Stormza

In 2004, I acquired my first “Kevin the Bold” comics. I purchased two years of Florida Times-Union half-pages from a woman whose husband had died. The comics were inexpensive, and I later realized that they were rather poor-quality examples. The colors printed rather garishly, there was a lot of show-through and other problems — but it was great having a two-year run of half-page comics.

The action was exciting and featured exotic, nicely-rendered  locales. In the following sequence, rooted in the history of the Hanseatic League, Kevin’s patron wants to find a trade route through the Suez. In order to gain the trust of the powers that be, he has enlisted Kevin to deliver a “priceless jewel” — the Pasha’s daughter has to get home after spending time in Europe. Kevin soon realizes how difficult his assignment will be.

KTB 022755 HF 300 QCCKTB 030655 HF 300 QCC

Stormza is perhaps Collins’s most headstrong female character since Mitzi McCoy, and like Mitzi, she has a knack for getting into — and out of — trouble.

KTB 031355 HF 300 QCC

As usual, the transitional comics in the sequence feature light-hearted, humorous situations.

Recycling

I started my professional career as a graphic designer in 1987. Like a lot of young people in the publishing industry, I was a big fan of Spy magazine. Spy was a satirical monthly that ran from 1986 to the mid-90s and was based in New York City, like me. There were plenty of interesting components of the magazine, among them “Separated at Birth.” It wasn’t a high-brow feature, and no doubt it’s been parodied to death.

Kreigh Collins often had characters that were inspired by ones from his previous comics. Occasionally ideas were recycled too, but these are examples of the former.

Separated 1-3

These examples might not be as elegant as those found in Spy, but they are still pretty interesting. Sometimes it wasn’t so much a recurring character as it was an object.

Separated 4-6

“Up Anchor!,” Kreigh’s final comic, was set aboard a representation of his own boat, the 45-foot long Heather. The Bowdoin didn’t feature in any of Kreigh’s comics, but the historic 88-foot long schooner was the design upon which the half-size Heather was based.

Uniquely designed for Arctic exploration, the Bowdoin was launched in 1921.Under the direction of skipper Donald B. MacMillan, it made dozens of trips above the Arctic Circle. Earlier, MacMillan had accompanied Robert Peary on his historic expedition to the North Pole in 1909.

Kreigh’s wife Theresa described how Heather came to be in the article she wrote, and which Kreigh illustrated, “The Wake of the Heather.”

When [Arctic] explorations were in the forefront of the news, a Chicago doctor wrote to the ship’s designer and asked him to design a half-sized schooner, built as she was and able to go anywhere and do anything. The doctor died two years after his boat was launched in 1927, and the superbly built schooner passed on to a succession of owners until we bought her twelve years ago. This is our Heather, little sister of the Bowdoin.

Kreigh and Teddy met MacMillan at Mystic Seaport in the summer of 1966. They had known of Heather’s parentage, and had sought out the Bowdoin. The 92-year-old MacMillan, a rear admiral in the Naval Reserve, invited the couple to dine with him and his wife aboard their boat.

Kreigh and his family sailed Heather for nearly 15 years, and she lived up to her go-anywhere, do-anything billing. Among the places they took her were all of the Great Lakes, the Erie Canal, the Hudson River, New York harbor, Long Island Sound, the Cape Cod Canal, Maine, the Bay of Fundy; and the Inter-coastal Waterway, Florida, the Gulf of Mexico and the Mississippi River. I’m not sure if they ever made it to the Bahamas, as a late-1950s newspaper article mentioned, but they certainly covered a lot of water.

As Seen on TV?

KTB TV GRP May 1966 QCC.jpg

Most of my Kreigh Collins-related comics and clippings were given to me by my uncle Kevin, one of Kreigh’s four sons. One of the more interesting items I received appears above. It ran in the Grand Rapids Press in May, 1966. I have seen no other mention of this project. Perhaps it was an attempt to clear Collins’s path for doing a new comic. The final installment of “Kevin the Bold” ran a couple years later, on October 27, 1968, and the comic morphed into “Up Anchor.”

