January 17, 1960

This 60-year-old comic section was a souvenir from my grandparents’ southern journey aboard their schooner, Heather. In late 1959, they left their west Michigan home port on Lake Macatawa and set sail for Chicago. The Illinois River led to the Mississippi, and eventually to Florida’s west coast—a favorite wintertime destination (In the ’40s, the Collins clan often rented on Anna Maria Island). Besides his wife, Teddy, Kreigh’s only crew was his eight-year old twins, Kevin and Glen. Heather and her crew wouldn’t return to Michigan until August, 1960.

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The Fort Meyers News-Press‘ Sunday edition included an eight-page comic section, led off by Milt Caniff’s popular strip Terry and the Pirates, handled since 1946 by George Wunder. Joining Terry on page one was Mary Worth, written by Allen Saunders and illustrated by Ken Ernst.

Scanning the outside pages of an old comic section is relatively easy with a tabloid scanner, but getting the inside pages presents more of a challenge. Despite having already shrunk from their enormous dimensions from earlier in the 20th century, these pages still measure 29″ x 21.5″ when unfolded. Pages 2-3 feature largely feature run-of-the-mill NEA titles: Boots, by Edgar Martin; Dick Turner’s Carnival; Roy Crane’s Captain Easy (handled on Sundays by Leslie Turner); Vic Flint (written by Jay Heavilin and drawn by Dean Miller); and Our Boarding House, likely illustrated by Bill Freyse. The only non-NEA comic on this first inside spread was Warner Bros.’ Bugs Bunny.

From my perspective, things improve on page 4. There are two contrasting half-page features, Chris Welkin, Planeteer, by Art Sansom and Russ Winterbotham, and Kreigh Collins’ Kevin the Bold. (This episode is one midway through a tale of buried treasure and tyranny, with the villain being Count Stabb). Page 5 has two King Features Syndicate titles (Chic Young’s Blondie and Mort Walker’s Beetle Bailey) and another by McNaught (Joe Palooka, likely handled at this point by Tony DiPreta and Morris Weiss). 

The final inside spread has a raft of third-page NEA comics, (Pricilla’s Pop by Al Vermeer, Tom Trick by Dale, Out Our Way by J.R. Williams, Rolfe’s Brenda Breeze, Merrill Blossar’s Freckles and His Friends and Walt Scott’s The Little People.

The back page of the comic section had two more McNaught titles (Lank Leonard’s Mickey Finn and McEvoy and Stribel’s Dixie Dugan), as well as the the NEA’s popular feature Alley Oop, by V.T. Hamlin.

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By far, most of my comics are single sheets cut from sections, but I’m glad that my grandparents kept this section intact. (Maybe they forgot to bring scissors when they went south).

Happy New Year! (January 1 was Kreigh Collins’ 112th birthday).

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For more information on the career of Kreigh Collins, visit his page on Facebook.

Tit-Bits No. 2238

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In April 1952, the Argentinian weekly Tit-Bits added “Kevin the Bold” to its lineup. Among other stories and features, Tit-Bits reprinted American comics with Spanish translations. The magazine’s cover art was provided by the comic strips it featured inside (as would be the case with the Menomonee Falls Gazette two decades later).

“Kevin el Denodado” ‘s debut, in issue No 2232, was appropriately bold—in addition to landing on the magazine’s cover, its center spread was comprised of the strip’s first three episodes. For the next five issues of Tit-Bits, other comic strips appeared on the cover, and only a single, tabloid version of “Kevin the Bold” appeared inside. For No. 2238, Collins’ comic regained its spot on the cover, and another three-episode spread appeared inside. (Eventually, “Kevin” ‘s appearance on the cover no longer signified a triple-episode spread inside—later issues only had single tabloid episodes. Unlike some other Tit-Bits comics, “Kevin” continued to run in color).

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This spread cobbled together the November 19, November 26, and December 3, 1950 episodes (shown in English, below).

As in Issue No. 2232, the front of the magazine featured black and white versions of “Big Ben Bolt,” by John Cullen Murphy (Ben Bolt Campeón), and “Rusty Riley” by Frank Godwin (Rusty Riley, Aprendiz de Jockey).  

The back of the issue had Spanish versions of “The Phantom” (by Ray Moore?), “Terry and the Pirates” by Milt Caniff (Terry, el Piloto), and Dr. Nicholas P. Dallis’ “Rex Morgan, MD” (Rex Morgan, Médico).

 


Lost in Translation

The action featured in the epic “Kevin the Bold” comic above appears near the tail end of my book, “The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy.” The book features all 99 episodes of “Mitzi McCoy” as well as the ensuing 12 “Kevin the Bold” adventures that following the “Mitzi”‘s transition to “Kevin”. While there are no immediate plans to translate the book into Spanish, it’s pretty awesome in its original English, if I do say so myself.

