Tom Mix Nr. 4 (1953)

For a while, it seemed like the results of last week’s survey would be unanimous, but a late flurry of vote (singular intended—Ed.) made things interesting. As I was color-correcting the pages of what was Rafa G’s request, TOM MIX Nr. 4, a second vote came in from Alberto, tying the score. With no tie-breaker in place, a New York Mirror Sunday comics section will have to wait until next month.

Although my ruse didn’t produce an overwhelming response, it was nice to hear from a few readers. As for the third request I received (thanks, Roger!), the Treasure Hunt chapter will begin next week.

Like the preceding issues, the cover for TOM MIX Nr. 4 was printed in color on a nice, sturdy cover stock, with black and white inside covers. Released two weeks after its predecessor, the cover seems to feature General George Custer. (I might be missing something, but I didn’t find this character inside the comic book). Besides the cachet of being a nicely printed, 70-year old comic featuring the Swedish version of KEVIN THE BOLD, it features a few other elements that coincidentally align with some of my (other) fondest obsessions—the Buffalo Bills, beer, and Johnny Cash.

As usual, two episodes of UGH appeared on the inside front cover. The main portion of the comic book was kicked off by a mock-up of a newspaper’s front page.

TOM MIX runs across three spreads…

…and concludes on a page facing the recurring På Kryss med Roland contest, notable for its imagined adventures, this time featuring a giant squid on the attack.

De Dog Med Stövlama På (“They Died with their Boots On”) follows; it profiles “Wild” Bill Hickok, the notorious gun-fighting western figure.

Eight pages of a comic based on the exploits of William F. “Buffalo Bill” Cody followed. Interestingly enough, “Wild” Bill Hickok and Buffalo Bill knew each other—in fact, Hickok became Cody’s mentor.

Two Bills—“WIld” (left) and “Buffalo” (right).

I’m not overly familiar with either of these Bills, but having grown up in western New York State, I’m a big fan of the (American) football team, the Buffalo Bills!

Next up was ROLAND DEN DJÄRVE. The action picks up where it left off in TOM MIX Nr. 3, with the episode originally published on December 24, 1950. The comic book publisher created their own color separations, and an interesting choice was made for the color of Roland’s hair—he’s blond (not the first time Kevin was depicted as a toehead).

To fit in the comic book, the three Sunday half pages were repurposed quite smartly, with each episode being reconfigured into a comic book spread.

As a Buffalo Bills fan, it might come as no surprise that I’m also a fan of beer; I used the little tent seen in the introductory panel of the December 31 episode as part of a beer label I created for Ada, Michigan’s Gravel Bottom Brewery—Kevin the Bold Imperial Stout.

Following Kevin, it’s time for LASH LaRUE.

My only familiarity with Lash LaRue is the fact that he appeared on the cover of a mid-1980s album by another of my obsessions, Johnny Cash. (Before I started collecting my grandfather’s comics, I collected Johnny Cash LPs. I don’t have them all, but 94 is a pretty substantial total—even without including CDs and cassette tapes, but I digress). The handsomely-photographed album features an action shot of Mr. LaRue on the back cover. (Sadly, the version of “Heroes” that appears at the end of side one is not a cover of David Bowie’s memorable track).

No offense to Johnny or Waylon, but the cover art is the album’s highlight. Getting back to the realm of comics, it’s interesting to know that Johnny even had his own comic book.

TOM MIX Nr. 4 concludes with a short story running on the inside back cover, Afrikas Vän (“Africa’s Friend”), about David Livingstone.

Despite owning a book on Livingstone written and illustrated by Kreigh Colllins (1961), my knowledge of the famed explorer was quite spotty. (I was happy to learn that he was an abolitionist, and not out to exploit Africa).

Livingstone’s portrait is featured on the back cover of TOM MIX Nr. 4.

Thanks again to those who voted last week.

_______________________________________________________________

For more information on the career of Kreigh Collins, visit his page on Facebook.

Taking Requests

Having just finished the busiest part of the year in my day job as a graphic designer (a two-week stretch of work without a day off, ugh!), I had no time to prepare anything for today’s post. In general, when I finish a multi-week chapter of Sunday comics (as happened last week), I create a stand-alone post, featuring a comic book or Sunday comics section, and then start running a new chapter over the next few weeks.

Here’s an opportunity for you to cast a vote for what you would like to see next week. The choices are:
1. BIG HORN No. 4 (A French comic book featuring Kevin le Hardi, from the late 1950s)
2. A New York Mirror Sunday Comics Section featuring Mitzi McCoy, et al (1949)
3. A 1963 Apu magazine (featuring Kevin’s Finnish iteration, Haukka)
4. Some comics and content from the Argentinian magazine Tit-Bits, which carried Kevin el Denodado
5. Some comics and content from a Swedish comic book, Tom Mix (1953)

Please vote using the “Leave a comment” option found at the bottom, right.

Also, if there is a particular chapter of MITZI McCOY, KEVIN THE BOLD, or UP ANCHOR! you would like me to start running the following week, let me know. Here is a link to the past chapters that have run.

Thank you!

______________________________________________________________

For more information on the career of Kreigh Collins, visit his page on Facebook.

Crawling from the Wreckage Redux

As the chapter draws to a close, a couple of things happen which may be familiar to long-time readers of KEVIN THE BOLD. Kevin’s being distracted by his prime objective—saving others—putting his own safety in jeopardy, and a costume switch between male and female characters (as happened in KEVIN’s debut sequence, a decade earlier).

This time, it’s Brett creating the diversion, allowing Anne a chance at an escape.

Kevin is fortunate to emerge relatively unscathed after the coach topples over—Cardiff, not so much.

The chapter ends as Anne’s guardian appears, and Pedro makes an appearance, signaling a transition to a new adventure.

______________________________________________________________

For more information on the career of Kreigh Collins, visit his page on Facebook.

Kevin’s Part-Time Job

It’s too bad I don’t have a tear sheet of the April 24 episode because I like the looks of poor old Jasper in the throwaway panel.

Just as Kevin starts to understand Brett’s instinctive compassion for Jasper, the poor old man gets jumped.

Moonlighting as a coach driver, Kevin hopes to protect Anne.

In a brutal turn of events, Anne finally sees the light about Cardiff.

______________________________________________________________

For more information on the career of Kreigh Collins, visit his page on Facebook.