“Help!”

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Once I started collecting my grandfather’s comics, I came up with two goals: publish a book and collect them all. In 2018, “The Complete Mitzi McCoy” was published, so—halfway there!

Kreighs’ comics appeared in newspapers every Sunday from November 7, 1948 until February 27, 1972, about two and a half decades. Adding it all up—the 23 complete years, the two partial years, and the four times leap years resulted in a year having 53 Sundays (1950, 1956, 1961, 1967)—amounts to 1,217 individual episodes. WIth so many of them, it’s easy to see why I chose to publish a book first.

Admittedly, I had a great head start with so many of the episodes having been given to me by my uncle. But while my grandfather saved a lot of stuff, I do not have examples of all of the individual episodes. With all 99 MITZI McCOY episodes and less than half of the UP ANCHOR! comics, what I had focused on primarily was the missing KEVIN THE BOLD episodes, but I’ve recently been making progress on my collection of UP ANCHOR! episodes too.

At some point, I was clued into the existence of comic sections found online at newspapers.com, so there aren’t any episodes I haven’t seen—but these online versions are of varying quality and are in black and white.

As for the different formats available, my preference for obtaining digital images goes as follows: color half pages, color half tabloids, color tabloids, original artwork, black and white velox proofs, black and white tabloids, color thirds, black and white thirds, etc. Obviously, I prefer to have original hard copies of the episodes, but scans are just as good as far as I’m concerned. Perhaps someone could help me fill some holes in my collection with their scans—I’d be happy to trade.

The first hole in my collection, appears about a decade into KEVIN’s run: April 24, 1960

A few months later, the October 2, 1960 episode draws a blank.Through 1958, I have full-sized (half-page or tabloid) versions of just about every comic, but by 1960, many of my comics are one-third page versions (sigh).

A previously published version of this post resulted in a reader sending me a bunch of scans to trade (Thanks, Arnaud!), but I’m still looking for a color version of the September 17, 1961 episode—and the one for June 23, 1963.

Here are the dates of the comics  listed above: 
April 24, 1960
October 2, 1960
September 17, 1961
June 23, 1963

Not bad for the first 18 years of my grandfather’s cartooning career—only 18 missing episodes left!

For the last three years of “Kevin the Bold,” I used to need quite a few, but a connection with a collector in New Jersey (Thank you, Dave!) has helped fill in a lot of the blanks. However, these still elude me:
January 2 , 1966
June 26, 1966
July 17, 1966
July 24, 1966
January 8, 1967
March 5, 1967
March 26, 1967
April 9, 1967
March 10, 1968
March 17, 1968
April 7, 1968
April 21, 1968
May 5, 1968
September 15, 1968

Dave has also helped me complete my collection of UP ANCHOR! strips, but there are quite a few still missing…
January 26, 1969
June 8, 1969
June 15, 1969
June 20, 1969
November 9, 1969
December 7, 1969
December 28, 1969
August 30, 1970
September 27, 1970
October 25, 1970

…especially from 1971 and 1972:
January 3–March 21, 1971 (12 episodes)
April 4–May 30, 1971 (9 episodes)
June 13–September 12, 1971 (14 episodes)
September 26, 1971
October 31–November 7, 1971 (2 episodes)
December 5–December 19, 1971 (3 episodes)
January 2–February 27, 1972 (all 9 episodes)

It looks like I’m missing about 32 episodes of KEVIN THE BOLD and 36 from UP ANCHOR! Do you have any of these in your collection? I’m more than willing to trade scans (or hard copies). If you’re willing to help, please leave a message here on my blog or contact me directly at brianedwardcollins1(at)gmail.com

Thank you! See you in the funny papers!

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For more information on the career of Kreigh Collins, visit his page on Facebook.



No Mere Shepherd

Captain Zinbad has decided to kidnap not only Moya and her family, but also Rory, their imposing Irish wolfhound.

In 1969, my family moved from Ann Arbor, Michigan to Fredonia, New York, when my father took a teaching job at SUNY-Fredonia. Along the trails in the woods behind our house, I remember digging tiger traps with my brother—knowledge passed down from my grandfather to my father to us. (We caught neither tigers nor wolfhounds).

Traitorous Bull Blackie has bad intentions with Moya, but the “witch girl” isn’t going down without a fight!

With Moya and Rory now also held captive, Kevin quickly devises a plan to set them all free.

