The Four Corners

Kreigh Collins truly had a wanderlust, and his comic strips’ settings reflected this as well. “Mitzi McCoy” was set in Freedom, Michigan, but in its short run, Mitzi traveled to Canada’s North Woods (in her own plane), Miami Beach, New York City, and Chicago; action also took place in ancient Rome and Ancient Israel.

“Kevin the Bold” had an 18-year run, and its protagonist travelled much more extensively—to the four corners of the Earth.

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This dramatic Irish cliff seems at least party inspired by the Cliffs of Moher.

Although Kreigh Collins never visited Ireland, he did travel to Morocco as a young man, and his classic Sadea sequence from 1952 featured the North African country.

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Situated as close to Ireland as it was, much action took place in the Netherlands, as in this episode from 1961. Bruges (Belgium), was also a relatively short trek for Kevin.

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Often, action was taking place in several distant lands in a single comic. The March 16, 1952 episode features Switzerland, northern Italy, and Byzantium (aka Constantinople).

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In a sequence that has yet to run on this blog, Kevin travels to Venice and eventually sails to the eastern Mediterranean in pursuit of the pirate Zyclos.

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Much of the action from the mid-50s episodes of “Kevin the Bold” took place in London and other locations in England; fictitious German towns were also a frequent setting. In Firenze, Kevin nearly bumped into Leonardo Da VInci.

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On an adventure that was published in the summer of 1953, Kevin traveled as far east as the Caucasus Foothills (Georgia, Asia). By the end of that chapter, he was back in the south of France.

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The next year, Kevin rode to Muscovy (modern-day Moscow). And of course, Kevin’s travels were generally in the name of fighting injustice. KTB 090554 HA CST 150 qcc

In 1955, Kevin set sail for Suez, Egypt, in order to return a princess to father. For this episode, Collins prepared a customized layout for the Chicago Tribune, featuring fewer panels and the addition of a nicer rendering of Kevin’s storm-tossed ship.

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A later sequence took place in Norway, again featuring one of the artist’s specialties, beautifully-drawn boats.

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In early 1962, Kevin’s adventures to him to the New World, the first of several trips he would make across the Atlantic.

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The following year, a storm struck Kevin’s ship and blew him off course—apparently around Cape Horn and into the Pacific, where he eventually beached in Japan. Unfortunately, and not so surprisingly, given the era in which this episode was published, the Japanese are shown with a skin tone beyond caricature. (However, by the time the sequence had wrapped, this travesty was corrected).

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In the mid-60s Kevin again crossed the Atlantic, reaching the North America mainland. He saw the location of the ill-fated colony of Roanoke, Niagara Falls, and the California coast.

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Near the end of its run, Kevin’s journey takes him furthest from his Irish beginnings, to the other side of the world, the South Sea Isles.

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Although Kevin’s journey seemingly brought him to the four corners of the world, this blog’s readers hail from an even more diverse list of exotic lands:

Estonia, Slovakia, Bolivia, Bahrain, Vietnam, Iceland, Malta,
the Bahamas, United Arab Emirates, Israel, Albania, Honduras,
Luxembourg, Greenland, Ecuador, Singapore, Qatar, Tunisia,
American Samoa, Costa Rica, Bulgaria, China, Egypt, Peru, Romania,
Japan, Guam, Malaysia, Taiwan, Russia, Macedonia, Puerto Rico,
Latvia, Myanmar, Poland, Greece, Indonesia, Uruguay, Panama,
Pakistan, Austria, Slovenia, Czech Republic, Belgium, South Africa,
Nigeria, South Korea, Ukraine, Mexico, Switzerland, Hong Kong,
Ireland, Norway, Turkey, New Zealand, Bosnia & Herzegovina,
Philippians, Finland, Hungary, Chile, Australia, India, Argentina,
Thailand, Colombia, United Kingdom, Germany, Serbia, Denmark,
Canada, Sweden, Netherlands, Brazil, Croatia, Portugal, Spain,
Italy, France, and (not as exotic to me), the United States

In commemoration of this blog’s fourth anniversary, I thank its readers for their continued interest in my grandfather’s comics career.


The Perfect Anniversary Gift!

Forget those traditional and modern gift lists—click here to place your order for The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy. In addition to the entire run of “Mitzi McCoy,” the book includes the opening sequence of the comic strip “Mitzi” evolved into, “Kevin the Bold.”

The book also features an extensive introduction by Eisner Award-winner Frank M. Young and previously unpublished artwork and photographs.

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For more information on the career of Kreigh Collins, visit his page on Facebook.

 

Catching a Snag

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Kevin learns the unlikely truth about the sword fighter he leapt to save, and of the horrible fate of the prince. This information is recounted by a newfound ally, and although the old man isn’t given a name, he has an unusual physical feature—a hook for a right hand (not so different than the Kingslayer, Jaime Lannister). Notably, the episode’s dramatic splash panel was used as back cover art for a highly-recommended 2017 collection of “Kevin the Bold” comics (details below).

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As a whole, these Chicago Tribune comics are not as vibrantly reproduced as examples from earlier in the decade, but the October 3 episode printed quite nicely.

