Separations, but not Equal

Little does Kevin know that his unexplained black eye will lead to worse circumstances.

As far as this particular story arc goes, one definite bonus is the fact that I have Chicago Tribune examples of each episode. While the paper was long past its heyday of incredible color separations and reproduction—some “Kevin the Bold” episodes from the early 1950s are simply stunning—the paper still created its own printing plates, which led to higher-quality final results.

Comparing an episode from the Trib with one from the Florida Times-Union could be seen as comparing apples to oranges, with the latter’s output often being rather magenta-saturated, a close comparison between the two shows that the Tribune did indeed use different printing plates than those offered by NEA Services to its regular subscribing newspapers. In some panels it is hard to determine if the difference was simply due to the flood of magenta ink and indifferent press operators, but in the Trib‘s splash panel, the lower portion of Kevin’s cloak clearly shows shades of both orange and red, while in the Times-Union version it’s all reddish orange.

It’s a shame that raven-haired Gertie has gotten mixed up with the Strangler, she’s generally my favorite part of any episode in which she appears!

To be continued…

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For more information on the career of Kreigh Collins, visit his page on Facebook.

Ippon!

When I was a lad, I joined a judo team and took lessons for several years. We learned a bit about Japanese culture and a little bit of the language (I still remember how to count to 99). I got a start at a young age, and did pretty well. I loved it.

To win a match, as I recall, you basically needed to score one point. A nice throw might earn a half point (wasa-ari), and if you achieved two nice throws, it was enough to win. A quicker path to winning was to flip your opponent with a more or less perfect throw, and the referee would call “Ippon!“—meaning one point (and game over). I did this once, I can still remember my opponent coming at me, forcing me to retreat, until I spun and unleashed my bread-and-butter throw, the seoi nage.

I only mention this because I thought there were three more episodes in this story arc, when there is in fact only one. And while the blow Toshi delivers is nothing like anything found in Judo (outside of an Austin Powers movie, maybe), it causes a sudden, decisive ending to the fight.

Definitely ippon.

It’s unfortunate that I don’t have an actual copy of this concluding episode, and it looks like it may contain a pice of clip art—a photostat of Kevin’s sword, appearing in the panel after the throwaway. This time-saving device was used by Collins somewhat frequently during this period.

In this piece of original art from my collection (June 17, 1962), Brett is holding onto a photostat of Kevin’s sword (bottom left panel).

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It’s 5:00 Somewhere

Since this was such a short post, let me fill some space with a recent photo of a special beer tasting.

I wrote about these beers last November. I provided customized label artwork for a brewery in my grandfather’s old hometown—Ada, Michigan’s Gravel Bottom Brewery—and the brewery produced three varieties as their first bottle releases. I had previously tasted the base version (Kevin the Bold Russian Imperial Stout), and it was quite nice, but I think I preferred a version that I’d cellared for the last year, “Kevin Goes to the Beach,” with its subtle coffee, coconut, and vanilla flavorings. Aging it really helped. Later in the winter, I’ll surely be cracking open the last one, “Kevin Goes Camping.”

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For more information on the career of Kreigh Collins, visit his page on Facebook.

One Sep Forward, Two Steps Back

Kevin and Will are jailed, awating their trial.

An escape improves their situation, but for how long?

Kevin quickly wins the fight, but it’s not over yet…

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For more information on the career of Kreigh Collins, visit his page on Facebook.

Kevin the Bandit?

Lady Yuri is determined to either escape or thwart Lord Kira’s plans…

…while Kevin and Will try a more direct approach.

Things look dark. Kevin and Will face their imminent trial, and Lady Yuri is about to be dragged away by Kira.

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For more information on the career of Kreigh Collins, visit his page on Facebook.

The Four Corners

Kreigh Collins truly had a wanderlust, and his comic strips’ settings reflected this as well. “Mitzi McCoy” was set in Freedom, Michigan, but in its short run, Mitzi traveled to Canada’s North Woods (in her own plane), Miami Beach, New York City, and Chicago; action also took place in ancient Rome and Ancient Israel.

“Kevin the Bold” had an 18-year run, and its protagonist travelled much more extensively—to the four corners of the Earth.

