Happy Fifth!

Kreigh circa 1970 72

Today I am celebrating the fifth anniversary of this blog. I started it in order to raise my grandfather’s profile, and to try to help create a bit of a market for the book I was putting together, “The Lost Art of Kreigh Collins: The Complete Mitzi McCoy.” At its onset, I had no idea how long I would keep the blog going, but at this point—about two years after the Mitzi book was published—I have no plans to stop (and I’m not even half-way through the comics my grandfather produced). 

Silver is the contemporary fifth anniversary gift; this seems appropriate for a blog celebrating a cartoonist whose work primarily appeared in comics’ Silver Age. The traditional fifth anniversary gift is wood, meant to symbolize the strength and durability of the bond. So, to all the loyal readers of this blog, thank you very much for your continued interest in Kreigh Collins’ oeuvre.


When I began researching my grandfather’s career, I had no idea his work appeared outside the United States. (I’m not sure he was fully aware, either). I enjoy looking at the statistics WordPress collects—tallies of view and visitors, and the countries people are from—and from the beginning I was surprised at how many readers were from outside the United States. Soon enough I began to discover all kinds of foreign publications that published his work.

KTC MM 1949 Contract

Regarding international rights, I’ll have to peruse this contract more closely next time I’m at the Public Library in Grand Rapids, Mich. And check out the signature—no longhand for Kreigh!

Early on I learned that in addition to their domestic newspapers, NEA also had papers in Canada. And because some of these were based in Québec, the episodes were translated into French.

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From the Free Press Weekly Prairie Farmer (Winnipeg, Manitoba)

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I’m not sure which Montreal newspaper carried this episode of “Kevin l”Audacieux.”

As for actual Sunday comics, with one exception, I have only seen them printed for newspapers in the US and Canada. In most cases, for foreign markets, Collins’ artwork was repurposed into comic books or weekly general interest magazines. I found an interesting two-color reproduction taken from Die Jongspan, a South African weekly magazine for children, which was translated into Afrikaans. This episode of “Kevin Die Dappere” appeared on Valentine’s Day, 1966, about seven moths after its original publication.

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The next foreign market I discovered for Kreigh’s comics was down under. Several different publishers produced these “Australian Edition” comic books, again featuring both Mitzi and Kevin.

While going through Special Collection #56 at the Grand Rapids Public Library, I found tear sheets of both Mitzi and Kevin comics from Havana, Cuba’s El Mundo newspaper. These tabloid comics are pretty cool, and coming from Cuba, they seemed rather exotic, as political differences had prevented travel between the US and Cuba between 1963 and 2000.

Another hit that came up in my search results was for “Kevin el Denodado,” which I learned was how it was branded in Argentina. The comics ran for several years in the weekly magazine Tit-Bits, which was a tabloid.

Sometimes Kevin was featured on the cover, and at its onset, several episodes were combined into one giant spread. In at least one case, a promotional poster was included. Later, only single episodes appeared inside.

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Scandinavia was another fertile market for Collins’ work. “Kevin den Tapre” ran in Denmark, either in the magazine Hjemmet or possibly in a newspaper.

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I also learned from my friend Anders Hjorth-Jørgensen that his company (Forlaget desAHJn) was in the process of publishing a three-volume “Kevin den Tapre” series.

After hearing about my efforts to publish the “Lost Art of Kreigh Collins, Volume 1: Mitzi McCoy,” Asger sent me a Danish comic book in the mail featuring the exploits of Kevin hin Frygtløse.” Asger and some associates have been working on a similar project—reprinting “Willy På Eventyr” (Vol. 5 has since been published, see www.willy-centret.dk).

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Kevin also appeared in a Swedish comic book. In Sweden, he was called “Roland den Djärve.” This comic book was in my grandfather’s collection, so at least he was aware of this one distant fanbase (and possible source of additional income). In addition to running three spreads of Kevin, it featured other comics as well.

