The Guinea Pig

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For a moment, it seemed that Kevin had found a way out, but it was not to be. Months pass, and Kevin remains caged like an animal (in this case, a guinea pig). While Kevin may be out of fighting shape, his mind is still sharp, and he comes up with a plan…

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Meanwhile, Kevin’s elderly ally has set upon providing some relief for his beloved, caged prince.

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It might be a bit of a stretch, but in an another parallel to Game of Thrones, the old man slays Sarrov. Since he’s unnamed, I’m dubbing him the Tyrantslayer. Appropriately enough, this spooky episode appeared on Halloween.

Next week—the sequence’s climax!


The Lost Art of Kreigh Collins

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The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy. The first-ever collection of Kreigh Collins’ debut NEA Sunday comic strip can be ordered here.


For more information on the career of Kreigh Collins, visit his page on Facebook.

Catching a Snag

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Kevin learns the unlikely truth about the sword fighter he leapt to save, and of the horrible fate of the prince. This information is recounted by a newfound ally, and although the old man isn’t given a name, he has an unusual physical feature—a hook for a right hand (not so different than the Kingslayer, Jaime Lannister). Notably, the episode’s dramatic splash panel was used as back cover art for a highly-recommended 2017 collection of “Kevin the Bold” comics (details below).

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As a whole, these Chicago Tribune comics are not as vibrantly reproduced as examples from earlier in the decade, but the October 3 episode printed quite nicely.

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Kevin’s plan to get inside catches a snag—and another snag saves his hide.

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The October 10 episode is a marvel; it features perhaps my favorite panel in the comic strip’s entire 18-year run. It is even more dramatic as seen in a black-and-white syndicate proof, which showcases Collins’ mastery of composition and illustration.

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Kevin the Bold: Sunday Adventures

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Here are over 140 episodes of this rollicking, witty and dramatic lost Sunday comics classic! With elegant artwork and smart storytelling by creator Kreigh Collins, KEVIN THE BOLD blends swordplay, suspense, humor and history in a rugged, highly appealing blend! 95% of the material is sourced from black and white syndicate proofs. Available here.

 


For more information on the career of Kreigh Collins, visit his page on Facebook.

Got G.o.T?

Game of Thrones ended, big deal. No one seemed happy with the last season (especially the ending), so why not get your fix of medieval-style adventure with “Kevin the Bold?” It has all the action, thrills, and drama of the TV show, and it’s 100% incest-free. It is as beautifully depicted as GoT, but sorry—no dragons.

Here, the villains aren’t White Walkers and the army of the dead, but descendants of other evil beings—members of the armies of Attila the Hun and Genghis Kahn. They are led by a ruthless Russian usurper named Sarrov. With these comics appearing as the Cold War intensified, my guess is that the name Sarrov was derived from “Soviet Russia.”

Although Nikita Khrushchev wasn’t known to wear a big, furry hat with a skull emblem,  what Sarrov states in the fourth panel was the general fear of many westerners. As Kevin visits his friend King Rupert, he learns that the king is wary of Russian interference in his peaceful kingdom.

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Parallels to modern-day events are found in the September 12 episode, as Sarrov outlines his plans to destabilize Europe.

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Unable to refuse his friend’s request, Kevin sets off for Muscovy. En route, he finds some outcasts with whom he sympathizes, and yet another in need of his help.

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The Lost Art of Kreigh Collins

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The Cold War hadn’t yet started when “Mitzi McCoy” was appearing in Sunday comics sections, the prevailing mood found in the comic is that of post-war optimism. Discover its charm in the first-ever collection of Kreigh Collins’ debut comic strip, The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy, available here.


For more information on the career of Kreigh Collins, visit his page on Facebook.

The Twist

Things look bleak for Kevin, Sir Richard, and Lucia.

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The possessive nature of Sultana Safia is good fortune, as Kevin and his friends avoid another close shave.



The Lost Art of Kreigh Collins

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Although Mitzi never made it as far as Istanbul, she traveled quite a bit in her comic strip. Read about her exploits in her Michigan hometown, and her travels to Chicago, Florida, and Canada’s north woods in The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy. The first-ever collection of Kreigh Collins’ debut NEA Sunday comic strip can be ordered here.


