A recent trip to Iceland inspired me to run the accompanying “Dragon Ship” sequence, set in Norway. I’ll vouch for the coldness of the North Atlantic (though I was not “bold” enough to wade in deeper than my ankles).
The illustration of underwater swimming in the final panel is evocative of a decade-old Mitzi McCoy comic and plot device, that of finding a hidden cave with an air pocket.
As in the mid-1949 Mitzi McCoy sequence, a cave is found with an air pocket. It allows Kevin to escape the frigid water, albeit briefly. Meanwhile, as Thord’s men squabble, Kevin seizes his opportunity.
Besides being a rather gruesome conclusion to a compelling storyline, the August 31, 1958 episode is notable for a couple of other reasons, among them a continuity problem. When Thord and Kevin resurface in the second panel, some stones are visible in the foreground, to Thord’s right. In the next panel, Thord gives Kevin a stiff-arm as he lunges for the stones to his left. The throwaway panel then shows a closeup of a stone in Thord’s left hand, but the following panel shows the stone in Thord’s right hand, as he’s about to strike at Kevin.
Also of note is the introduction of the character Pedro in the final transitional panels. A large and recurring character, Pedro was by Kevin’s side for many of his adventures over the final decade of Kevin the Bold’s run. No doubt he was a favorite of Collins, as a very similar Pedro character played a prominent role in Kreigh Collins’ third and final NEA feature, Up Anchor!
Mitzi book update!
Fulfillment of book orders should start by early next week. My apologies for the publisher’s delay in shipping books that have been ordered.
That said, the book (The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy) can be found at the Lost Art Books website, and the last time I checked, it was still available for its reduced, pre-order sale price. In addition to the entire run of “Mitzi McCoy,” the book includes the opening sequence of the comic strip “Mitzi” evolved into, “Kevin the Bold.”
The book also features an extensive introduction by Eisner Award winner Frank M. Young and previously unpublished artwork and photographs.
For more information on the career of Kreigh Collins, visit his page on Facebook.