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“The Complete Mitzi McCoy” can be ordered here.


For more information on the career of Kreigh Collins, visit his page on Facebook.

Tit-Bits No. 2232

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Tit-Bits was a British weekly with origins in the late 19th century. An Argentinian version was created in 1909, and among its pages, Spanish translations of American comics were featured.

Measuring 10.5″ x 13.5″, the 24-page, tabloid-sized magazine had full-color covers, and the interior was a mixture of black and white and color pages.

“Kevin the Bold” made its Tit-Bits debut in issue No. 2232, published on April 1, 1952. Retitled Kevin el Denodado, its adventure theme fit in nicely with the other comics the magazine featured. In addition to appearing on the cover, “Kevin” also ran on the inside spread. The other comics in this issue were Spanish versions of “Big Ben Bolt,” by John Cullen Murphy (Ben Bolt Campeón), “Rusty Riley” by Frank Godwin (Rusty Riley, Aprendiz de Jockey), “Terry and the Pirates” by Milt Caniff (Terry, el Piloto), and Dr. Nicholas P. Dallis’ “Rex Morgan, MD” (Rex Morgan, Médico). Sometimes the comics ran on full pages, and in other cases there was editorial content wrapping around them.

In all the copies I have seen of Tit-Bits, comics were featured on both the second page and facing the table of contents (page 3). The other comics appeared at random intervals throughout and generally ran in black and white.

On the other hand, the new comic found on the magazine’s center spread ran in color. Not only that, but this massive 21″ x 13.5″ image was made by combining three separate episodes into one.

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It actually begins with the final episode of “Mitzi McCoy,” and continues with the first two episodes of “Kevin the Bold.” This composite comic was constructed from tabloid versions of the original—each of the three throwaway panels are missing—and the visuals of the third and fourth panels are reversed, with the dialog remaining in its original position (I guess the NEA’s Ernest “East” Lynn wasn’t the only fussy comics editor in the western hemisphere!)

As a comparison, here are the original versions of the spread’s three comics (September 24, October 1, and October 8, 1950).

Tit-Bits continued running episodes of Kevin el Denodado for at least three years. A single episode ran in each of the five issues following No. 2232, and then another three-comic combination graced the center spread of issue No. 2238, dated May 13, 1952. As was the case with the Menomonee Falls Gazette, the Tit-Bits cover images rotated based on the comics featured inside. From what I can tell from my small collection, Tit-Bits kept publishing “Kevin” episodes sequentially, possibly skipping a story arc, or occasionally running them in a different order.

“Mitzi McCoy” does not seem to have been featured in Tit-Bits, and the only case I have seen of that comic strip having been translated into Spanish appeared in Havana, Cuba’s “El Mundo” Sunday edition.

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“El Mundo de Mitzi McCoy,” May 21, 1950.


Lost in Translation

The action featured in the epic “Kevin the Bold” comic above appears near the tail end of my book, “The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy.” The book features all 99 episodes of “Mitzi McCoy” as well as the ensuing 12 “Kevin the Bold” adventures that following the “Mitzi”‘s transition to “Kevin”. While there are no immediate plans to translate the book into Spanish, it’s pretty awesome in its original English, if I do say so myself.

Mitzi cover final

“The Complete Mitzi McCoy” can be ordered here.


For more information on the career of Kreigh Collins, visit his page on Facebook.

The Witch Hunter

Stub’s warning proven true, Kevin starts to swim for shore, looking for safety.

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After being rudely welcomed ashore, Kevin makes an acquaintance with the opportunistic Tankard. There is plenty of knavery afoot, as geese come and go.

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There is joy in the town, but its counterpart is manifest in the witch hunter, Swatrzhunt.

A little more than a year after the August 26, 1951 episode appeared in Sunday papers, its splash panel was repurposed as a cover for Tit-Bits, a weekly publication from Argentina. Tit-Bits featured other comics from the U.S., and even if you don’t know Spanish, like me, the strips are prettily easily identified. In addition to “Kevin el denodado,” typically there are episodes of “Ben Bolt Campeón,” by John Cullen Murphy, Dal Curtis’ “Rex Morgan, Médico,” and “Terry el Piloto/Terry and the Pirates” (George Wunder). Two comic strips whose names aren’t cognates also run—one is familiar to me (Lee Falk & W. McCoy’s “La Sombra/The Phantom”), and the other is not (“Las Llaves del palacio/The Keys to the Palace” by Fernanci).

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Later, there is more to come about “Kevin el Denodado,” but next week, Kevin’s adventures in Holland continue.


For more information on the career of Kreigh Collins, visit his page on Facebook.

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