For more information on the career of Kreigh Collins, visit his page on Facebook.

The Fool

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After experiencing Sir Richard’s foolhardiness first hand, Kevin witnesses it again. This time it seem certain that it will cost Sir Richard his life.

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In a shocking turn of events, Sultan Murad releases Richard. And sure enough, the foolish Englishman puts them all in harm’s way again. How many times can Kevin overcome Richard’s ineptitude?


The Lost Art of Kreigh Collins

Mitzi McCoy Cover 150

The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy can be ordered here.


For more information on the career of Kreigh Collins, visit his page on Facebook.

Escape from the Harem

Just prior to the following sequence, Kevin’s travels took him to Japan. How he got so far east is another story, and because my collection of “Kevin” comics is incomplete, it’s a story I cannot recount at this time.

As this new adventure begins, Kevin is aboard a sailboat near Istanbul, a seemingly unusual place to secure intel on Spain’s plans to invade England.

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Due to the reference to Sultan Murad (III), the events depicted would be occurring c. 1580, the height of the Ottoman Empire. Kevin and tagalong Sir Richard are set to rescue the fetching English spy, Lucia.

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The August 11 episode is a marvel, and Collins’ beautiful line work is fully on display in the NEA Daily. Despite Sir Richard’s timely suggestion to change into less conspicuous clothing, their daring escape is noticed.


For more information on the career of Kreigh Collins, visit his page on Facebook.

Do You Know–

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To commemorate Michigan’s centennial, Kreigh Collins illustrated a daily feature called “Do You Know.” A collaboration with writer Willis Atwell, it appeared in eight Michigan newspapers and ran from September 2, 1935 to January 26, 1937 (the 100th anniversaries of Michigan first becoming a U.S. territory and then a member of the Union).

Because each panel was comprised of three separate illustrations and historical accuracy was paramount, the project required a great deal of research. The hard work paid off and the feature became a hit in Collins’ home state. Due to popular demand, Booth Newspapers, Inc. compiled these 441 panels into a book, allowing Collins’ reputation as an illustrator to spread.

 

“Do You Know” was quite similar in style to “Ripley’s Believe It Or Not.” While “Ripley” will celebrate its 100th anniversary this October, at the time it was a relatively new feature, having debuted 16 years earlier. In fact, another comic feature, illustrated by Art Krenz, appeared around the same time. It was also titled “Do You Know,” and was put out by the syndicate that would hire Collins 13 years later, Newspaper Enterprise Association (NEA). The two like-named features coexisted, and it is unclear to me which came first. Even if the Booth Newspapers concept was not entirely original, the illustrations are both entertaining and educational, qualities that would also describe Kreigh Collins’ future comic strips, especially “Kevin the Bold” and “Up Anchor!”

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The March 18, 1936 installment has a very informative diagram showing the relative depths of the Great Lakes, most of which Collins would later sail on extensively (all but Lake Superior). The earliest installments (below) describe a border skirmish between Ohio and Michigan, the results of which are a bit embarrassing for someone whose family hails from the Great Lakes State. 

The illustrations are filled with interesting details, like the reverse lettering on the ink stamp (October 4, 1935), clever political cartooning (October 30, 1935), and despite the time period in which they were published, not only highlight the accomplishments of men, but those of women and native Americans too (November 14 and 1, 1935).


For more information on the career of Kreigh Collins, visit his page on Facebook.

A Pretty Little Speech

Besides becoming an artist, the only other career choice Kreigh Collins considered was to become a magician. By the time he reached high school he’d made up his mind, yet magic cropped up in his work frequently enough. In 1937, he wrote Tricks, Toys, and Tim, a unique “how-to-do-it” book  published by D. Appleton-Century — Kreigh’s illustrations appeared throughout. In his later work, subjects related to magic came up — “Mitzi McCoy” had a sequence featuring a yodeling cowboy with a ventriloquist’s dummy (!) — and ventriloquism was featured again in this “Kevin the Bold” storyline.

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If you find a copy, buy it! You won’t be sorry. More information on “Tricks, Toys, and Tim” here.