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This dramatic Irish cliff seems at least party inspired by the Cliffs of Moher.

Although Kreigh Collins never visited Ireland, he did travel to Morocco as a young man, and his classic Sadea sequence from 1952 featured the North African country.

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Situated as close to Ireland as it was, much action took place in the Netherlands, as in this episode from 1961. Bruges (Belgium), was also a relatively short trek for Kevin.

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Often, action was taking place in several distant lands in a single comic. The March 16, 1952 episode features Switzerland, northern Italy, and Byzantium (aka Constantinople).

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In a sequence that has yet to run on this blog, Kevin travels to Venice and eventually sails to the eastern Mediterranean in pursuit of the pirate Zyclos.

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Much of the action from the mid-50s episodes of “Kevin the Bold” took place in London and other locations in England; fictitious German towns were also a frequent setting. In Firenze, Kevin nearly bumped into Leonardo Da VInci.

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On an adventure that was published in the summer of 1953, Kevin traveled as far east as the Caucasus Foothills (Georgia, Asia). By the end of that chapter, he was back in the south of France.

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The next year, Kevin rode to Muscovy (modern-day Moscow). And of course, Kevin’s travels were generally in the name of fighting injustice. KTB 090554 HA CST 150 qcc

In 1955, Kevin set sail for Suez, Egypt, in order to return a princess to father. For this episode, Collins prepared a customized layout for the Chicago Tribune, featuring fewer panels and the addition of a nicer rendering of Kevin’s storm-tossed ship.

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A later sequence took place in Norway, again featuring one of the artist’s specialties, beautifully-drawn boats.

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In early 1962, Kevin’s adventures to him to the New World, the first of several trips he would make across the Atlantic.

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The following year, a storm struck Kevin’s ship and blew him off course—apparently around Cape Horn and into the Pacific, where he eventually beached in Japan. Unfortunately, and not so surprisingly, given the era in which this episode was published, the Japanese are shown with a skin tone beyond caricature. (However, by the time the sequence had wrapped, this travesty was corrected).

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In the mid-60s Kevin again crossed the Atlantic, reaching the North America mainland. He saw the location of the ill-fated colony of Roanoke, Niagara Falls, and the California coast.

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Near the end of its run, Kevin’s journey takes him furthest from his Irish beginnings, to the other side of the world, the South Sea Isles.

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Although Kevin’s journey seemingly brought him to the four corners of the world, this blog’s readers hail from an even more diverse list of exotic lands:

Estonia, Slovakia, Bolivia, Bahrain, Vietnam, Iceland, Malta,
the Bahamas, United Arab Emirates, Israel, Albania, Honduras,
Luxembourg, Greenland, Ecuador, Singapore, Qatar, Tunisia,
American Samoa, Costa Rica, Bulgaria, China, Egypt, Peru, Romania,
Japan, Guam, Malaysia, Taiwan, Russia, Macedonia, Puerto Rico,
Latvia, Myanmar, Poland, Greece, Indonesia, Uruguay, Panama,
Pakistan, Austria, Slovenia, Czech Republic, Belgium, South Africa,
Nigeria, South Korea, Ukraine, Mexico, Switzerland, Hong Kong,
Ireland, Norway, Turkey, New Zealand, Bosnia & Herzegovina,
Philippians, Finland, Hungary, Chile, Australia, India, Argentina,
Thailand, Colombia, United Kingdom, Germany, Serbia, Denmark,
Canada, Sweden, Netherlands, Brazil, Croatia, Portugal, Spain,
Italy, France, and (not as exotic to me), the United States

In commemoration of this blog’s fourth anniversary, I thank its readers for their continued interest in my grandfather’s comics career.


The Perfect Anniversary Gift!

Forget those traditional and modern gift lists—click here to place your order for The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy. In addition to the entire run of “Mitzi McCoy,” the book includes the opening sequence of the comic strip “Mitzi” evolved into, “Kevin the Bold.”

The book also features an extensive introduction by Eisner Award-winner Frank M. Young and previously unpublished artwork and photographs.

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For more information on the career of Kreigh Collins, visit his page on Facebook.