Earning His Epithet

In this last part of the Moorish Pirates sequence, Kevin is determined to go down swinging, and he waits for the proper moment to make his move.

KTB 112650 HA 150 QCC

KTB 120350 HA 150 QCC

It’s a life and death situation on deck and overboard. Captain Zinbad is dispatched, but Bull Blackie’s life is spared. According to his code of honor, Kevin’s primary responsibility is to save those in danger. It’s unclear how the traitorous Bull Blackie escaped, and it seems he may have been spared in order to appear in future episodes of the comic.

KTB 121050 HA 150 QCC

Meanwhile, Rory took care of business aboard the pirate ship and cleared the decks of her crew. Moya’s grateful countrymen are freed as Kevin remains humble. As a reward for his bravery, the lord of  McCoy Castle presents Kevin with both an impressive trophy and a catchy moniker.

A Turn for the Worse

KTC Moya McCoy bound 111950 qccThe Moorish Pirates, part 3. With the aid of the Irish traitor Bull Blackie, Moorish pirates have been raiding the Irish coast, taking prisoners and selling them as slaves. Soon enough, the Pirates have scored quite a bounty. Despite fighting like wildcats (Moya) and dogs (Rory), all of our heroes have been captured — including Kevin.

KTB 110550 HA 150 QCCKTB 111250 HA 150 QCC

KTB 111950 HA 150 QCC

The double-decked opener of the November 19, 1950 comic provided the artwork for the promotional illustration that appeared in Tit-Bits, at top.

The pirates decide that as a witch, Moya must be killed (not the only time witch-killing was portrayed in the strip). However, they soon learn of Kevin’s creativity and fierce determination to save those in peril, especially those he loves.

Colorful Characters

The third “Kevin” comic introduces the Irish traitor Bull Blackie — and includes cross-dressing and fight scenes. In the fourth episode we meet Rory the Irish Wolfhound, and in the fifth we see Kevin attempt to single-handedly capture a pirate ship.

KTB 101550 HA 150 QCC

Of course, the comics also feature fantastic artwork. There’s a nice high-angle perspective of the pirates’ ship, Moya showing off as many of her charms as she’s allowed to on Sundays, and some beautifully-composed panels (such as the fifth panel of the October 29 comic — there’s quite a bit of information packed into that frame!)

KTB 102250 HA 150 QCCKTB 102950 HA 150 QCC

For now, everyone is safe, but based on the events of these first five comics, no doubt there is danger ahead.

Girl Meets Boy

The first “Kevin the Bold” sequence features all the classic elements for which the strip would become known — dramatic action, monstrous villains, damsels in distress, heroism… and gorgeous artwork.

Moya McCoy is the first character introduced; Kevin doesn’t appear until the second episode, when the two abruptly meet (or as it says in the comic, “Whoosh!”).KTB 100150 HF 150 QCC

KTB 100850 HA 150 CC

“Whoosh!” is a slang term with which I had been unfamiliar — until I started reading Kreigh’s comics. It must be dialogue suggested by the artist. By coincidence, the word appears in not just the second episode of “Kevin the Bold,” but also in the second episode of “Up Anchor.” Note to conspiracy theorists: it does not appear in the second (or any!) episode of “Mitzi McCoy.”

UA 111068 Th 150 QCC

Note: I stand corrected! See the fourth panel (or “frame,” as Collins called them) of the March 26, 1950 “Mitzi,” below.

MM 032650 150 cc wbg.jpg

Tit-Bits

Tit-Bits (originally named Tit-Bits from all the interesting Books, Periodicals, and Newspapers of the World) was a British weekly magazine with origins in the late 19th century. (It also makes for a blog post title that might come up in more internet searches than usual).

The publication’s emphasis was on dramatic human interest stories. An Argentinian version was created in 1909, and among other things, it featured American comics translated into Spanish.

