Land-Sea Rescue

Captain Smith has managed to get Elizabeth safely to his ship, but what about Kevin and Pedro?

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A somewhat whimsical rescue plucks Kevin and Pedro from their perch atop the tower, but now the ship is aground. The sight of the two men swinging from the yard was likely dreamt up by Collins while sailing aboard his schooner Heather, and similar antics would appear in his next comic feature, “Up Anchor!,” which debuted a year later.

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For Captain Smith and his crew, an abrupt and timely change of weather arrives.

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The story arc concludes within the confines of the third-page format, but readers fortunate enough to see the half-page version are treated to a rather provocative question from Elizabeth—would Kevin finally get the girl?


For more information on the career of Kreigh Collins, visit his page on Facebook.

Mad Dash from the Palace

This week’s installment features three third-pages and a throwback half-page.

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In order to help increase Elizabeth’s chances of escaping, Kevin selflessly stays behind to distract the Pasha’s men, who are in pursuit. But he’s not the only one with noble intentions.

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Th episode below marks the 17th anniversary of the debut of “Kevin the Bold”.

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October 1, 1967

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October 1, 1950

To be continued…


For more information on the career of Kreigh Collins, visit his page on Facebook.

Great Shakes

Kevin and Smith set to meet the Pasha; they are wise to be leery.

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For the September 3, 1967 episode, I found an image of the original artwork from an online auction; a third-page version follows (minus a hookah and the Pasha’s nefarious thoughts).

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Regrettably, I only have a third-page version of the next episode. (What was illustrated in the bottom tier?!)

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The fact is, this episode has the most cold-blooded killing I can remember from “Kevin,” (but remember, it was Smith who wielded the dagger).

At the time these episodes were running, Kreigh Collins’ comics had been appearing in Sunday sections for 20 years. Adventure strips like “Kevin the Bold” were dying out, victims of the changing times. A vivid sign of the times appeared on the opposite side of the tabloid at the top of this post… groooovy!

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“Gasoline Alley” appeared alongside the advertisement; at the time, it was being handled by Bill Perry. At any rate, the very traditional-looking strip is quite a contrast to the Great Shakes ad.

A couple copies of the record are currently listed on ebay, and it looks pretty sweet. (Judy Hoots at least thought so!)


Need a great holiday gift idea?

(No, not “Shake-Out 2!”) You’d be hard pressed to find a more charming collection of Golden Age comics than The Lost Art of Kreigh Collins: The Complete Mitzi McCoy. 

Drawn and scripted by Kreigh Collins, Mitzi McCoy showcased the artist’s skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected here is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

Edited and restored by the artist’s grandson, Brian E. Collins, with an introduction by Eisner Award-winning author Frank M. Young, an Afterword by comics columnist Ed Catto, and a new tribute illustration of Mitzi by Butch Guice

Available HERE from Lost Art Books.

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For more information on the career of Kreigh Collins, visit his page on Facebook.

Vanishing Harbor Gates

Expecting a fight, Kevin is in for a surprise.

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While half-page examples of “Kevin the Bold” are obviously preferable to any other format, it is interesting to see how the strip appeared in other configurations. As in earlier examples, tabloid versions excised a single panel, but in these latter-day episodes, the throwaway wasn’t a small panel in the second tier but a larger one from the bottom.

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Because so many newspapers were running third-page examples of the comic strip, Collins began producing his layouts so that the entire third tier could be deleted. The benefit was that his artwork wouldn’t suffer from having all of its panels cropped, but the drawback was obvious. For this post’s first episode, this would be quite unfortunate. For the following pair of episodes, the results wouldn’t be quite as tragic—but a key plot element’s concise description would be lost.

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Lightly showing through the third-page above is another NEA feature, Jim Berry’s “Berry’s World.” Berry and Collins were friends; Kreigh was gifted a signed original. Its date is unknown, but its subject (president Lyndon B. Johnson) makes it about the same vintage as these episodes of “Kevin.”

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The August 20, 1967 episode revisits the workings of the harbor’s pontoon gates.

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A year later, when “Kevin” morphed into “Up Anchor!”, this problem would be solved more diplomatically. Instead of an expandable third tier, a topper strip (“Water Lore”) would appear. While this solution had less effect on the presentation of the feature comic, it resulted in very few papers running “Up Anchor!” as a half page.

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Need a great holiday gift idea?

I think you’d be hard pressed to find a more charming collection of Golden Age comics than The Lost Art of Kreigh Collins: The Complete Mitzi McCoy. 

