In Sweden, installments of KEVIN THE BOLD first appeared in the weekly magazine Allas Veckotidning. These tabloid versions, called FALCON Storm fägeln, started running in the summer of 1951. Two years later, Kreigh Collins’ Sunday comics feature found another Swedish outlet, this time as a component of the TOM MIX comic book series.
This incarnation, retitled ROLAND DEN Djärve, initially ran in full color, with three or four original episodes spread across six or seven pages. As was the case in some of KEVIN’s other comic book appearances, the panels’ sequence could be changed, and sometimes panels (other than the throwaways) were eliminated. These edits were necessary to squeeze the art into the smaller confines of the comic books’ pages. Additionally, the color schemes could change compared to he original Sunday versions, and panels originally rendered in a two- or three-color scheme now appeared in full color throughout.
The full-color reproductions are rather unique, as far as comic book presentations of Kreigh Collins’ comics are concerned. KEVIN THE BOLD would appear in color when reprinted in weekly magazines (e.g., Tit-Bits, Hjemmet, and Allas Veckotidning), but comic books from countries such as Australia, France, Italy, and Bosnia were all printed in black and white.
A huge “Thank you” to my friend Roger—all of this artwork originally appeared on his amazing site, RogersMagasin.com. TOM MIX No. 1, which would contain KEVIN’s first four episodes, is missing from that site but we can pick up the action in No. 2.



Here are the corresponding original Sundays.
The action continued in TOM MIX No. 3.

Here are the corresponding original Sundays.
The action continued in TOM MIX No. 4.



Here are the corresponding original Sundays.
The action continued in TOM MIX No. 5.



Here are the corresponding original Sundays.
The action continued in TOM MIX No. 6.




Here are the corresponding original Sundays.
Next week, a special anniversary.
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For more information on the career of Kreigh Collins, visit his page on Facebook.
I’ve recently been able to acquire Tom Mix #1, 1953, why I’ve now updated my blog post with its Roland den djärve content …
https://rogersmagasin.com/2021/05/26/roland-i-tom-mix/
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Very interesting that the action in ROLAND begins with the third KEVIN THE BOLD episode. The first two episodes focus on the meeting between Moya McCoy and Kevin, which is significant when considering the bridge between the comic features MITZI McCOY and KEVIN THE BOLD. But for a comic book featuring Kevin, the original meeting itself isn’t so important, and with this framing, Moya becomes more of a supporting character, and less of a protagonist, as Mitzi McCoy’s ancestor.
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Your analysis seems to me to be very spot on… 🙂
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