Vanishing Harbor Gates

Expecting a fight, Kevin is in for a surprise.

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While half-page examples of “Kevin the Bold” are obviously preferable to any other format, it is interesting to see how the strip appeared in other configurations. As in earlier examples, tabloid versions excised a single panel, but in these latter-day episodes, the throwaway wasn’t a small panel in the second tier but a larger one from the bottom.

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Because so many newspapers were running third-page examples of the comic strip, Collins began producing his layouts so that the entire third tier could be deleted. The benefit was that his artwork wouldn’t suffer from having all of its panels cropped, but the drawback was obvious. For this post’s first episode, this would be quite unfortunate. For the following pair of episodes, the results wouldn’t be quite as tragic—but a key plot element’s concise description would be lost.

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Lightly showing through the third-page above is another NEA feature, Jim Berry’s “Berry’s World.” Berry and Collins were friends; Kreigh was gifted a signed original. Its date is unknown, but its subject (president Lyndon B. Johnson) makes it about the same vintage as these episodes of “Kevin.”

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The August 20, 1967 episode revisits the workings of the harbor’s pontoon gates.

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A year later, when “Kevin” morphed into “Up Anchor!”, this problem would be solved more diplomatically. Instead of an expandable third tier, a topper strip (“Water Lore”) would appear. While this solution had less effect on the presentation of the feature comic, it resulted in very few papers running “Up Anchor!” as a half page.

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Need a great holiday gift idea?

I think you’d be hard pressed to find a more charming collection of Golden Age comics than The Lost Art of Kreigh Collins: The Complete Mitzi McCoy. 

Drawn and scripted by Kreigh Collins, Mitzi McCoy showcased the artist’s skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected here is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

Edited and restored by the artist’s grandson, Brian E. Collins, with an introduction by Eisner Award-winning author Frank M. Young, an Afterword by comics columnist Ed Catto, and a new tribute illustration of Mitzi by Butch Guice

Available HERE from Lost Art Books.

Mitzi cover final


For more information on the career of Kreigh Collins, visit his page on Facebook.

Wild Night

While the entire Count del Morte story is short, its episodes are very graphic, and have a storyboard quality—the sequence seems as if it would translate very nicely to live action. Near the end of the comic strip’s run, plans were afoot for a television adaptation; sadly, this never came to fruition.

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Now back to our story!

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With one of his pursuers no longer a threat, Brett is not yet out of danger.

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The story ends with Kevin admonishing Brett for his carelessness, and neatly segues into a new adventure.


Need a great gift idea?

Call me biased, but I think you’d be hard pressed to find a more charming collection of Golden Age comics than The Lost Art of Kreigh Collins: The Complete Mitzi McCoy. 

Drawn as well as scripted by Collins, Mitzi McCoy showcased the artist’s skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected here is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

Edited and restored by the artist’s grandson, Brian E. Collins, with an introduction by Eisner Award-winning author Frank M. Young, an Afterword by comics columnist Ed Catto, and a recently-inked tribute illustration of Mitzi by Butch Guice

Available HERE from Lost Art Books.

Mitzi McCoy Cover 150

 


For more information on the career of Kreigh Collins, visit his page on Facebook.