At some point I also came across a couple of examples “Haukka” from Finland, although I don’t know the name of the publication in which they ran.

Several other times I have been contacted by people from other countries who were fans of my grandfather’s work. Davide even sent me a couple copies of the Italian weekly Il Nerbiniano. (I paid him back with a copy of the Kevin the Bold collection available on Amazon that was put together by Frank M. Young).

Another friend, Marko, sent scans from a Serbian comic book called Kevin Neustrasivi, One of the issues had a very nice cover, featuring artwork by an unknown Balkan artist.

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The most recent acquaintance I’ve made with a foreign Kreigh Collins fan is Gérard, who sent me scans of French comic books featuring both “Mitzi McCoy” and “Kevin le Hardi“. At this point, I’m not too surprised to hear about more Kevin comic books, but the revelation of a collection featuring my grandfather’s first feature astonished me.

 

The Fantax covers are especially great because the covers, inspired by Collins’ illustrations, were done by the French publisher and artist Pierre Mouchot (who signed his artwork, “Chott”). And While Big Horn didn’t use Kevin on its cover, he does get a mention there.

In commemoration of this blog’s fifth anniversary, I thank its readers for their continued interest in my grandfather’s comics career, and especially my far-flung comics friends who have shared parts of their collections with me..


The Perfect Anniversary Gift!

Nevermind wood or silver—now you can order “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy.” directly from me. In addition to the entire run of “Mitzi McCoy,” the book includes the opening sequence of the comic strip “Mitzi” evolved into, “Kevin the Bold.”

Mitzi McCoy Cover 150

The book’s price is $30. For domestic shipping, add $4; for international orders, first class shipping costs $25. (A recent order sent from New Jersey to France took 10 calendar days to be delivered). To place an order, email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information.

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

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For more information on the career of Kreigh Collins, visit his page on Facebook.

 

Mad Dash from the Palace

This week’s installment features three third-pages and a throwback half-page.

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In order to help increase Elizabeth’s chances of escaping, Kevin selflessly stays behind to distract the Pasha’s men, who are in pursuit. But he’s not the only one with noble intentions.

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Th episode below marks the 17th anniversary of the debut of “Kevin the Bold”.

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October 1, 1967

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October 1, 1950

To be continued…


For more information on the career of Kreigh Collins, visit his page on Facebook.

Great Shakes

Kevin and Smith set to meet the Pasha; they are wise to be leery.

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For the September 3, 1967 episode, I found an image of the original artwork from an online auction; a third-page version follows (minus a hookah and the Pasha’s nefarious thoughts).

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Regrettably, I only have a third-page version of the next episode. (What was illustrated in the bottom tier?!)

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The fact is, this episode has the most cold-blooded killing I can remember from “Kevin,” (but remember, it was Smith who wielded the dagger).

At the time these episodes were running, Kreigh Collins’ comics had been appearing in Sunday sections for 20 years. Adventure strips like “Kevin the Bold” were dying out, victims of the changing times. A vivid sign of the times appeared on the opposite side of the tabloid at the top of this post… groooovy!

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“Gasoline Alley” appeared alongside the advertisement; at the time, it was being handled by Bill Perry. At any rate, the very traditional-looking strip is quite a contrast to the Great Shakes ad.

A couple copies of the record are currently listed on ebay, and it looks pretty sweet. (Judy Hoots at least thought so!)


Need a great holiday gift idea?

(No, not “Shake-Out 2!”) You’d be hard pressed to find a more charming collection of Golden Age comics than The Lost Art of Kreigh Collins: The Complete Mitzi McCoy. 

Drawn and scripted by Kreigh Collins, Mitzi McCoy showcased the artist’s skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected here is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

Edited and restored by the artist’s grandson, Brian E. Collins, with an introduction by Eisner Award-winning author Frank M. Young, an Afterword by comics columnist Ed Catto, and a new tribute illustration of Mitzi by Butch Guice

Available HERE from Lost Art Books.