Unfortunately, Kevin and Tankard are unaware of the current fearful climate in the little Dutch city of Bomen.

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The September 9 episode is a good example showing the difference between the Chicago Tribune’s superior color schemes and that of a typical newspaper. Although the image of the half page version is just a snapshot liberated from an old eBay listing, it has richer colors and and a much more extensive palette than the tabloid.

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The ever-honorable Kevin bids to save his new friends’ lives by sacrificing his own. In what appears to be a cowardly move, Tankard quickly backs the idea.

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Finding the perfect time to demonstrate his talents, Tankard saves the day. Meanwhile, Kevin is appreciative enough that Tankard accompanies him on his next adventure in Ireland, where no doubt he will demonstrate more magic.


The Complete Mitzi McCoy

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To read the 1949 “Mitzi McCoy” sequence featuring the yodeling cowboy and his ventriloquist’s dummy, pick up a copy of The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy, available here.


For more information on the career of Kreigh Collins, visit his page on Facebook.

The Witch Hunter

Stub’s warning proven true, Kevin starts to swim for shore, looking for safety.

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After being rudely welcomed ashore, Kevin makes an acquaintance with the opportunistic Tankard. There is plenty of knavery afoot, as geese come and go.

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There is joy in the town, but its counterpart is manifest in the witch hunter, Swatrzhunt.

A little more than a year after the August 26, 1951 episode appeared in Sunday papers, its splash panel was repurposed as a cover for Tit-Bits, a weekly publication from Argentina. Tit-Bits featured other comics from the U.S., and even if you don’t know Spanish, like me, the strips are prettily easily identified. In addition to “Kevin el denodado,” typically there are episodes of “Ben Bolt Campeón,” by John Cullen Murphy, Dal Curtis’ “Rex Morgan, Médico,” and “Terry el Piloto/Terry and the Pirates” (George Wunder). Two comic strips whose names aren’t cognates also run—one is familiar to me (Lee Falk & W. McCoy’s “La Sombra/The Phantom”), and the other is not (“Las Llaves del palacio/The Keys to the Palace” by Fernanci).

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Later, there is more to come about “Kevin el Denodado,” but next week, Kevin’s adventures in Holland continue.


For more information on the career of Kreigh Collins, visit his page on Facebook.

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A witch!

With the recent release of the Mueller Report, witch hunts are in the news. The subject came up on a couple of occasions in “Kevin the Bold.”

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Per wikipedia, the classical period of witch-hunts in Early Modern Europe and Colonial North America took place around 1450 – 1750. This actually corresponds (more or less) to the years the events depicted in “Kevin the Bold” took place (c. 1490 – 1668). Obviously, Kreigh Collins took liberties with the timeline while including historical events in his comic strip.

Based on the apparent age of Leonardo Da Vinci, the episode above is set around the year 1510, when witch hunts were common. Ironically, they seem to have returned to prominence in the last couple of years, but that’s another story.

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There are holes in my collection during this sequence, so I can’t run it in its entirety. I was fortunate to have the two episodes above given to me by illustrator/blogger Thom Buchanan. I saw them on an old blog he ran, which I discovered when I began searching online for my grandfather’s comics ten years ago. Thom encouraged me to start a blog, and six and half years later, I did.

The sequence with Leonardo and his lovely assistant Angelina came very late in the comic strip’s run — only three more sequences followed — and it wasn’t the first time witch hunts were featured in “Kevin the Bold.” Sixteen years earlier, in only its fourth sequence, witches were being targeted in the Netherlands. Most of this sequence’s comics are missing from my collection. The images I post here were mined from old eBay listings—how I wish I’d bought them when I had the chance!

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As the preceding storyline transitions, Tankard is introduced, and given his prominence, it’s quite likely he will play a large role in the coming events.

As Kevin sails north on the ship bringing home Sadea, the damsel he’d just saved as a favor to his erstwhile rival the Count de Falcon, Stub offers some words of advice that prove to be prophetic.

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To be continued…


The Complete Mitzi McCoy

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The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy can be ordered here.


For more information on the career of Kreigh Collins, visit his page on Facebook.