El Diario

May 11, 1952

Over the summer, I came across a new outlet for KEVIN THE BOLD—El DIario, a newspaper that featured a Spanish translation called KEVIN EL AUDAZ. I wasn’t immediately able to find any publishing information for El DIario, and I wondered if it could be from Mexico City.

I’ve been collecting my grandfather’s comics for quite some time, and the related digital files on my computer are fairly organized, yet with all their different sources, sometimes things get… well not quite lost, but it’s a great feeling when they’re rediscovered (“so that’s where I saved it!”). That was how I felt when I came across a couple images from El Mundo (Havana, Cuba), also featuring KEVIN EL AUDAZ. OK, so these newspapers both ran the Spanish version of KEVIN.

Episode 2 — October 8, 1950

While doing further research on El Diario, I learned it was originally published in San Juan, Puerto Rico, and a New York City edition appeared sometime after the end of World War II. A tip from a colleague led to my acquisition of a couple El Diario comic sections.

June 8, 1952

Because of the Spanish, It brought to mind KEVIN EL DENODADO (from Argentina’s Tit-Bits magazine), but I soon noticed differences between the two. For one thing, Tit-Bits ran KEVIN episodes about 15 months after their original publication date, whereas El Diario’s episodes appeared in a newspaper and were current. Not only that, but the translations differed, as the corresponding Tit-Bits version (below) shows.

A spread from Tit-Bits issue No. 2311, published on October 6, 1953
The original version of the June 8, 1952 episode.

The rest of the June 8, 1952 comic section follows. While I don’t have the entire section from Havana’s El Mundo, it also features the United Features Syndicate’s title FERD’NAND on the second page, behind KEVIN. Silent comics such as this were an obvious choice for markets with different languages, and it’s interesting to note that the window advertisement in the first panel wasn’t translated (especially since the strip originated in Denmark, and was created by Mik, AKA Henning Dahl Mikkelsen).

Page 3 featured another United Features Syndicate title, DORITA, originally Ernie Bushmiller’s FRITZI RITZ.

On Page 4 was NEA’s Spanish version of CHRIS WELKIN, PLANETEER (written by Russ Winterbotham and drawn by Art Sansom), and more NEA material followed, with Vic Flint on page 5.

Two more features from Unite Features were up next, the Spanish version of ABBIE AN’ SLATS (Raeburn Van Buren) and Al Capp’s EL CHIQUITO ABNER.

Running on the back page of the section was Warren Tufts’ CASEY RUGGLES, another United Features Syndicate title.

___________________________________________________________________________________

For more information on the career of Kreigh Collins, visit his page on Facebook.

Big Horn No. 1

“Kevin le Hardi” was included as part of five French “Big Horn” comic books, which were published beginning in October, 1957. The comic books, though small in trim size (about 5-3/8″ x 7-1/8″), were quite lengthy, 128 black and white pages plus color covers. On the cover, Kevin received third billing, and Kreigh Collins’ creation ran on the 31 pages at the back of the book.

Warren Tufts’ title comic occupied the first 32 pages, and it was followed by “Kid Colorado,” by John Wheeler. Each of the comics have nice, custom introductory pages (three pages for “Big Horn.”)

At the conclusion of the “Big Horn” adventure is an ad for “Fantasia.” Next up is a sizable chunk of “Kid Colorado.” I wasn’t able to find out much about it, other than it was the work of a British artist, John Wheeler. Here, it runs for nearly 60 pages—about half the comic book’s pages—and is followed by an ad for “Rancho.”

Now, allow me a “Wizard of Oz”-like transition (RGB files for the good stuff!). Here’s the star of our show, Kevin le Hardi. I know just enough French to make some foolish assumptions about what I’m reading, so it looks like the charming introductory page presents Kevin, his enemy Von Blunt (en français, Von Blut), and his loyal, um, squire (I had to look that one up), MacGrégor (Stub).

“Big Horn No. 1″ features the fourth chapter in the “Kevin the Bold” saga, “The Witch Hunt.” The action picks up with the episode that ran in Sunday comic sections on August 5, 1951.

Ici, a single Sunday episode typically runs three and a half pages (sans throwaway panels).

Au dessous, the September 2, 1951 episode starts at the end of the left-hand spread, and in the center spread, a couple of panels are reversed in order. Otherwise, the panels follow unimpeded for the remainder of the chapter.

Près de the very end of “Big Horn No. 1″ (page 124), the fifth “Kevin the Bold” chapter begins. It features the foe shown on Kevin’s introductory page, Von Blut. The second-to-last page has another example of panel re-sequencing—Von Blut’s mug originally ran on September 23 but it is plopped right in the middle of the September 30, 1951 episode. It works just fine.

Sous the final panel, it curiously states “end of the first episode,” but it’s not even the end of the September 30, 1951 episode! Not to worry, the action continues in “Big Horn No. 2.”

Malheureusement, the back cover highlights everyone but Kevin le Hardi.

____________________________________________________________________________________________________________

For more information on the career of Kreigh Collins, visit his page on Facebook.