Drawn and scripted by Kreigh Collins, Mitzi McCoy showcased the artist’s skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected here is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

Edited and restored by the artist’s grandson, Brian E. Collins, with an introduction by Eisner Award-winning author Frank M. Young, an Afterword by comics columnist Ed Catto, and a new tribute illustration of Mitzi by Butch Guice

Available HERE from Lost Art Books.

Mitzi cover final


For more information on the career of Kreigh Collins, visit his page on Facebook.

A True Story of Captain John Smith

Among the late themes that ran in “Kevin the Bold” was one featuring Captain John Smith. Despite continued pop culture references, I had mostly forgotten his story (which is very much worth revisiting.)

Of course, Pocahontas is the main story now, but her relationship with Smith was mentioned  Peggy Lee’s 1958 smash, and again in the the Disney film from 1995 (and elsewhere, no doubt). As a young girl, Pocahontas even appeared in a 1965 episode of “Kevin.”

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But here the story is Smith. When he conjured up the world of “Kevin the Bold,” Kreigh Collins must have been familiar with Smith’s life—there are several notable parallels. Here, a chapter of the English adventurer’s life is retold with the inclusion of Kevin and his friend Pedro.

This 14-episode story arc comes from near the end of the storied strip’s run—only four more sequences would follow. These 1967 episodes ran from July 16 through October 15. Most of the examples are half pages, but there are also some third pages, a couple of tabloids, and two images of Collins’ original artwork. This arc’s introductory episode uses the strip’s standard logo, but for those that followed, the typeset copy “A True Story of CAPTAIN JOHN SMITH” was appended.

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For a late-period episode of “Kevin the Bold,” July 16 stands out with its compelling opening and closing panels. The throwaway charmingly shows Notre Dame in the distance, and helps to situate the action on Paris’ left bank. (The Pont de l’Archevêché appears in the foreground).

As the scene shifts to Morocco, a country that Kreigh Collins had visited is featured. After his first ocean crossing, his steamship docked in Tangier. The duration of Collins’ stay in the north African country is unclear, but it was long enough for him to produce some illustrations—and be knifed by a would-be robber late one night. However, Collins was a large man, and at 6’3″ and over 200 pounds, he was able to defend himself. He returned safely to his quarters aboard the ship and only then noticed his head wound, which was still bleeding. He was 21 years old.

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I don’t own a physical copy of the July 23, 1967 episode; fortunately, I was able to track down an example from an online auction.

As they approach their destination, the competing desires of the two men are revealed: For Kevin, it’s the “local scenery,” and for Pedro (as usual), it is food.

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Kevin’s first order of business is to show a rogues’ gallery of men who is in charge, and he is ready to use any powers of persuasion to accomplish this goal.


Need a great gift idea?

OK, I’m biased, but I think you’d be hard pressed to find a more charming collection of Golden Age comics than The Lost Art of Kreigh Collins: The Complete Mitzi McCoy. 

Drawn and scripted by Kreigh Collins, Mitzi McCoy showcased the artist’s skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected here is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

Edited and restored by the artist’s grandson, Brian E. Collins, with an introduction by Eisner Award-winning author Frank M. Young, an Afterword by comics columnist Ed Catto, and a new tribute illustration of Mitzi by Butch Guice

Available HERE from Lost Art Books.

Mitzi McCoy Cover 150


For more information on the career of Kreigh Collins, visit his page on Facebook.

The Four Corners

Kreigh Collins truly had a wanderlust, and his comic strips’ settings reflected this as well. “Mitzi McCoy” was set in Freedom, Michigan, but in its short run, Mitzi traveled to Canada’s North Woods (in her own plane), Miami Beach, New York City, and Chicago; action also took place in ancient Rome and Ancient Israel.

“Kevin the Bold” had an 18-year run, and its protagonist travelled much more extensively—to the four corners of the Earth.

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This dramatic Irish cliff seems at least party inspired by the Cliffs of Moher.

Although Kreigh Collins never visited Ireland, he did travel to Morocco as a young man, and his classic Sadea sequence from 1952 featured the North African country.

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Situated as close to Ireland as it was, much action took place in the Netherlands, as in this episode from 1961. Bruges (Belgium), was also a relatively short trek for Kevin.

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Often, action was taking place in several distant lands in a single comic. The March 16, 1952 episode features Switzerland, northern Italy, and Byzantium (aka Constantinople).

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In a sequence that has yet to run on this blog, Kevin travels to Venice and eventually sails to the eastern Mediterranean in pursuit of the pirate Zyclos.

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Much of the action from the mid-50s episodes of “Kevin the Bold” took place in London and other locations in England; fictitious German towns were also a frequent setting. In Firenze, Kevin nearly bumped into Leonardo Da VInci.

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On an adventure that was published in the summer of 1953, Kevin traveled as far east as the Caucasus Foothills (Georgia, Asia). By the end of that chapter, he was back in the south of France.

