The first and last episodes shown here are third pages combined with BW versions found online from the Allentown (Pa.) Call-Chronicle. While assembling the images, I noticed that the one appearing in newspaper was vertically scrunched, slightly, a few percentage points. I don’t know if that paper purposefully ran scaled-down versions so that they took up less space or if the distortion was just a result of the images being scanned. At any rate, the combined comic shows how the original was cropped to yield the third-page, and what was deemed unnecessary (hint: don’t crop out the ladies!)
Kevin does the honorable thing by dispatching Tom, and is rewarded with an unexpected display from Don Diego, who also acts virtuously (despite his previous handsiness with Inez).
With the cards in your favor, playing by the rules, sometimes you lose.
Holding tight to his principles, the fate of Don Diego (and Kevin) now lies with the flip of a coin.
An interesting question indeed from Dolores—and the men are saved by the wily Inez.
I’d think that there’d be easier ways for these two beauties to catch men, but Ill go along with it. Will Kevin?
Wise old Pepe stalls for time, but Dolores is quick to act. She opts to liberate the foreigner, and with a glance at the throwaway panel, it’s easy to see why Kevin went along with her plan—for one night, anyway.
Kevin leaves, and gets lucky (again?), by bumping into Tom.
In a scene from the comics that would be shocking today, Diego awakens, and sexually harasses his caretaker. It’s kind of a textbook case of an interaction between a powerful man and a powerless female underling. It seems Inez has seen this sort of stuff before and deftly bats away Diego’s advances. Elsewhere, Kevin bravely stands sentinel.
The first eight episodes of this sequence made a compelling first act, and a wonderful second act is made from the next four episodes. The action involves plotting for revenge, building a secret armada, a catfight with flying fish (?!), gorgeous sailing scenes… and is essentially what convinced me rerun this sequence.
Kevin unseals the King’s orders, and a couple of likable “enemies” are introduced.
Also referenced is Catherine of Aragon, yet another historical figure I was inspired to look up thanks to my grandfather’s comic strip. Ah yes, King Henry’s first wife, the spurned Spanish princess who died young, tragically. Yes, I understand Diego’s beef with England.
Moving on, we are introduced to Inez and Dolores, AKA Sheepface. Me-oww! The claws are out!
Yes, the fish are flying! And some beautifully-rendered panels follow, featuring longboats and more of my favorite fishing girls.
The July 26 episode (below) is evidence of Kreigh Collins’ personal experience with and love of sailing. The perspectives shown accurately reflect the imminent collision at sea. At this point Collins mostly sailed aboard a 45-foot schooner, but he still owned a 19-foot Lightning, whose hull pretty closely resembles the boat Kevin is shown sailing. Sailing downwind, the square-rigged boat has less maneuverability than Diego’s lateen-rigged double ender. But pointing into the wind, the Spaniard has no intention of passing port to port, as would be the custom.
That’s right—even sailing solo, acting as a spy in foreign waters, and rammed by an unnamed boat, Kevin is duty-bound to try to rescue his antagonist at sea.
Her interest piqued, Tom Chiswick has made a fine impression on Miss Makepeace, and she’s shocked to see what unfolds.
Tom is bewildered. Jumped by thugs, one of whom was Pedro, and set upon by a master swordsman, revealed to be Kevin. Then, following an explanation, the tables turn as someone makes a strong impression on him.
Things are moving quickly, yet they are about to speed up. And with Spring in the air…
Without a nice half-page for the June 28 episode, a third-page example combined with a black-and-white velox proof will have to suffice—not bad! And it shows how much of the original illustration was lost when it was edited.
With an abrupt answer to his question, Tom is dispatched. Only later does Becky confront the feelings she has for her suitor.
At this blog’s onset, I didn’t have a clear plan, other than the general idea of trying to raise my grandfather’s profile. The firstseveralposts introduced Kreigh Collins’ three NEA Service features, and the nextfewentries covered some generalities. I was fortunate to stumble upon the (rather obvious) idea of posting on Sundays, and I soon learned that one weekly post would be plenty. Eventually it dawned on me to post complete story arcs over the span of several weeks. With an ample inventory from which to pick, I decided on a lengthy chapter near the midpoint of Kevin the Bold‘s run.
At the time, the only examples I had of this particular chapter were one-third page versions, but I proceeded anyway—it seemed like a solid example of one of Kevin’s adventures. Five-plus years later, I’ve run about half the episodes my grandfather created, and there’s still plenty to choose from. Nonetheless, I thought revisiting this particular sequence might be a good idea, since I recently acquired half page examples of 16 of the 19 episodes.
As the prior episode transitions to a new story, two new characters are introduced—wealthy shipbuilder Thatcher Makepeace and his Becky, his lovely daughter.
The chapter shows hallmarks of not being written by Collins, but there is plenty of fantastic artwork to come.