Mitzi cover final


For more information on the career of Kreigh Collins, visit his page on Facebook.

Vanishing Harbor Gates

Expecting a fight, Kevin is in for a surprise.

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While half-page examples of “Kevin the Bold” are obviously preferable to any other format, it is interesting to see how the strip appeared in other configurations. As in earlier examples, tabloid versions excised a single panel, but in these latter-day episodes, the throwaway wasn’t a small panel in the second tier but a larger one from the bottom.

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Because so many newspapers were running third-page examples of the comic strip, Collins began producing his layouts so that the entire third tier could be deleted. The benefit was that his artwork wouldn’t suffer from having all of its panels cropped, but the drawback was obvious. For this post’s first episode, this would be quite unfortunate. For the following pair of episodes, the results wouldn’t be quite as tragic—but a key plot element’s concise description would be lost.

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Lightly showing through the third-page above is another NEA feature, Jim Berry’s “Berry’s World.” Berry and Collins were friends; Kreigh was gifted a signed original. Its date is unknown, but its subject (president Lyndon B. Johnson) makes it about the same vintage as these episodes of “Kevin.”

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The August 20, 1967 episode revisits the workings of the harbor’s pontoon gates.

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A year later, when “Kevin” morphed into “Up Anchor!”, this problem would be solved more diplomatically. Instead of an expandable third tier, a topper strip (“Water Lore”) would appear. While this solution had less effect on the presentation of the feature comic, it resulted in very few papers running “Up Anchor!” as a half page.

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Need a great holiday gift idea?

I think you’d be hard pressed to find a more charming collection of Golden Age comics than The Lost Art of Kreigh Collins: The Complete Mitzi McCoy. 

Drawn and scripted by Kreigh Collins, Mitzi McCoy showcased the artist’s skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected here is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

Edited and restored by the artist’s grandson, Brian E. Collins, with an introduction by Eisner Award-winning author Frank M. Young, an Afterword by comics columnist Ed Catto, and a new tribute illustration of Mitzi by Butch Guice

Available HERE from Lost Art Books.

Mitzi cover final


For more information on the career of Kreigh Collins, visit his page on Facebook.

The Four Corners

Kreigh Collins truly had a wanderlust, and his comic strips’ settings reflected this as well. “Mitzi McCoy” was set in Freedom, Michigan, but in its short run, Mitzi traveled to Canada’s North Woods (in her own plane), Miami Beach, New York City, and Chicago; action also took place in ancient Rome and Ancient Israel.

“Kevin the Bold” had an 18-year run, and its protagonist travelled much more extensively—to the four corners of the Earth.

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This dramatic Irish cliff seems at least party inspired by the Cliffs of Moher.

Although Kreigh Collins never visited Ireland, he did travel to Morocco as a young man, and his classic Sadea sequence from 1952 featured the North African country.

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Situated as close to Ireland as it was, much action took place in the Netherlands, as in this episode from 1961. Bruges (Belgium), was also a relatively short trek for Kevin.

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Often, action was taking place in several distant lands in a single comic. The March 16, 1952 episode features Switzerland, northern Italy, and Byzantium (aka Constantinople).

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In a sequence that has yet to run on this blog, Kevin travels to Venice and eventually sails to the eastern Mediterranean in pursuit of the pirate Zyclos.

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Much of the action from the mid-50s episodes of “Kevin the Bold” took place in London and other locations in England; fictitious German towns were also a frequent setting. In Firenze, Kevin nearly bumped into Leonardo Da VInci.

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On an adventure that was published in the summer of 1953, Kevin traveled as far east as the Caucasus Foothills (Georgia, Asia). By the end of that chapter, he was back in the south of France.

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The next year, Kevin rode to Muscovy (modern-day Moscow). And of course, Kevin’s travels were generally in the name of fighting injustice. KTB 090554 HA CST 150 qcc

In 1955, Kevin set sail for Suez, Egypt, in order to return a princess to father. For this episode, Collins prepared a customized layout for the Chicago Tribune, featuring fewer panels and the addition of a nicer rendering of Kevin’s storm-tossed ship.