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The next year, Kevin rode to Muscovy (modern-day Moscow). And of course, Kevin’s travels were generally in the name of fighting injustice. KTB 090554 HA CST 150 qcc

In 1955, Kevin set sail for Suez, Egypt, in order to return a princess to father. For this episode, Collins prepared a customized layout for the Chicago Tribune, featuring fewer panels and the addition of a nicer rendering of Kevin’s storm-tossed ship.

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A later sequence took place in Norway, again featuring one of the artist’s specialties, beautifully-drawn boats.

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In early 1962, Kevin’s adventures to him to the New World, the first of several trips he would make across the Atlantic.

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The following year, a storm struck Kevin’s ship and blew him off course—apparently around Cape Horn and into the Pacific, where he eventually beached in Japan. Unfortunately, and not so surprisingly, given the era in which this episode was published, the Japanese are shown with a skin tone beyond caricature. (However, by the time the sequence had wrapped, this travesty was corrected).

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In the mid-60s Kevin again crossed the Atlantic, reaching the North America mainland. He saw the location of the ill-fated colony of Roanoke, Niagara Falls, and the California coast.

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Near the end of its run, Kevin’s journey takes him furthest from his Irish beginnings, to the other side of the world, the South Sea Isles.

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Although Kevin’s journey seemingly brought him to the four corners of the world, this blog’s readers hail from an even more diverse list of exotic lands:

Estonia, Slovakia, Bolivia, Bahrain, Vietnam, Iceland, Malta,
the Bahamas, United Arab Emirates, Israel, Albania, Honduras,
Luxembourg, Greenland, Ecuador, Singapore, Qatar, Tunisia,
American Samoa, Costa Rica, Bulgaria, China, Egypt, Peru, Romania,
Japan, Guam, Malaysia, Taiwan, Russia, Macedonia, Puerto Rico,
Latvia, Myanmar, Poland, Greece, Indonesia, Uruguay, Panama,
Pakistan, Austria, Slovenia, Czech Republic, Belgium, South Africa,
Nigeria, South Korea, Ukraine, Mexico, Switzerland, Hong Kong,
Ireland, Norway, Turkey, New Zealand, Bosnia & Herzegovina,
Philippians, Finland, Hungary, Chile, Australia, India, Argentina,
Thailand, Colombia, United Kingdom, Germany, Serbia, Denmark,
Canada, Sweden, Netherlands, Brazil, Croatia, Portugal, Spain,
Italy, France, and (not as exotic to me), the United States

In commemoration of this blog’s fourth anniversary, I thank its readers for their continued interest in my grandfather’s comics career.


The Perfect Anniversary Gift!

Forget those traditional and modern gift lists—click here to place your order for The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy. In addition to the entire run of “Mitzi McCoy,” the book includes the opening sequence of the comic strip “Mitzi” evolved into, “Kevin the Bold.”

The book also features an extensive introduction by Eisner Award-winner Frank M. Young and previously unpublished artwork and photographs.

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For more information on the career of Kreigh Collins, visit his page on Facebook.

 

Bewitched

KTB 031851 HA 150 qccThe March 18, 1951“Kevin the Bold” comic is packed with backstory. Kreigh Collins was known to haunt libraries while researching his subjects, but in this case, much of the context was observed firsthand. As a young man, Collins had spent time drawing and painting in northwest Africa. In the spring of 1928, he had crossed the Atlantic aboard a freighter with an early mentor, noted painter Mathias Alten. The first stop was Morocco; their departure for France was a couple weeks off. No doubt this experience came in handy when Collins scripted and drew the episodes for the next eighteen weeks.

Kevin hears the strange tale told by an English sailor, Patch, about an entranced blonde woman who whips Moorish pirates into a frenzy with her words and antics. Also introduced is Koko, Patch’s adorable and mischievous simian companion.

Thinking the strange enchantress could be the woman DeFalcon seeks, Kevin introduces Patch to the convalescing Count.

KTB 032551 HA CST 150 qcc.jpgSkeptical DeFalcon doesn’t understand, but Kevin wants to hear more. He does, as the April 1 comic’s events are as vivid as its Chicago Sunday Tribune printing.

KTB 040151 HA 150 qcc.jpgAs Kevin prepares to set off on his next fantastic adventure, he witnesses another fierce scene — a piqued Moya McCoy, jealously storming off astride his own horse. Despite the embarrassment he felt over her scene, Lord McCoy comforts his distraught daughter, Moya. As Kevin and Stub recognize one of their ship’s crewmates, danger is sighted ahead.

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For more information on the career of Kreigh Collins, visit his page on Facebook.