Alas, Mr. Makepeace doesn’t realize the spunkiness of his gently-raised little girl. They grow up so fast!
“Mitzi McCoy” was featured in several of Pierre Mouchot‘s French comic book titles—first in Fantax, then in Robin des Bois, Le Casseur, and P’tit Gars. In all, about ⅔ of Mitzi’’s episodes appeared in Mouchot’s titles. Le Caseur, featuring Big Bill, had the longest run of the four, with Mitzi appearing in 20 issues (Nos. 32–51). As with the case of most (all?) of the others, an episode (or more) started inside and concluded on the back cover. I haven’t seen interiors of Le Casseur, but I was able to track down a bunch of the covers (with guidance from my friend Gérard).
The examples above show episodes that came from the third and fourth chapters of “Mitzi McCoy.”
If you’re curious how these look in English (and in full color!), see below for information on how to order “The Lost Art of Kreigh Collins, the Complete Mitzi McCoy.”
In 1956, NEA offered an illustration for subscribing newspapers to run on Easter Sunday (or in the case of the reproduction shown here, for the Grand junction, Colorado Daily Sentinel, on Saturday, March 31). Kreigh Collins’ illustration ran in full color, which was a rare occasion (outside of the papers’ Sunday comics). My apologies that I don’t have a color example to show.
“The Lost Art of Kreigh Collins, the Complete Mitzi McCoy,” is available for immediate delivery at a reduced price; it features the entire run of Kreigh Collins’ first NEA feature.
MITZI McCOY ran from 1948 to 1950 and showcased Kreigh Collins’ skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip’s ensemble cast rotated in and out of the spotlight taking turns as protagonists in the dozen story arcs collected in this volume. The last story collected in “The Complete Mitzi McCoy” is the narrative bridge that set Collins and his characters off on a new journey, beautifully told for the next couple of decades in the much-lauded adventure strip Kevin the Bold.
The collection includes an introduction by Eisner Award-winning author Frank M. Young, an Afterward by Ithaca College’s Ed Catto, and previously unpublished artwork and photos. Longtime comics artist Butch Guice also provides a new pin-up of the character Mitzi McCoy.
The book costs $30only $20! For domestic shipping, add $4; for international orders, add $25 for first class shipping. To place an order, leave a comment below or email me at BrianEdwardCollins1[at]gmail.com, and I will give you PayPal information.
Both Kevin and Pedro appear doomed in their rescue effort, as Kevin is attacked and Pedro nearly crushed. While supporting the crumbling pier, somehow Pedro is able to cut Glenn loose, allowing him to crawl away.
In his attempt to avoid Kevin, Captain Steele’s carelessness brings the whole wharf down, entombing him. It’s a familiarway for Kevin’s enemies to go, victims of their own demise.
The story ends abruptly, without showing a mother-child reunion, and quickly transitions to the next chapter.
While Glenn is still held captive, his worried mother calls on Kevin to help find him.
I don’t have a color half-page example of the October 26, 1958 episode, but the reverse side of this black and white proof has an interesting detail. Normally, pencilled on the back of these prooofs were instructions from NEA boss Ernest Lynn for his secretary (e.g., “Kreigh Collins Airmail”), but this one reads “Kreigh Collins Airmail – Macatawa,” indicating that Collins and his family were spending the summer sailing in northern Michigan—Lake Macatawa was a favorite spot, and Collins used local Post Offices for general delivery during summers spent aboard his boat, as he continued his work assignments. With episodes readied about three months before publication, that meant that delivery of this proof took place in late July, 1958, the third summer Collins and his family sailed aboard their schooner Heather.
Poor, frightened Glenn cries out again, but this time Kevin and Pedro are within earshot.
As a mid-1958 storyline transitions to a new chapter, a new, recurring character is introduced.
A mountain of a man, Pedro would continue to play a large roll in Kevin’s adventures over the final decade of the comic strip’s run. Pedro even made the jump when “Kevin” morphed into “Up Anchor!,” continuing his supporting roll during the 3.5-year run of Collins’ final NEA feature. Friends like that are hard to find, and I would like to thank my friend Arnaud for providing most of these scans from Pedro’s introductory sequence.
As the story unfolds, some new characters are introduced—the first is swordsman/card cheat Captain Steele—I’m thinking he’s going to be the villain…
…Call me Kreskin! Another new face is that of little Glenn. In real life, Glen is one of Kreigh Collins’ four sons, the oldest of twins born when Kreigh and wife Theresa were in their mid-40s. (Glen’s twin is named Kevin). Glenn is a handsome little fella, as is his namesake—though Uncle Glen now more closely resembles Pedro in size. Here Glenn and Kevin meet cute as Captain Steele flees the scene of a crime.
Although this is Pedro’s first appearance in the comic strip, he and Kevin are well acquainted previously, and their story continues next week…