Fittingly, tragedy has turned comic, and Kevin sets about his defense.
An expertly-placed tripwire and a faked scream upends two of Torre Hemlar’s men, and in an especially gruesome opening panel, Kevin names his terms. Momentarily, the hunter gets captured by the game.
The final panel above was used as the basis for the cover of Atlas Publications’ “Kevin the Bold” No. 11 comic book (printed in England, and marketed in Australia). As was the norm, the artwork has been modified: Kevin’s sword is raised while Torre Hemlar has fumbled his.
Meanwhile, instead of simply attacking Torre Hemlar, the knightly code of conduct requires that Kevin allow his opponent to defend himself. Kevin soon learns that his ruthless adversary is bound by no such rules.
In spite of all the fighting and dueling that took place in “Kevin the Bold,” losers were often spared death. In other cases, villains died indirectly, falling to their deaths, or accidentally—by their own hands. The February 15, 1953 episode was an exception, and Rupert shows that he has taken great strides since he first met Kevin.
18 episodes into the sequence, this extended story arc has much more in store.
The Complete MITZI McCOY (1948–1950)
There’s no sword fighting, but firearms and bows and arrows make appearances in this collection of Kreigh Colllins’ first NEA comic feature, “Mitzi McCoy.” Featuring never before seen photographs, a previously unpublished comic, and a wonderful introductory essay by Eisner Award-winner Frank M. Young, “The Lost Art of Kreigh Collins, Vol. 1: The Complete Mitzi McCoy” is available here.
For more information on the career of Kreigh Collins, visit his page on Facebook.