Here is another Sunday Times Mirror section I acquired while putting together The Complete Mitzi McCoy. There are fewer ads than usual—if the Mirror’s ad sales department was slacking off, that just meant more full-page episodes and fewer half-tabloids. As usual, Ham Fisher’s “Joe Palooka” leads off, followed by Milt Caniff’s “Steve Canyon” and “Mickey Finn,” by Lank Leonard. Next up is “Kerry Drake,” by Alfred Andriola/Allen Saunders and Frank Miller’s “Barney Baxter in the Air,” with each page filled out with a few $2 bills of play money. Harry Hanand’s silent comic “Louie,” and “Superman” by Wayne Boring (and likely Stan Kaye) follow.
Next, Merrill Blossar’s “Freckles and His Friends” shares a page with an ad for Camel filtered cigarettes—the ad features the then-famous aerialist Antoinette Concello. Ms. Concello offers a testimonial to the mild, good-tasting cancer sticks, but I think she likes them because they soothe her nerves. (I don’t care if she performed over a net, I’d need something at least as strong to calm down after running through that routine!). The facing page features the comic strip that inspired me to plunk down my money for this section—a full page “Mitzi McCoy” episode (a nice change from the usual half-tabloids that ran in the Mirror). This August 14 episode is the penultimate installment of the fifth chapter of “Mitzi” and features the NEA’s typical footer—mugshots of the syndicate’s lead characters.
Next up, “Rex Morgan, MD” by Bradley and Edgington (with a nice, custom footer), and “Boots” by Martin, sharing the page with an ad for Colgate Dental Cream. Sometimes the ads in these old sections are charming, but this one is pretty obnoxious (and typical of the era). Roy Crane’s “Captain Easy” (drawn here by Walt Scott?) and V.T. Hamlin’s “Alley Oop” share the next page, followed by “Henry” by Carl Anderson. While “Captain Easy” and “Alley Oop” get the NEA footer, “Henry” features more play money, this time it’s big money—sawbucks! (I wonder if any kids ever cut these out? If so, then “Mickey Finn,” “Louie,” and “Bobby Sox” paid the price by being on the flip side). Two more split pages follow, “The Flop Family” by Swan with “Bobby Sox” by Marty Links, and “Out Our Way featuring the Willets,” by J.R. Williams, and “Our Boarding House.”
Taking its usual spot on the back cover is “Lil’ Abner” by Al Capp.
About that Strip on Page 9…
“The Lost Art of Kreigh Collins, the Complete Mitzi McCoy,” is available for immediate delivery at a reduced price; it features the entire run of Kreigh Collins’ first NEA feature .
MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.
The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.
The book costs
$30 only $20! For domestic shipping, add $4; for international orders, add $25 for first class shipping. To place an order, email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal or Venmo information.
For more information on the career of Kreigh Collins, visit his page on Facebook.