Before diving overboard, Kevin uses his cutlass to scar Bull Blackie’s face. His Zorro-like swordplay and dialog was recycled from a story Collins had written and illustrated approximately fifteen years earlier. (I think his short story was titled “T Stands for Traitor”—alas, I cannot find the original. But trust me, it’s somewhere in the Grand Rapids Public Library’s Special Collection #56, a must-see for fans).

The introductory chapter ends with Kevin being knighted by the Moya’s father, Lord McCoy. While these roughly-assembled black and white third-page versions are interesting to see, the color half-page versions are quite an improvement—and they are included as the final chapter of The Lost Art of Kreigh Collins: The Complete Mitzi McCoy.

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The Complete Mitzi McCoy

The Lost Art of Kreigh Collins, the Complete Mitzi McCoy” features the entire run of Kreigh Collins’ first NEA feature, as well as the transitional story arc in which the strip morphs into KEVIN THE BOLD.

Mitzi McCoy Cover 150

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

The book is available for $30. For domestic shipping, add $4; for international orders, please add $25 to cover first class shipping. To place an order, leave a comment below or email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information. Thank you!


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For more information on the career of Kreigh Collins, visit his page on Facebook.

Sunday Driver

Stub and Tim awaken from their stupor to in front of a very interested government agent. Meanwhilke, Mitzi and Sgt. Douma are in hot pursuit of Zoe and her gang.

The June 18, 1950 episode inspired the cover of an Australian comic book—Tip-Top Special No. 3. In addition to this story arc about the Counterfeiters, Special No. 3 also includes MITZI McCOY’s two previous chapters, “Tiny to the Rescue” and “The Living Pinups.”

In an extremely dramatic episode, the surprise to me was finding out how much Mitzi prized her car! The spirited lass was certainly one of the Sunday funnies’ stereotype breakers.

In choosing the cover artwork for the MITZI McCOY collection I assembled, a solid option would be the splash panel from the August 28, 1949 episode.

However, the chapter with the counterfeiter gang was always my preference. The previous episode’s splash panel was exciting, but Mitzi wasn’t in it. I went with the chapter’s final episode. The episode itself is wonderful, and is a star performance from the comic strip’s titular character.

What MITZI McCOY artwork do you think would have best suit the cover of the book? Please let me know by commenting below or sending an email to brianedwardcollins1[at]gmail.com.

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So… about that book.

The Lost Art of Kreigh Collins, the Complete Mitzi McCoy” features the entire run of Kreigh Collins’ first NEA feature.

Mitzi McCoy Cover 150

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

The book is available for $30. For domestic shipping, add $4; for international orders, please add $25 to cover first class shipping. To place an order, leave a comment below or email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information. Thank you!

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For more information on the career of Kreigh Collins, visit his page on Facebook.

Stub’s New Hobby

MITZI McCOY existed for less than two years, only enough time for 11 distinct chapters. The following story arc was the second-to-last chapter, and is one of my favorites.

All of the following episodes are taken from the Pittsburgh Press, which featured MITZI as the lead comic in its collection of Sunday funnies.

It’s a light-hearted affair, wrapping up the previous chapter. It features some slang I had to look up (“hay burner” = horse), and references the Winston Churchill’s painting hobby (a contemporary development; this episode appeared less than five years after the end of WWII).

Stub soon learns that landscape painting is a young man’s game—something that Kreigh Collins had discovered himself. He was 42 years old at this point, and had been working professionally for over 20 years. During the first fifteen years of hios career, he worked primarily as a painter. He started with landscapes, learning from the esteemed Michigan painter Matthias Alten. Later, in the Depression years, he produced numerous large murals as well as portraits, but his painting career was cut short by a shoulder injury suffered in the mid-1930s. His recovery led to his new focus on pen and ink illustration, which eventually led to his gig as a syndicated Sunday comic strip artist.

I haven’t seen any evidence of my grandfather having ever taken up etching, but for the purpose of the storyline, it makes sense for Stub to take up something “easier” than landscape painting.

While doing research for my MITZI McCOY book, I learned that Collins based Mitzi’s appearance on Rita Hayworth… I wonder who his inspiration was for his new femme fatale (whose name, Zoe, would be revealed in a later episode).

To be continued…

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About that Mitzi McCoy Book…

The Lost Art of Kreigh Collins, the Complete Mitzi McCoy” features the entire run of Kreigh Collins’ first NEA feature.

Mitzi McCoy Cover 150

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

The book is available for $30. For domestic shipping, add $4; for international orders, please add $25 to cover first class shipping. To place an order, leave a comment below or email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information. Thank you!

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For more information on the career of Kreigh Collins, visit his page on Facebook.

