At this late stage of creating comics for his syndicate, the layout of Collins’ artwork reflected the way he took to dealing with the multiple-format situation NEA artists faced—how to create an episode that worked as a half-page, tabloid, third-page, and half-tabloid. The layouts tended to have a rather stark third tier, as these bottom panels would be jettisoned in order to make a third-page version of the strip. For tabloids, as the panels were shuffled, only the smaller of the two on the bottom tier was thrown away; half-tabloids included the entire piece of artwork—same as the half-page—just at a smaller scale.
I thought Eugene was an unusual name for a horse, but in this case, it’s appropriate—Eugene means “well-born, noble.” Here, poor Eugene is in a bad place, and unfortunately, things get worse.
Kevin should have theme music when he appears—Eugene seems to hear it!
Kevin lives by the knightly code of conduct where it is his duty to protect women, children, and the oppressed; he feels equally protective toward horses (as the Count De Falcon learned in the second-ever chapter of Kevin’s saga).
To be continued…
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