Kevin the Bold” episodes is forthcoming in a series of two volumes published by comics luminary Anders Hjorth-Jørgensen of Denmark.

KTB 100151 Denmark Kevin_Hjemmet_1951

“Kevin den Tapre” (Kevin the Brave) appeared in the weekly Danish magazine “Hjemmet” throughout the 1950s, first in color, then in black and white; these comics are the source material of what will be reprinted by Mr. Hjorth-Jørgensen’s publishing company, Forlaget desAHJn.

I will post further information on these books when it becomes available.


Podcast on the Making of “The Complete Mitzi McCoy”

wb banner

To learn more about Kreigh Collins, MITZI MCCOY, and how my recent book on Mitzi came together, listen to the interview I did with John Siuntres: “Anatomy of a Comic Strip,” from his long running pop culture audio podcast, Word Balloon.


For more information on the career of Kreigh Collins, visit his page on Facebook.

Lovesick Louise

The action from the preceding story arc continues, and with many of the same characters. Sir Guy Thornberry has skulked offstage, but for how long? For reasons unknown, Louise Essex is smitten with the scoundrel. Meanwhile, King Henry has an important job for Kevin—once he overcomes a certain obstacle.

KTB 042956 HA 150 CST qcc

The second panel has a nice rendering of the Cliffs of Dover.

KTB 050656 HA 150 CST qcc

By this point, there wasn’t much difference in the print quality of the comics in the Chicago Sunday Tribune and the Detroit News (as shown below). One detail the Tribune versions lacked was the comic’s date inked into one of the panels (shown in the final panel of the News version). For Trib comics that didn’t appear at the top of a page, with the date typeset directly above, a nice personal detail for me is the date written on them, recognizable to me as done by my grandmother, Theresa. (“Teddy” also frequently modeled poses for her husband and basically served as his secretary).

KTB 051356 HA 150 CST qcc

The colors are a bit richer in the “Tribune” version, but in the third panel there seems to have been some indecision whether to include a yellow background or not.

KTB 051356 HA 150 DN qcc

I think the second and third panels look better with a white background.

Another nice family detail is found in the name of the ship Kevin captains. Argonaut was the name of Kreigh Collins’ own sailboat, a yawl—somewhat smaller than her namesake (I think she was only 25′ long). And while Collins purchased his schooner Heather later this same summer, she too was dwarfed by Kevin’s ship.

Argonaut-Heather

Collins and his family sailed aboard “Argonaut” (shown at left in Racine, WI) from 1952–1956, and aboard “Heather” (shown in Annapolis, MD) from 1956–1972.


For more information on the career of Kreigh Collins, visit his page on Facebook.