Pipe Dream

Kreigh with his pipe, northern Michigan, c. 1930.

A very busy week with my day job has led to having nothing ready to post today. Instead, here is a quick update.

As previously mentioned, the reason I started this blog was to raise awareness of my grandfather’s career as a cartoonist. One of the reasons I wanted to raise his profile was my plan to publish a collection of his comic strips and I hoped to sell books to folks outside my immediate family!

My first idea was to do a book featuring KEVIN THE BOLD, but this seemed intimidating because the strip ran for so long. While searching for KEVIN episodes to fill the holes in my collection, I acquired the complete run of MITZI McCOY, and the idea of putting together a book with only about 100 episodes seemed much more manageable for a first-timer like myself.

Once the book came out in 2018, this blog continued, and I circled back to my original idea—doing a book on KEVIN. By this point, I had become more familiar with the 78 story arcs of Kreigh Collins’ better-known comic feature and my publishing plans evolved into the pipe dream of publishing all of KEVIN’s adventures in five volumes—each with about 200 episodes. This dream included a sixth volume with UP ANCHOR!’s run of 174 episodes.

Knowing how much work went into the MITZI book, I realized I’d be lucky to do a single volume on KEVIN, but unlike producing six more collections, this was a viable plan. KEVIN THE BOLD, Volume 1 would feature the strip’s first 205 episodes—the 15 chapters that appeared from October 1, 1950 through August 29, 1954. I was confident that I could find a new publisher; however, this step proved to be harder than I expected, and I paused on my color-correcting efforts.

If anyone has any leads or suggestions for a publishing partner, please let me know by commenting below or by sending an email to brianedwardcollins1[at]gmail.com. (Even if you don’t have any leads, I love hearing from fan’s of my grandfather’s work!) Besides the wonderful episodes that Volume 1 would feature (about 95% of which are beautiful half page examples from the Chicago Sunday Tribune), I have plenty of other material to include, and I think it would be a fantastic book.

Thank you! Schedule permitting, a chapter from 1958 will start next week.

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A Golden Age Classic

The Lost Art of Kreigh Collins, the Complete Mitzi McCoy, features all of MITZI’s eleven chapters, plus the transitional sequence where the comic strips morphs into KEVIN THE BOLD.

Mitzi McCoy Cover 150

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an afterword by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

The book’s price is $30. For domestic shipping, add $4; for international orders, add $25 for first class shipping. To place an order, leave a comment below or email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information.

_______________________________________________________________

For more information on the career of Kreigh Collins, visit his page on Facebook.

Off the Chain!

The posse comes across Stub’s disabled hotrod—but where are Peggy and Tiny?

Breaking free, and with no time to waste, Tiny reaches Peggy before the wolfpack.

In the dramatic conclusion to MITZI McCOY’s eighth chapter, Tiny saves Peggy and Stub saves Tiny, with Peggy attesting to Tiny’s heroism.

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Mitzi, Tim, Stub, and Tiny

Besides this chapter with Tiny and little Peggy Smith, “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy,” features ten other story arcs, plus the transitional sequence where the comic strips morphs into KEVIN THE BOLD.

Mitzi McCoy Cover 150

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an afterword by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

The book’s price is $30. For domestic shipping, add $4; for international orders, add $25 for first class shipping. To place an order, leave a comment below or email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information.

_______________________________________________________________

For more information on the career of Kreigh Collins, visit his page on Facebook.

Little Girl Lost

It’s back to school as usual for Peggy.

Before his days as a cartoonist, Kreigh Collins did a lot of painting, and the wintery outdoor setting shown in the first frame of the January 15 episode certainly evokes one of those rural landscapes.

Meanwhile, back in Scott County, Stub, Mitzi, and Tiny set off on an investigation. (To learn why Stub drives an old hotrod, I recommend purchasing the book listed below!)

The January 22 episode is quite delightful, with the second tier handsomely featuring Peggy, feeding the remnants of her lunch to the birds and clambering through the snow.

The suspense builds as the four groups converge: the posse, the wolves, Peggy, and Tiny.

To be continued!

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Mitzi, Tim, Stub, and Tiny

Besides this chapter with Tiny and little Peggy Smith, “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy,” features ten other story arcs, plus the transitional sequence where the comic strips morphs into KEVIN THE BOLD.

Mitzi McCoy Cover 150

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an afterword by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

The book’s price is $30. For domestic shipping, add $4; for international orders, add $25 for first class shipping. To place an order, leave a comment below or email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information.

_______________________________________________________________

For more information on the career of Kreigh Collins, visit his page on Facebook.

