Pedro to the Rescue

As the past few weeks have shown, this Roanoke sequence has contained several instances where plot devices Kreigh Collins used in earlier episodes were repeated. Sometimes even oddball phrases would reoccur.

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There is no doubt that the introductory caption of the September 5 episode (above) would be worded differently if it appeared today. (I think “bundled sticks” would suffice). But at least an alternate spelling was used that better distinguished the word from its ugly sound-alike (how ironic it is that the term for this phenomenon is “homonym”). The more offensive spelling was actually used in an episode of “Kevin the Bold” that appeared nearly a decade earlier, again referring to firewood.

As for the theory Kreigh Collins mentioned in the newspaper article from a few weeks ago, he believes Ginia is better known by another name…

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Back to the action, Pedro bravely saves Kevin and Ginia/Pocahontas, and then he puts his back into the action!

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A deadfall device appeared early on in Kreigh Collins’ NEA cartooning career, in the ninth episode of “Mitzi McCoy,” which ran on January 2, 1949. It also raised the ugly specter of a beautiful girl being crushed to death.

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To find out Mitzi’s fate with the deadfall, pick up a copy of The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy, and turn to page 27. The book can be ordered here.

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For more information on the career of Kreigh Collins, visit his page on Facebook.

The Cruelest Cuts

Hmmm… this foundling daughter sure has an interesting name!

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Black and white tabloid proofs reveal the travesty of the one-third-page format—the last two panels are deleted! And in the August 29 episode shown below, the omission is even more egregious—a plot point is left on the cutting room floor. Meanwhile, Wykes sets his brutal plan in motion.

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Ginia’s harsh criticism leads her to suffer the same fate as Kevin. As she fills Kevin in on Wykes’ plans, salvation appears low on the horizon.

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For more information on the career of Kreigh Collins, visit his page on Facebook.

Finding a Friend

Kevin is confused by his new acquaintance’s behavior, and their relationship gets off to a rocky start.

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The two develop a certain amount of trust, and the July 25 episode presents Kevin with a couple of surprises.

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Saigen harks back to a character from a September, 1949 “Mitzi McCoy” episode. Tim Graham is saved in a very similar fashion by Mugs, another Native American boy. (This reminds me of a line by David Byrne, “There are a finite number of jokes in the universe.”)

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Although Kreigh Collins portrayed Native Americans as both heroes and villains, their speech was usually presented in the stereotypical fashion common of the era, a broken English where “me” was used instead of “I” and “-um” was appended to words. Kevin also shows some bias in making the mistake of underestimating his new friend Saigen.

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Not only that, but Kevin falls into the same trap as in an adventure from five years earlier…

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…as did Kevin’s dog Rory, in the comic strip’s inaugural 1950 sequence.

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As a kid, I remember digging holes for this type of trap out in the woods behind our house. Or more likely, I recall my brother Brett doing it in hopes of capturing me! We must have learned this trick from our father.


Tiger Traps and Other Comics

The 1950 “Kevin the Bold” episode directly above is featured along with 110+ others in “The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy.” It also features a wonderful essay by Eisner Award-winner Frank M. Young and is available here.

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For more information on the career of Kreigh Collins, visit his page on Facebook.

The Lost Colony

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The following “Kevin the Bold” sequence received quite a promotional push from Kreigh Collins’ syndicate. In addition to several paragraphs of descriptive text, four separate spots were prepared—three with illustrations and one with a photo of Collins at his drawing table.

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The promotional push generated other articles, such as this one from the Atlantic City Press. Placing it alongside an update on pole sitter Dixie Blandy is interesting perhaps only to me (but get a load of this!)

Although the comics came out in the summer of 1965, the required research was started five years earlier. Collins and his family had taken their schooner Heather south in 1959, wintering in Coconut Grove, Florida. This was the first step in their endeavor of sailing the Great Loop, an approximately 6,000-mile journey (quite a feat considering the 45′ sailboat’s crew consisted of Kreigh, wife Theresa, and 9-year-old twins Kevin and Glen.

It is worth mentioning that Collins continued working on his comic strip during this year-long adventure, he arose early in the morning and did his illustrations in the main salon of his sailboat’s cabin. Visits to post offices along the way were required for mailing off his scripts and illustrations, and for receiving feedback from the suits at the syndicate.

In April, the family headed north via the Intracoastal Waterway, eventually sailing through New York Harbor, the Hudson River, and across the Erie Canal. From there, they entered the Great Lakes, sailing through Lake Erie, Lake Huron, and Lake Michigan, making it back to their home port on Lake Macatawa in late August.

Somewhere in North Carolina, a photographer joined the crew (although these photos must have been taken by someone else, since the photographer appears in a couple of the shots).

Among their many stops was Hatteras Island on North Carolina’s Outer Banks—the location of the lost colony of Roanoke, and the mystery and disappearance of its settlers, including Virginia Dare. No one knows what happened, but as Collins said in the newspaper article about the sequence, he had his theory.

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A souvenir from an annual stage show about “America’s greatest mystery” (now in its 82nd season)

The action begins with Kevin about to sail for the New World, and with his amigo Pedro determined to join the crew.

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As usual, the comics’ tone is lighthearted at the beginning of the story arc, but soon the real action begins.

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For more information on the career of Kreigh Collins, visit his page on Facebook.