In the 1950s, many of the comics it ran were King Features titles (“The Phantom,” “Judge Parker,” “Rex Morgan MD,” etc.) but it also ran “Terry and the Pirates” (the Chicago Tribune Syndicate, renamed “La Sombra”) and “Kevin the Bold” (Newspaper Enterprise Association/“Kevin el Denodado”), among others.

The Tit-Bits covers repurposed art from its variety of source material, and frequently used comics. “Kevin” was featured — generally in cases when it had dramatic double-decked illustrations. (Covers are shown with corresponding original Sunday comics).

KTB Tit-Bits cover5 Ship SQKTB 072752 HF 100 QCC

KTB Tit-Bits cover3 R SQKTB 122852 HF 100 QCC

KTB Tit-Bits cover1 Bear SQKTB 080253 HF 100 QCC

KTB Tit-Bits Cover4 Kite SQKTB 091353 HF 100 QCC.jpg

KTB Tit-Bits cover2 Sword SQKTB 050954 HF 100 QCC

Looking at the five originals above, I’m reminded of other comics where Collins used similar devices or poses. The first two have echoes of throwaway panels from some of the earliest KTBs.

throwaway echos

At left, an earlier drowning victim (December 3, 1950). At far right, from the KTB debut strip,  Moya McCoy displays similar form to the damsel in the red dress.

Based on the publication dates of the Argentine monthlies (and the dates the comics originally ran), I’d speculate that each issue would contain four to six episodes of any given comic. The comics ran in a tabloid format, but in a much smaller size, with other stories wrapping around them on the pages.

Though many are currently listed on eBay, I haven’t seen any physical copies of these publications — the shipping costs put them out of my price range. However, I did spring for a rather unique full-page illustration from Tit-Bits. It shows a trussed up Moya McCoy, as she is being kidnapped by Moors. The artwork is from KTB’s opening sequence, and I will begin running that chapter in four installments starting next Sunday.

KTC Moya McCoy bound 111950 qcc

Nothing to see here — just a little pre-Code bondage!

Fog of War

British ships approach as visibility fades. With Kevin in chains, young Glenn takes on a more prominent role.

KTB 112264 BWP 72 QCC

KTB 112264 TH 72 qcc

KTB 112264 TH Fr 72 qcc

A gauche, les illustrations des tours sont ridicule!

Shots have been fired; Maria has been injured. Chaos. Glenn’s loyalty comes to the forefront.

KTB 112964 BT 72 QCC

KTB 112964 TH 72 qcc

KTB 112964 TH Fr 72 qcc

Ces bandes dessinées doivent avoir été stockés dans une très petite enveloppe pur eux ont été coupée de façon sauvagement!

 

Kevin and Glenn seem doomed as commander Pereiz de Vargas has lit the fuse to destroy the Seahawk and the navigational secrets hidden inside her hull.KTB 120664 BT 72 QCC

KTB 120664 TH 72 qcc.jpg

KTB 120664 Th Fr 72 qcc

With apologies to francophones, and assistance from Google translate.

Mendoza’s greed has foiled the Spaniards’ plan to destroy the Seahawk, and now Kevin can deliver the secrets of Spain’s naval superiority to Queen Elizabeth. It’s the untold story of how the Spanish armada was defeated and a planned invasion of England was thwarted. And Kevin the Bold was… well, actually in shackles for most of it. But he was there.

Secrets, Intrigue

Chained in the bilge, Kevin is powerless. Young Glenn continues to be his eyes and ears as the suspense builds.

KTB 110864 BT 72 QCC

KTB 110864 TH 72 qccKTB 110864 TH Fr 72 qcc

The Spaniards take action on a plan to safeguard their navagational secrets on the Seahawk, which they have commandeered from Captain Mendoza. Meanwhile, the “Kevin l’audacieux” comics continue to have been butchered. C’est dommage!

KTB 111564 BWP 72 QCC

KTB 111564 TH 72 qccKTB 111564 TH Fr 300