Dog Days

As we enter the dog days of August, running a sequence featuring a pup seems appropriate. Kreigh Collins included a number of pooches during his 25-year run as a cartoonist for the NEA syndicate; here is the first—Tiny, an Irish Wolfhound.

MITZI McCOY was featured in many small-town, rural newspapers, so the story Collins cooked up likely resonated with many of its readers. These episodes started appearing in January, 1950.

The action is a real throwback, set on a small family farm where the entire family, including young Peggy, pitched in to do the chores.

Peggy’s father is skeptical, and others less so, but as editor for the Freedom Clarion, Stub is always on the prowl for news.

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Mitzi, Tim, Stub, and Tiny

Besides this chapter with Tiny and little Peggy Smith, “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy,” features ten other story arcs, plus the transitional sequence where the comic strips morphs into KEVIN THE BOLD.

Mitzi McCoy Cover 150

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an afterword by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

The book’s price is $30. For domestic shipping, add $4; for international orders, add $25 for first class shipping. To place an order, leave a comment below or email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information.

_______________________________________________________________

For more information on the career of Kreigh Collins, visit his page on Facebook.

She Said Yes!

Once again, beautiful Marie dominates the July 7 episode, which includes a very charming, barrier-breaking throwaway panel where she addresses the reader directly—visible only in the half-page format such as this. Meanwhile, the final panel introduces a character who has proven to be a scene-stealer in the past.

Where have I seen that snout before? Craigwood Molloc Druich bears a resemblance to a certain pup Collins had featured in MITZI McCOY nearly 20 years earlier—Stub Goodman’s dog, Tiny.

Tiny played a significant part in the metamorphosis of MITZI McCOY into KEVIN THE BOLD—but that’s another story.

To be continued…

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More Tiny?

The Lost Art of Kreigh Collins, the Complete Mitzi McCoy,” back in stock, features the entire run of Kreigh Collins’ first NEA feature, MITZI McCOY, and includes Tiny the Irish Wolfhound in one third of its episodes.

Mitzi McCoy Cover 150

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an afterword by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

The book’s price is $30. For domestic shipping, add $4; for international orders, add $25 for first class shipping. To place an order, leave a comment below or email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal information.

_______________________________________________________________

For more information on the career of Kreigh Collins, visit his page on Facebook.

The Deadfall

Mitzi continues to wander, realizes the great mistake she’s made, and starts to seek shelter.

Inches from certain demise, Mitzi is saved by Tim’s quick thinking.

Tim’s shouted warning has also put Mitzi in an eye-catching position! Seeing a familiar face seems to have brought her back to her senses, and Tim has landed a major scoop for the Freedom Clarion.

Mitzi was fortunate not to have gotten caught in the deadfall trap. Several years before turning up in MITZI McCOY, Collins illustrated one of the devices for the book “The Lone Woodsman,” by Warren H. Miller (1943). Though unfortunately printed on cheap wartime paper, the book contains numerous lovely illustrations and comes highly recommended.

MITZI’s introductory chapter ends with a humorous denouement. The dialogue brings a smile to my face due to a phrase my father often used in lieu of cursing—“Blankety Blank!” (sixth panel). Although Erik and Kreigh weren’t close, the two shared plenty of idioms. I think their estrangement is one of the main reasons I am so interested in my grandfather’s career. Growing up, iIt’s not like I was unaware of my grandfather’s work, I just wish there was more dialog about it when Kreigh and Erik were still alive. Of the few comments my father made on the subject was a bemused remark when I switched my college major from engineering to graphic design—“a commercial artist, that’s what my dad was.” Although Kreigh died young (shortly after his 66th birthday), my grandmother lived into her eleventh decade, and I’m proud that she lived long enough to see I had started collecting Kreigh’s comics, and had taken the first steps to start raising his profile. As his wife, muse, frequent model, and champion, I know she took pride in that.

To read more about the return of Mitzi’s ex-fiancé, and the other goings-on in the little town of Freedom, order a copy of “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy.”

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An Overlooked Classic

The Lost Art of Kreigh Collins, the Complete Mitzi McCoy” features the entire run of Kreigh Collins’ first NEA feature, and is available for a limited time at a reduced price.

Mitzi McCoy Cover 150

MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.

The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.

The book is available for $30 ONLY $20! For domestic shipping, add $4; for international orders, please add $25 to cover first class shipping. To place an order, leave a comment below or email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information.

______________________________________________________________________

For more information on the career of Kreigh Collins, visit his page on Facebook.