Le Casseur

“Mitzi McCoy” was featured in several of Pierre Mouchot‘s French comic book titles—first in Fantax, then in Robin des Bois, Le Casseur, and P’tit Gars. In all, about ⅔ of Mitzi’’s episodes appeared in Mouchot’s titles. Le Caseur, featuring Big Bill, had the longest run of the four, with Mitzi appearing in 20 issues (Nos. 32–51). As with the case of most (all?) of the others, an episode (or more) started inside and concluded on the back cover. I haven’t seen interiors of Le Casseur, but I was able to track down a bunch of the covers (with guidance from my friend Gérard).

The examples above show episodes that came from the third and fourth chapters of “Mitzi McCoy.”

If you’re curious how these look in English (and in full color!), see below for information on how to order “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy.” 

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Happy Easter!

In 1956, NEA offered an illustration for subscribing newspapers to run on Easter Sunday (or in the case of the reproduction shown here, for the Grand junction, Colorado Daily Sentinel, on Saturday, March 31). Kreigh Collins’ illustration ran in full color, which was a rare occasion (outside of the papers’ Sunday comics). My apologies that I don’t have a color example to show.

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Extra! Extra! Read all about it!

The Lost Art of Kreigh Collins, the Complete Mitzi McCoy,” is available for immediate delivery at a reduced price; it features the entire run of Kreigh Collins’ first NEA feature.

Mitzi McCoy Cover 150

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

The book costs $30 only $20! For domestic shipping, add $4; for international orders, add $25 for first class shipping. To place an order, leave a comment below or email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal information.

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For more information on the career of Kreigh Collins, visit his page on Facebook.

Happy Easter

Easter 150 qcc

Unfortunately, I have never seen the remaining comics in the “Jesus in Jerusalem” series. This year, Easter falls on April Fool’s Day, and my apologies if this seems like a(nother) prank — last year, I had a little fun. Since the Easter story is so well-known, I hope the illustration above will be an acceptable stand-in for the missing Bible Stories Comics. The “Jesus in Jerusalem” series had perhaps nine more episodes before the action switched back to the Old Testament, and a series about Moses began, which ran over the course of an entire year (Wow! How long was he lost in the desert?!)

The Bible Stories Comics I have seen came from two sources — the Kreigh Collins collection in the Grand Rapids Public Library, and my Uncle Kevin’s collection of his father’s artwork. However, I know of another person with access to these comics, reportedly the entire series! The plan is that his company will publish the “Mitzi McCoy” book, and then issue a second volume on the “Lost Art of Kreigh Collins” featuring the Bible Stories Comics. Please stay tuned!


For more information on the career of Kreigh Collins, visit his page on Facebook.

 

The Darkest Hour

The next three “Bible Picture Story” comics show Jesus’ final hours. Confronted by an angry mob and at the mercy of an ineffective and conflicted administrator, he is stoic as his fate unfolds.

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BPS JJ 18 GT 150 QCC.jpg

BPS JJ 19 GT 150 QCC.jpg

Although the narrative of Jesus’ crucifixion is likely one of the most famous stories ever, there is one unfortunate surprise ahead — as far as “Bible Picture Stories” are concerned.


For more information on the career of Kreigh Collins, visit his page on Facebook.

Prophecy Fulfilled

Even though the subject matter of these “Bible Picture Stories” does not fully engage me, I find everything else very interesting. “Jesus in Jerusalem No. 13” has expressive character illustrations, relatable colloquial language, and the final two panels are wonderful. The style is quite similar to the prototype comic Kreigh Collins developed for the NEA, which evolved into “Mitzi McCoy.” (No big surprise, as it was illustrated at about the same point in time as these Bible comics).

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BPS JJ 14 BT 150 QCC

To my eye, No. 14 doesn’t have quite the appeal of the previous comic, but the mood comes across very effectively, as Jesus’ fate hangs in the balance. No. 15 is another marvel. (“Insurrection!” and an raised eyebrow “AWK” — I love it!) It also features a nice variety of perspectives and facial expressions.

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BPS JJ 16 GT 150 QCC


For more information on the career of Kreigh Collins, visit his page on Facebook.

Happy Easter

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Easter Bunny, c. 1915

Growing up in an itinerant family, Kreigh Collins attended numerous schools in his childhood. This led to a degree of spottiness as far as his education was concerned, yet his artistic abilities would flourish. An only child, his mother saved much of his childhood schoolwork, which is fortunate due to the family’s frequent moves. This trove is in a special collection of the Grand Rapids Public Library, where Collins spent hundreds of hours doing research.

Happy Easter! Look for a special announcement next week.