Following Count Nargyle’s dramatic disappearance is an equally astonishing entrance.
The October 23 episode is a beauty—its two oversized panels showcase some wonderful artwork. The colors are rather unique too—the burgundy in the first frame and the ghostly, almost psychedelic trees looming in the background of the last seem to come from a different palette.
Meanwhile, with his options limited, Count Nargyle makes important concessions to the beggars of the forest.
The reunion between Kevin and Brett inspired Kreigh Collins to employ a favorite pose—a boy playing leapfrog.
It first appeared in an episode of BIBLE STORIES COMICS (far right, c. 1944) and then twice in KEVIN THE BOLD (October 30, 1955 and December 15 1963). Collins used it a final time in his last NEA feature, UP ANCHOR!, where it popped up in a “Water Lore” topper from 1968.
Next week, the story of Brett meting the beggars of the forest continues, and another lovely lass is introduced.
The most recent addition to my comics compilation library is the massive, second volume of “Kevin den Tapre,” from publisher Anders Hjorth-Jørgensen and his company, Forlaget desAHJn. Like its companion volume, the comics were sourced from the Danish weekly magazine Hjemmet. From 1955-1960, Hjemmet ran the episodes in an interesting three-color scheme; the collection is available here.
The book has an impressive front matter section highlighting various aspects of Kreigh Collins’ heroic protagonist.
In many instances, the original, full-color episodes precede their corresponding three-color Danish versions for easy comparison. When King Henry VIII enters Kevin’s world, a full-page sidebar offers some background of the English monarch. Considering the book’s 218 Danish episodes, plus all the extras, it results in a rather hefty volume—364 pages in all.
The spread on pages 156-157 shows a prime example of one of the lovely ladies my grandfather featured—Gertie reproduces nicely in any number of colors! And speaking of lovely ladies, if your preference runs toward more wholesome lasses, pages 300-301 and beyond feature Becky Makepeace, whose story just ran on this blog. (Speaking of which, this is post No. 300! Woo-hoo!).
Following the complete run of three-color Hjemmet episodes, there is a lengthy section of back matter. It touches on some of Kevin’s later adventures, including the transition to “Up Anchor!” and how “Kevin” was repackaged into comic books for numerous foreign markets.
Further spreads highlight Collins’ pre-comics work as an illustrator, the start of his NEA comics career, and the Bible Stories Pictures he created in the mid-1940s for the Methodist Publishing House (among other subjects). The book is very thorough.
While reviewing the book gave my translation app quite a workout, certain words required no explanation, such as “Research,” a bibliography. I will vouch for the source material!
While researching Kevin’s Danish incarnation, I came across an auction site with 30+ episodes of “Kevin den Tapre” listed, check it out! (Though I’m not sure if they do international shipping). These are the same episodes appearing in the Danish collections. All but one of the listings are for the full-color examples that appeared in Volume 1.
“The Lost Art of Kreigh Collins, the Complete Mitzi McCoy,” is available for immediate delivery at a reduced price; it features the entire run of Kreigh Collins’ first NEA feature.
MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.
The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.
The book costs $30ONLY $20! For domestic shipping, add $4; for international orders, add $25 for first class shipping. To place an order, leave a comment below or email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal information.
For more information on the career of Kreigh Collins, visit his page on Facebook.