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Kevin’s plan to get inside catches a snag—and another snag saves his hide.

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The October 10 episode is a marvel; it features perhaps my favorite panel in the comic strip’s entire 18-year run. It is even more dramatic as seen in a black-and-white syndicate proof, which showcases Collins’ mastery of composition and illustration.

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Kevin the Bold: Sunday Adventures

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Here are over 140 episodes of this rollicking, witty and dramatic lost Sunday comics classic! With elegant artwork and smart storytelling by creator Kreigh Collins, KEVIN THE BOLD blends swordplay, suspense, humor and history in a rugged, highly appealing blend! 95% of the material is sourced from black and white syndicate proofs. Available here.

 


For more information on the career of Kreigh Collins, visit his page on Facebook.

A Pretty Little Speech

Besides becoming an artist, the only other career choice Kreigh Collins considered was to become a magician. By the time he reached high school he’d made up his mind, yet magic cropped up in his work frequently enough. In 1937, he wrote Tricks, Toys, and Tim, a unique “how-to-do-it” book  published by D. Appleton-Century — Kreigh’s illustrations appeared throughout. In his later work, subjects related to magic came up — “Mitzi McCoy” had a sequence featuring a yodeling cowboy with a ventriloquist’s dummy (!) — and ventriloquism was featured again in this “Kevin the Bold” storyline.

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If you find a copy, buy it! You won’t be sorry. More information on “Tricks, Toys, and Tim” here.

Unfortunately, Kevin and Tankard are unaware of the current fearful climate in the little Dutch city of Bomen.

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The September 9 episode is a good example showing the difference between the Chicago Tribune’s superior color schemes and that of a typical newspaper. Although the image of the half page version is just a snapshot liberated from an old eBay listing, it has richer colors and and a much more extensive palette than the tabloid.

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The ever-honorable Kevin bids to save his new friends’ lives by sacrificing his own. In what appears to be a cowardly move, Tankard quickly backs the idea.

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Finding the perfect time to demonstrate his talents, Tankard saves the day. Meanwhile, Kevin is appreciative enough that Tankard accompanies him on his next adventure in Ireland, where no doubt he will demonstrate more magic.


The Complete Mitzi McCoy

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To read the 1949 “Mitzi McCoy” sequence featuring the yodeling cowboy and his ventriloquist’s dummy, pick up a copy of The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy, available here.


For more information on the career of Kreigh Collins, visit his page on Facebook.

Sunday, December 27, 1959

Since my comics collection mostly consists of episodes of my grandfather’s comics cut from Sunday papers, the only other comics of the era I’m very familiar with are whatever printed on the other side of those pages. Occasionally, my grandfather saved entire pages (featuring up to a half-dozen comics), and in a few cases, entire comic sections, so these are in my collection too.

One example of an intact section is the Sunday, December 27 edition of the Detroit News, from 1959. Despite being almost 60 years old, nearly all the comics appeared as one-third pagers. The only comic appearing as a half page is Al Capp’s “Li’l Abner.” Unfortunately, due to the size of the News’ masthead, Capp’s comic is pushed down onto the fold, making it more difficult to scan. (Sorry about the slight misalignment of the the comic’s two pieces).

Not surprisingly, many of the comics’ themes revolve around Christmas (“Pogo” by Walt Kelly, “Red Ryder” by Fred Harman, “Freddy” by “Rupe,” “Will-Yum” by Dave Gerard, and “Dennis the Menace” by Hank Ketcham). New Year’s was also a popular motif (“Boots” by Edgar Martin, “Emmy Lou” by Marty Links, and my grandfather’s “Kevin the Bold”). This episode of “Kevin” is notable as far as my grandfather’s career is concerned—it marked the point where the Chicago Tribune dropped his comic. (I also have the comics section from that day’s Tribune).

Winter themes occurred in a couple comics (“Mickey Finn” by Lank Leonard, and “Out Our Way” by J. R. Williams), and Al Fatally & Harry Shorten’s “There Oughta Be a Law” focussed on a birthday, with somewhat racy results (am I seeing tan lines on that model?)

Otherwise, it’s business-as-usual for soap opera strips and other serials (“Rex Morgan, M.D.” by Dal Curtis, “Steve Roper” by Saunders and Overgard, “Mary Worth” by Ernst and Saunders, “Kerry Drake” by Alfred Andriola, and “Tarzan” by Edgar Rice Burroughs) as well as comics like “Archie” by Bob Montana, “Mark Trail” by Ed Dodd, “The Smith Family” by Mr. & Mrs. George Smith, and “Off the Record” by Ed Reed.

As for the other comic included, “Tales from the Great Book: David and Saul” by John Lehti, I’m not sure if this is Old Testament stuff of the New—perhaps I need a nice book of Bible Story Picture Comics to help me get straightened out on that. (The next volume in “The Lost Art of Kreigh Collins” series will focus on his like-named pre-Mitzi strip, and is tentatively scheduled for publication in September, 2019).

Merry Christmas, Happy Holidays, and Happy New Year!


Happy Birthday!

Kreigh Collins was born 111 years ago on New Year’s Day.


For more information on the career of Kreigh Collins, visit his page on Facebook.