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A later sequence took place in Norway, again featuring one of the artist’s specialties, beautifully-drawn boats.

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In early 1962, Kevin’s adventures to him to the New World, the first of several trips he would make across the Atlantic.

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The following year, a storm struck Kevin’s ship and blew him off course—apparently around Cape Horn and into the Pacific, where he eventually beached in Japan. Unfortunately, and not so surprisingly, given the era in which this episode was published, the Japanese are shown with a skin tone beyond caricature. (However, by the time the sequence had wrapped, this travesty was corrected).

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In the mid-60s Kevin again crossed the Atlantic, reaching the North America mainland. He saw the location of the ill-fated colony of Roanoke, Niagara Falls, and the California coast.

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Near the end of its run, Kevin’s journey takes him furthest from his Irish beginnings, to the other side of the world, the South Sea Isles.

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Although Kevin’s journey seemingly brought him to the four corners of the world, this blog’s readers hail from an even more diverse list of exotic lands:

Estonia, Slovakia, Bolivia, Bahrain, Vietnam, Iceland, Malta,
the Bahamas, United Arab Emirates, Israel, Albania, Honduras,
Luxembourg, Greenland, Ecuador, Singapore, Qatar, Tunisia,
American Samoa, Costa Rica, Bulgaria, China, Egypt, Peru, Romania,
Japan, Guam, Malaysia, Taiwan, Russia, Macedonia, Puerto Rico,
Latvia, Myanmar, Poland, Greece, Indonesia, Uruguay, Panama,
Pakistan, Austria, Slovenia, Czech Republic, Belgium, South Africa,
Nigeria, South Korea, Ukraine, Mexico, Switzerland, Hong Kong,
Ireland, Norway, Turkey, New Zealand, Bosnia & Herzegovina,
Philippians, Finland, Hungary, Chile, Australia, India, Argentina,
Thailand, Colombia, United Kingdom, Germany, Serbia, Denmark,
Canada, Sweden, Netherlands, Brazil, Croatia, Portugal, Spain,
Italy, France, and (not as exotic to me), the United States

In commemoration of this blog’s fourth anniversary, I thank its readers for their continued interest in my grandfather’s comics career.


The Perfect Anniversary Gift!

Forget those traditional and modern gift lists—click here to place your order for The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy. In addition to the entire run of “Mitzi McCoy,” the book includes the opening sequence of the comic strip “Mitzi” evolved into, “Kevin the Bold.”

The book also features an extensive introduction by Eisner Award-winner Frank M. Young and previously unpublished artwork and photographs.

Mitzi McCoy Cover 150


 

For more information on the career of Kreigh Collins, visit his page on Facebook.

 

Fearless Girl

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Kevin has tricked Bouchard’s henchmen, but Jacques has a trick of his own—dirty, of course.

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Love has also caused Marie to act impetuously, and Paul’s father couldn’t help but notice.

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Paul and Marie are set for their happily ever after, and Kevin departs for England. But after crossing the English Channel, Kevin lands in hot water, and the comic transitions into a new sequence.


Now available for pre-order!

Visit the Lost Art Books website to place your order for The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy. In addition to the entire run of “Mitzi McCoy,” the book includes the opening sequence of the comic strip “Mitzi” evolved into, “Kevin the Bold.”

The book also features an extensive introduction and previously unpublished artwork and photographs.

Mitzi cover final


 

For more information on the career of Kreigh Collins, visit his page on Facebook.

Honorable Intent

Kevin, Marie, and Paul are all trying to do the right thing. But  in trying to protect the other, they are working at cross-purposes.

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Kevin stumbles across the heartbreaking sight of a distraught, beautiful woman and his primal instinct, to help those in need, kicks in. However, further complications arise when Paul’s father is introduced.

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Once Kevin fully grasps the situation, he takes matters into his own hands.

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Now available for pre-order!

Visit the Lost Art Books website to place your order for The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy. In addition to the entire run of “Mitzi McCoy,” the book includes the opening sequence of the comic strip “Mitzi” evolved into, “Kevin the Bold.”

The book also features an extensive introduction and previously unpublished artwork and photographs.

Mitzi cover final


For more information on the career of Kreigh Collins, visit his page on Facebook.

Rejected

Kevin’s new friend Paul Fortin proves that love is blind… in this case, to danger.

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After taking a punch in the previous week’s episode, Paul was left with a nasty black eye. Instructions for the colorists were left at the bottom of the original illustration, but unfortunately, I do not have any color examples of the above comic to show how the bruise was rendered. However, the comic below, with events from the same day, shows no evidence of Paul’s black eye (although Kevin mentions it in the dialog).

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Despite a beggar’s helpful tip, Jacques Boucher shows how ruthless he is—not a good sign for Paul. Making matters worse, Boucher is not the only one plotting against the young student.

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But worst of all (to Paul), he has now been rejected by the object of his desire.

(continued)


Now available for pre-order!

Visit the Lost Art Books website to place your order for The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy. In addition to the entire run of “Mitzi McCoy,” the book includes the opening sequence of the comic strip “Mitzi” evolved into, “Kevin the Bold.”

The book also features an extensive introduction and previously unpublished artwork and photographs.

Mitzi cover final


For more information on the career of Kreigh Collins, visit his page on Facebook.

Defending Her Honor

The following “Kevin the Bold” sequence, which began in late September 1963, seems to have been an attempt to relate to college-age readers of the funnies. It portrays the students’ 16th-century counterparts as being not so different from themselves. Quick to fall in love, idealistically standing up for their beliefs, and living like slobs—some things never change. (Except for the part about college kids reading newspapers).

Having just arrived in Paris, Kevin is attracted to its beauty and stumbles into a messy scene.

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Paul’s actions are based on emotions rather than logic, and he is headed toward danger to which he is blind. Luckily, his new friend Kevin is more worldly, and willing to help.

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(The sequence continues next week).

In commemoration of this blog’s third anniversary, I would like to thank all of its readers for their continued interest in my grandfather’s comics career.


Now available for pre-order!

Visit the Lost Art Books website to place your order for The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy. In addition to the entire run of “Mitzi McCoy,” the book includes the opening sequence of the comic strip “Mitzi” evolved into, “Kevin the Bold.”

The book also features an extensive introduction and previously unpublished artwork and photographs.

Mitzi McCoy Cover 150


 

For more information on the career of Kreigh Collins, visit his page on Facebook.

 

The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy

Mitzi book edit art

Long in development and currently undergoing final edits, The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy will be printed in September, 2018. This puts it on schedule to commemorate the 70th anniversary of the strip’s 1948 launch. In addition to the entire run of Kreigh Collins’ first syndicated comic, “Mitzi McCoy,” the book also includes the opening sequence of the comic strip “Mitzi” evolved into, the better-known and longer-lasting “Kevin the Bold.”

Mitzi McCoy Cover 150

The book features an extensive introduction by Eisner Award-winning writer Frank M. Young. Collins’ early life and career are covered as well as the development of both “Mitzi McCoy” and “Kevin the Bold.” Previously unpublished photographs and artwork are included.

The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy will be published by Lost Art Books, whose stated mission is to collect and preserve the works of illustrators and cartoonists from the first half of the 20th century. Previously published titles feature the work of Richard Thompson, Niso Ramponi, Ray Willner, and others.

For a limited time,The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy can be pre-ordered at a reduced price. Visit the Lost Art Books website to place your order.

Future volumes of Kreigh Collins’ comics are planned. Stay tuned for further developments!


For more information on the career of Kreigh Collins, visit his page on Facebook.